Reissues

Four Season finds Virgo - the German fusion group that first came together as Lava in 1974 - stepping away from major‑label orbit into a more autonomous, exploratory phase, stretching their jazz‑rock language into a calmly expansive, four‑part suite tracked at Tonstudio Bauer in late 1976.

On Park of Reason, Paul Chain loosens doom metal’s grip just enough to let in air, colour and delirium, fusing obsidian riffs, reverb‑soaked keys and his unmistakable glossolalic vocals into a wandering, lysergic meditation on faith, doubt and psychic drift.

El-Hadra is more than ambient music - it’s a sonic ritual that leaves a permanent mark on the soul. This album has transformed the way many perceive sound, becoming a personal landmark for countless listeners. Originally recorded in the late 1980s, it fuses elements of Sufi trance with hypnotic tabla rhythms, meditative zither, and deep ambient drone to form a truly transcendent experience. Listening to El-Hadra is like entering a space beyond time - a journey one can take again and again, alway…

Carrier’s debut album features eight elegantly rude arrangements that dance in negative space between Photek’s frictional syncopations, Rhythm & Sound’s dubwise minimalism and Torsten Pröfrock’s fractured dynamics, bolstered on two tracks by contributions from Voice Actor & Memotone, summoning a noirish, jazzier frisson to his signature metrics and temporalities.

Jean-Michel Jarre's 1972 album of music for public places such as airports and libraries, made with only an EMS VCS3 and a Farfisa organ during his time at the GRM, partly in its studios at night.

20+ year reissue of Mark Fell’s uniquely compelling debut solo album; a fascinating experimental playground for his ideas on topology, asymmetry, and spatiotemporal disruption, triggering one of modern electronic music’s most fanciful, radical, and peerless catalogues. Essential listening for anyone on the line from Autechre to Ikeda.

Complete sessions / expanded edition. One of the most important jazz albums of the 1970s – finally in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis – no heat, malfunctioning equipment, some musicians didn't even show up – and yet what emerged was nothing short of a masterpiece. An "almost accidental …

On Ash, Paul Chain strips his sound down to its smouldering core, turning slow‑burn riffs, funereal keys and desolate vocal invocations into a stark ritual of aftermath, where every chord feels like a fragment left behind by some unnamed catastrophe.

On Master of all Times, Paul Chain sinks deep into his singular doom‑psych continuum, braiding monolithic riffs, church‑organ atmospheres and glossolalic vocals into a slow, occult spiral where time feels stretched, fractured and finally irrelevant.

On Exterminating Angel, Dark Day turns their minimalist electronics toward something more sinister and cinematic, fusing icy synth patterns and ritualistic rhythm into a claustrophobic séance on desire, control and self‑erasure.

On Darkest Before Dawn, Dark Day strips post‑punk down to a skeletal, nocturnal pulse, turning minimal synths, deadpan melody and spectral atmosphere into a stark hymn for the final hours before collapse.

Death Is Not The End reissue Mark Vernon's sought-after 2013 collection Sounds of a Modern Hospital on vinyl & cassette formats. Whilst every effort has been made to record the subject in as great a degree of isolation as possible, the sound recordings you will hear on this record were made in a real working hospital and not under controlled conditions. Therefore, on occasion, you may hear some unavoidable background noise, conversations and other extraneous sounds. All recordings were made by M…

Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.

The Takashi Mizuhashi Quartet proudly announces the reissue of their legendary 1974 album Who Cares, a cornerstone of Japanese post-bop jazz now available in a stunning remastered vinyl edition via Three Blind Mice Records. Originally recorded on August 28, 1974, at Aoi Studio in Tokyo, this vibrant LP captures the quartet's unparalleled synergy during jazz's golden era in Japan. Led by bassist and composer Takashi Mizuhashi, the quartet features saxophonist Yoshio Otomo on alto and soprano sax,…

Legendary Japanese jazz vocalist Kimiko Kasai, one of the most innovative singers of the 1970s, joins forces with the fiery Kosuke Mine Quartet on the newly reissued Yellow Carcass in the Blue, originally released in 1971 on the esteemed Three Blind Mice (TBM) label. This rare leader album captures Kasai at her peak, blending her husky, soulful voice with avant-garde improvisation and fusion grooves, featuring standout tracks like the title song—Masabumi Kikuchi's composition elevated by Kasai's…

The legendary Isao Suzuki Trio's iconic 1976 album Black Orpheus, a cornerstone of Japanese jazz, receives a stunning 180g vinyl reissue, bringing its soulful modal and soul-jazz grooves back to life for a new generation of listeners. Originally released on Three Blind Mice (TBM-63) and recorded on February 20, 1976, at Aoi Studio in Tokyo, Black Orpheus showcases bassist and cellist Isao Suzuki leading a powerhouse trio with pianist Tsuyoshi Yamamoto on piano and electric piano, and drummer Don…

Japanese jazz enthusiasts rejoice: the Hiroshi Fukumura Quintet’s landmark 1973 album Morning Flight, originally released on the iconic Three Blind Mice label, is being reissued for a new generation of listeners. This trombone-led masterpiece captures the raw energy and improvisational spirit of early 1970s Japanese jazz, blending free-form exploration with lyrical standards.

*2025 European press* ‘Araya Lam’ marks the third album from The Paradise Bangkok Molam International Band. Following their releases ‘21st Century Molam’ and ‘Planet Lam’, the band delves even deeper into the roots of Isan music, collaborating with traditional musicians on vocals as well as instruments like the Pong-Lang, Pi, and Sor. Each element adds a fresh dimension to the band’s distinctive reinterpretation of Molam. The album also sees the band expanding their sonic horizons — nodding to N…

The legacy of Afro-Futurist jazz pioneer Sun Ra continues with a first ever vinyl issue of fan favourite "Everything Is Space," on limited 7” vinyl.

In the ever-expanding universe of ambient and minimal electronic music archaeology, certain discoveries feel more significant than others - those rare moments when a previously overlooked recording emerges to fill gaps we didn't even know existed in our understanding of the genre's evolution. Stroom's reissue of Milan W's Leave Another Day represents precisely such a revelation, offering contemporary listeners access to a work that exemplifies the sophisticated minimalism that flourished in expe…

In the autumn of 2022, knowing his time was running out, Ryuichi Sakamoto summoned every ounce of his remaining strength to give us one last, definitive performance. Opus is that performance - a solo piano concert capturing one of the world's greatest musicians in his most vulnerable and transcendent moment. Curated and sequenced by Sakamoto himself, the twenty pieces wordlessly tell the story of his life and his vast body of work. The selection spans his entire career: from his pop-star period …

Known for their exhilarating live-to-record albums such as last year's critically acclaimed Wood Blues and Giant Beauty, سماع [Sama'a] (Audition) is the first of two releases that will surface after [Ahmed]’s first studio recording sessions at North London’s The Fish Factory in early 2025. Since 2014, [Ahmed] أحمد have excavated and re-imagined the music of Ahmed Abdul-Malik, in an ever ongoing search for future music. Over a decade on, the group were given the opportunity to set up in the studi…

Iconic space rock pioneers Hawkwind are thrilled to announce a landmark 50th anniversary reissue of their groundbreaking fifth studio album, Warrior on the Edge of Time, originally released on May 9, 1975. This definitive edition, featuring the legendary lineup of Dave Brock, Nik Turner, Lemmy (Ian Kilmister), Simon House, Simon King, and Alan Powell, captures the band's most polished and ambitious work to date, blending psychedelic fury with cosmic storytelling.  Inspired by Michael Moorcock's …

On October 2 1958, after over 60 years of colonial rule, Guineans voted overwhelmingly for their independence, and Guinea was declared a Republic with Sékou Touré as President. Guinea was the first of West Africa’s Francophone colonies to gain independence. To free Guinea from its colonial legacy, president Touré sought to restore dignity to his nation and give cause for Guineans to take pride in their culture, history and newfound freedom. To achieve this, he instructed his government to implem…

"Few years ago, an idea germinated while reading The Magic Mountain by Thomas Mann. An idea not driven by the narrativity of the book, but by the traces and the aura invoked in it. That was it: an audible auratic journey trough the memories of a place lost in the heights of the swiss mountains. A century after the events depicted in the book, we went where the story took place, trying to capture the remaining sounds that could have been heard at the time, and the ghosts who might have still wand…

Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…

Last pressed on vinyl in 2005, The Inflated Tear is a studio album by Roland Kirk, released on Atlantic in 1968. Roland Kirk, was a hugely influential, blind jazz multi-instrumentalist who played tenor saxophone, flute, and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously. Pitchfork placed The Inflated Tear at number 170 on its list o…

Jazz enthusiasts rejoice: the legendary Never Let It End by Albert Mangelsdorff Quartet, a seminal 1970 album hailed as one of the most important in the European jazz canon, receives a fresh vinyl pressing from MPS Records. Originally recorded on March 23, 1970, at Walldorf Studio in Frankfurt under producer Joachim Ernst Berendt, this free jazz masterpiece captures Mangelsdorff's innovative trombone mastery alongside Heinz Sauer on saxophones, Günter Lenz on bass, and Ralf Hübner on drums.  The…

Gábor Szabó's groundbreaking 1966 album Spellbinder, originally released on Impulse! Records, is set for a premium all-analog reissue on March 13, 2026, as part of the acclaimed Verve Vault Series. This quintet recording, captured at Rudy Van Gelder’s Englewood Cliffs studio and produced by Bob Thiele, introduced the Hungarian guitarist to a wider American audience through its hypnotic fusion of modal jazz, Eastern European folk influences, and 1960s pop textures. Featuring all-star collaborator…

Pharoah Sanders' seminal 1974 album Elevation, a cornerstone of spiritual jazz, receives a stunning all-analog reissue on 180-gram vinyl via the prestigious Verve Vault Series, set for release on March 13, 2026. Originally recorded in 1973 across live performances at Los Angeles' Ash Grove and a studio session, this Impulse! masterpiece captures Sanders at the peak of his transcendent powers, blending ecstatic saxophone improvisation with modal grooves and profound cultural resonance.  Produced …

You will be aware of the work of James McKeown and his Hawksmoor project. A catalogue of 13 significant and substantial records made in less than a decade. James can be said to be operating in the realm of ambient music. There are song structures and often beautiful melodies deployed - and more often than you might expect. He can be psycho-geographical, and woozily hauntological at times. There are shades of Eno, Tangerine Dream, Cluster and Michael Rother - but nothing is ever copied. It's deta…

With two deeply cherished compilations already in the bag, Luke Una steps up for the third volume in his É Soul Cultura series on Mr Bongo. A love letter to the dancefloor and its power to unite people from all corners of society amid growing division and extremist politics. Genre-spanning in nature, the 17 tracks travel between cosmic soul, boogie, proto-house, slo-mo technoid grooves, drum machine afro, astral bass-bugging futurism, jazz funk, dance, and disco. Each having the ability to move …

When it comes to Latin soul, Bobby Matos And The Combo Conquistadores 'Tema De Alma Latina', has to be up there as one of the heaviest tracks ever recorded. This much-loved Latin workout has been rocking dancefloors for years with its infectious, driving energy and pulsating rhythms. Released in 1968, the 'My Latin Soul' album on Philips Records now receives a welcome reissue on Mr Bongo. It’s a sheer delight throughout and a premier example of the Nu Yorican sound that was thriving in New York …

Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s…

Next up in our Cuban Classics series, one of the jewels of record label Areito’s extensive and sought-after catalogue. Ricardo Eddy Martinez’s Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies. Whilst maintaining its distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library m…

We are thrilled to announce the reissue of the most precious hidden gems of Soul Jazz / Spoken Word albums from a key era. Originally released in 1974 as a private pressing of fewer that 100 copies, Touching Your Feelings by Jim Marks is a crucial missing piece of the proto-rap era lying firmly between Gil Scott Heron and Amiri Baraka, with whom he made a strong friendship. Jym Marks' mix of deep, expressive poetry and solid jazz sits on the edge of works by The Last Poets and fellow west coast …

Black Tape II is only the second widely available release by Ohkami No Jikan (The Time of the Wolf), one of the more esoteric groups of the 1990’s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet of Nanjo Asahito’s psychedelic cosmology, distinct form his better known work with High Rise, Musica Transonic and Toho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album, Mort Nuit, that…

** 200 Copies. Includes printed inner sleeve with lyrics and credits. ** Cut it up. Stick it back together wrong. This is Magazzini Criminali at their most deliriously inventive - a Florence-based theater collective that understood William Burroughs's cut-up method as an operational principle for sound itself. Released in 1983, Notti Senza Fine is their second LP, a document where theater becomes indistinguishable from electronic collage, where the stage disappears into tape loops and reassemble…

*Special discounted pricing. 2026 stock* The third album by this combo from Bologna is the apotheosis of their histrionic verve. Directed in studio by Italian progressive rock luminary, Paolo Tofani, Kinotto was released in 1979, and as Freak Antoni himself declared, the album was closer to new wave than previous efforts and its best-known track, "Mi Piaccion Le Sbarbine", was soon on heavy rotation. With Kinotto came also the artistic consecration of Skiantos, who went from being a cult band to…

*Special discounted pricing. 2026 stock* In our opinion, what hinders, deceives, and puts traditional musicians off track is that they know how to play, they have a whole set of notions that always push them in the direction of composing in a traditional manner. We'd like to see what happens when you're illiterate, but with a passion for music and the desire to engage with the rock legends we'd internalized, devoured over all those years." (from "Inascoltable, the book," edited by Oderso Rubini …