Reissues
Bursting Absolute Moods. The Lost First Album 1989
** Ltd 300, deluxe silver silkscreen on black cardboard + inserts. Masonna first (and lost) album, released for the first time** Cascades of electronic noise, a psychedelic touch and vocal belching mixed together constitute the ingredients of Mademoiselle Anne Sanglante Ou Notre Nymphomanie Auréolé, the double-barreled name for Masonna. Maso Yamazaki founded his project in 1987, with a charismatic and glamorous personality who become a cult figure in “ Japanoise ” scene. Predating the era of dig…
Extreme Gospel Nights
** Ltd 300, deluxe silver silkscreen on black cardboard + tissue golden paper (plus sticker) as original tape release** Incapacitants are the best noise band to ever come out of Japan. The group was formed in 1981 in Osaka, as the solo project of Toshiji Mikawa, a member of the amazing noise group Hijokaidan. Mikawa, a bank employee who then became a deputy general manager of one of the largest securities brokers in Japan, later moved to Tokyo, where he joined with government office worker Fum…
Scerizza
** white and blue marbled vinyl, edition of 100 copies** Since their launch back in 2015, Florence based been issuing quiet waves into the reissue market. Working slowly, with eye for quality over quantity, they’ve brought forth a wild mix of albums which unquestionably fall into the category of overlooked and neglected holy grails from the Italian underground. Their expanded, double LP editions of Paolo Modugno’s Brise D'Automne and Roberto Aglieri’s Ragapadani, haven’t strayed far from our tu…
Kaunis Maa
**White and green marbled vinyl, edition of 100 copies ** Reissue of to the 1988 Experimental / Electronic masterpiece by the Italian contemporary guitarist Riccardo Giagni, originally released on Stile Libero (Italy) featuring Antonella Ruggiero, Roberto Colombo and Mauro Pagani. Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s. All outputs are licensed by the artis…
Orpheus Variations
Orpheus Variations is a new composition by Alvin Lucier for solo cello and seven wind instruments. It is based on a particular sonority from the first movement of Igor Stravinsky's ballet score, Orpheus; a sonority that has haunted Lucier for decades. Orpheus Variations is one of eight large-scale compositions made expressly for Charles Curtis by Alvin Lucier in the last 15 years. This performance was conducted by Petr Kotik, with Charles Curtis playing solo cello alongside members of the SEM En…
Chamber Music: Alvin Lucier & Morton Feldman
Anthony Burr and Charles Curtis present a collection of curated compositions from Alvin Lucier and Morton Feldman. Two Lucier pieces, "August Moon" and "Trio For Clarinet, Cello & Tuba" are presented here for the first time. Liner notes are excerpted from a lecture on Morton Feldman given by Alvin Lucier. A selection from Alvin Lucier's liner notes: "For Feldman, dynamics serve an acoustical function. When he mitigates a piano attack he reduces that spike of noise that's at the onset of every pi…
Bern · Melbourne · Milan
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
Collected Works Vol. II (2005-2018) 5CD Box
A 5-disc overview of exploratory works written between 2005 and 2018, including long-form ensemble pieces, idiosyncratic trio combinations and a collection of 10 solos investigating various po tential in teractions between instrument and tape. Anthony Pateras is an Australian composer, pianist and electronic musician whose current work focuses on electro-acoustic orchestration, temporal hallucination and sound phenomena. Pateras has created over 75 works, receiving performances from the Los Ange…
Here Come The Warm Jets
Temporary reduced price **Pressed on 180gm Vinyl, includes a Download Voucher** Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy mates Phil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyric…
Talking About The Weather
Talking About The Weather: Teacher and student. Past and present. Two drummers. Two men. Two fathers. Friends. A conversation. A dialogue of the drums. Following up on a drum/percussion duo Eric Thielemans and Billy Hart did in the Summer of 2016 at the Jazz Middelheim festival, these two drummers decided to dedicate time to continue and deepen their versatile dialogues on and around the drums. The meeting and recording of Talking About The Weather took place on January 7-9, 2018 at "Figure 8 Re…
Just Like a River
Edition of 400 copie, on marbled vinyl. Yannick Franck (Orphan Swords, RAUM) presents his new project: Mt Gemini. A deconstruction of ska, rocksteady, and skinhead reggae from the '50s, '60s, and '70s. Rather a passionate deconstruction of a genre than compositions or remixes per se, this incantatory tribute favors abstraction using loops, distortion, compression, variations of speed and height, and effects (delay, reverb, chorus). Recorded in different states of altered consciousness, Mt Gemini…
City of Light
Edition of 500.
First time ever on vinyl, re-released in our Sub Rosa Blackcore series. City of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City of Light
an extension of ideas he has explored throughout his career. His strong
interest in Eastern music and religion resulted in this 1997
collaboration with Janet Rienstra. Part sacred, spoken word, part meditative s…
Presents: Music for Pussycats
These songs
literally constitute the soundtrack of my life, going back to age 16 or
perhaps earlier. It never ceases to amaze me that when I encounter
aficionados of girl pop, none of them have ever heard of singers like
Robbie Winston, Susan Rafey, Diane Ray, or most of the others on this
comp-all women who I feel have contributed works equal (if not superior)
to the best the genre has to offer. These singers, and the songs
they've recorded, have long occupied a special place in my heart…
The Pain Factory - A Public Access Tv Show 1995-1997
Edition of 350. For about three decades, Michael Contreras has been one of the most consistently intriguing artists in the Industrial Noise scene, beginning under the name Trucido, then as Death Squad, and most recently as MK9. Anyone who has followed his prolific output through the years has recognized Contreras’ versatile use of multi-media elements, including text, photography, performance, and video. Another major piece of his body of work was almost lost, however, nearly forgotten since the…
Forti
May 1, 1979 – G.X. Jupitter-Larsen introduced The Haters by way of a performance called Alluring at a small gallery in New York City, where Jupitter-Larsen lived at the time. In that performance, “Jupitter-Larsen
smashed up several video cassettes by hitting them repeatedly with a
video camera. The fractured videos still radiated images. Not by
television, but by entropy.” Forty years later, The Haters remains active—the recurring emanation of Jupitter-Larsen’s
polymathic mind. The Haters is…
Afraid of Modern Living: World Imitation & Monitor, 1977-198
Available now is the authorized history of the obscure and influential Los Angeles art and music collective World Imitation Productions (WImP).
Emerging as creators of collaged and photocopied mail art and
publications in the late 1970s, World Imitation is perhaps best known in
its musical incarnation, the band Monitor, which was active
between 1978 and 1982, with live performances as well as two
self-produced 7" singles and one LP. (The LP was reissued by Superior
Viaduct in 2013.) Afraid…
1983-1988
**A true rare pearl of the Italian electronic scene, don't miss this one** Turin, late 1980s. The factory fumes of Italy’s militant industrial city are slowly giving way to a strange disenchantment. Marco Milanesio and Roberta Ongaro, who first as Novostj and then as DsorDNE were central to the city’s underground throughout the decade, take stock of the Zeitgeist in a collection tracing the arc of their early work. Released on HAX in a handful of handmade copies in 1988, the tape described itsel…
Opus Minor
Monster Mélodies presents an unpublished recording of Opus Minor, an underground Parisian group with undeniable musical qualities, who gave numerous concerts during its brief existence from 1970 to 1973 but never had the opportunity to publish its recordings. The record consists of an instrumental track, seven songs sung in French and three more songs in English, in which the band, beyond its influences, creates its own musical universe. In September 69, at the École Normale Supérieure of Cachan…
Satan
Monster Melodies present the legendary album Satan, an absolute must-have in terms of French progressive music, recorded in 1973 and never before released. In 1968, in Le Mans (a town in the west of France in Les pays de la Loire), some young students, planning to become teachers, started a band under the name The New Rainbow. Like many young musicians at the time, they enjoyed English blues and were fans of Pink Floyd, Soft Machine and Led Zeppelin. Quickly, they changed their name to Heaven Ro…
Unlimited
Naphta was born in 1978 but differently from the most of other bands from Bologna (in the same manner of Confusional Quartet) at that time, they came up with a very peculiar jazz-rock formula mixed up with elements from the almost "out of time" progressive genre. The result was unsettling; their music was mostly improvised with no apparent distinctions between rhythm section and soloists, in fact everybody in the group could have taken a solo at any time but in close relation with the others. Al…