Reissues

Compositions for the Hyperion ensemble by Dumitrescu, Avram, Hodgkinson and Cutler recorded at the Nancy-Vanoeuvre festival. Contents: New Meteors and Pulsars (Dumitrescu, 1982). For Tape and Percussion. Tape by Iancu Dumitrescu, Soloist, Chris Cutler. Nouvelle Axe (Avram, 1988) Hyperion Ensemble. Life On Earth (Cutler, 1998) Hyperion Ensemble with Ana Maria Avram, Prepared Piano and Tim Hodgkinson, Clarinet and Bass Clarinet. Black Death and Errors in Construction (Hodgkinson, 1988) Hyperion En…

Tape music fans pay attention now, this re-issue of Dutch tape-pioneer Dick Raaijmakers’ complete tape work is about as crucial as it gets. Basta has long been making a name for itself issuing shockingly well-presented boxsets of the early electronic music of Raymond Scott among others, but this triple disc package is a real revelation. Dick Raaijmakers may not be a household name to many of you; he didn’t have the profile of Iannis Xenakis or Karlheinz Stockhausen or the semi-mainstream pull of…

All of the music from the 1975 Wigmore Hall (London) concert by this duo then nearing the mid-point of their twenty years of work together. On CD for the first time. Reissue of Incus LP 16 plus 31 minutes of extra material.

Six Muslimgauze tracks from compilations issued between 1989 and 1996, compiled by Terry Bennett and Oleg Galay and remastered by Višeslav Laboš. Limited CD of 300 in a gatefold mini-LP sleeve.

Jamie Muir, percussion; Derek Bailey, guitar. Carminative (08.48), I soon learned to know this flower better (07.14), Jara (07.49), Dart drug (25.50). Recorded at Crane Grove, London in August 1981. Cover photograph (reproduced above) by Jamie Muir. CD is a re-issue of the LP issue which is no longer available.

Recorded live at Verity's 1972, this CD represents possibly the finest duo performance of Derek Bailey and Han Bennink. Reissue of the rare LP on Incus

In an allusion to Michel Chion’s ‘Dix études de musique concrète’, this collection of acousmatic moments represents a meditative opportunity for Denis Dufour. Sorting through his repertoire, it aims to seek out and identify characteristics and easily recognizable expressive habits whose clarity brings them close to the art of melody in an approach borne of entomological specimen classification and playful staging at the same time. Neither text nor theatrical contexts. Twelve short pieces; melodi…

In Bocalises, Denis Dufour explored with virtuosity the sound possibilities of a sole sound source, glass jars broken, crushed and mixed to themselves to infinity. Fifteen years later, he takes up the material and, with digital tools, presents a retouched and recoloured version to give a new power and poetic richness to the initial energy.

"Stratosfera" offre in cd tutta la sua produzione per la Cramps con ben cinque album raccolti in uno splenido box deluxe ["Cantare la voce", "Metrodora", "Le milleuna", "Recitarcantando" e "Concerto Dell'Elfo"] Awesome deluxe 5 CD box set documenting one of the most important artists in Italian musical history. As lead singer for prog art terrorists Area, the Greek-born Stratos used his voice as an instrument in ways never heard before or since. Some of the weirdest purely vocal music ever made …

A collaborative project of the Deep Listening Band and the Long String Instrument Band, featuring new works by Pauline Oliveros and Ellen Fullman. Both works were composed specifically for this ensemble. The instrumentation included Fullman’s Long String Instrument, Oliveros’s expanded accordion, and Dempster’s virtuoso trombone and didjeridu as well as David Gamper’s voice, spatial distribution, manipulation and sound design, timbral transformation, and technical coordination. A performance tou…

This historic recording features the first-ever release of the two earliest surviving recordings of David Tudor's seminal work, Rainforest. Sandwiched in between are six keyboard works by Gordon Mumma in recordings featuring the composer and his close collaborator, Tudor. Together, these works constitute a fascinating and historically important document of the 1960s avant-garde in America. In early 1968, Merce Cunningham created a new dance whose apparent impetus was Colin Turnbull's The Fore…

This historic release of a simultaneous performance by David Tudor and John Cage of Rainforest II and Mureau, recorded live by Radio Bremen on May 5, 1972, preserves the only surviving performance of the second of Tudor’s "Rainforest" series. In addition, it documents one of the precious few recorded collaborations between these two visionaries. In 1970 Cage composed the piece called Mureau, in which phrases from Thoreau’s journals (in particular, passages which touch on the subject of music) ar…

Douvle CD set with recordings by the legendary 20th century avantgarde pianist performing compositions by (and with) John Cage, Sylvano Bussotti, Morton Feldman, Christian Wolff.

1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…

Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…

This CD of early works by David Tudor, available also as the CD insert to Volume 14 of Leonardo Music Journal, presents three previously unreleased works. 'Anima Pepsi' (1970), which combines sounds of animals, insects, and other like sounds with electronic processing, was composed for the EAT (Experiments in Art and Technology) pavilion at the World's Fair in Osaka, Japan, in 1970. 'Toneburst' (1975), a classic, commissioned by the Merce Cunningham Dance Company, is based on pure electronic fee…

David Rosenboom (b. 1947) has been widely acclaimed as a pioneer in American experimental music since the 1960's. He is a composer, performer, conductor, interdisciplinary artist, author, and educator having explored ideas in his work about the spontaneous evolution of forms, languages for improvisation, new techniques for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multi-media, compositional algorithms, and the structure of the brain and nervou…

"Two first recordings of Morton Feldman's music in themselves make this CD a notable event. And then, David Felder's music puts it over the line. The music bridges two generations and two distinct personalities. Feldman, with John Cage, Earle Brown, David Tudor, and Christian Wolff, was a seminal member of the New York School in the 1950s, and his work is known for the beauty and delicacy of its orchestral colors, its 'painterly' surface, its static and quiet structure, its contemplative charact…

A relentless explorer, composer, performer and theorist, David Dunn (b 1953) uses electro-acoustic resources, voice, non-human living systems, as well as traditional instruments. A creator of text-sound compositions, environmental installations, works for radio and video, he has also written and published extensively. Underlying all his work is a common regard for music as a communicative source with a living world.  Growing up in San Diego in the sixties and seventies, he encountered people lik…

 "David Behrman has been active as a composer and artist since the 1960s. Over the years he has made sound and multimedia installations for gallery spaces as well as musical compositions. Sam Behrman and Siegfried Sassoon met in 1920, when Behrman, then a young writer working at The New York Times, was sent to interview Sassoon at the start of the English poet's postwar American lecture tour. In that tour Sassoon was billed as 'England's Soldier-Poet.' He had a reputation both as a war hero and …

"double lp reprint of the famous david behrman wave train compact disc issued a couple of years ago. experimental music from 1959-68: 'canons' featuring david tudor on piano and christoph caskel on percussion; 'ricecar' a prepared piece performed by david behrman in the early 1960s; 'wave train' a powerful feedback piece performed live with gordon mumma; 'players with circuits' a combination of live electronics and amplified acoustic sound; 'sounds for a film by bob watts' for outdoor environmen…

A series of three pieces/suites documenting David Behrman's evolved interactive computer music practice from the 1980s, featuring Rhys Chatham and Ben Neill (trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and Behrman himself on electronics. This essential recording captures Behrman's mature work with listening machines: thickly layered liquid sounds created through a complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off thei…

Originally released on Lovely Music in 1978 and now available on CD, this essential recording documents David Behrman's groundbreaking exploration of interactive computer-human improvisation—among the earliest works to establish real-time dialogue between musicians and microprocessor systems. On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when played, activate electronic pitch-sensing circuits connected to the "interrupt" line and inp…

Comes with 16 page booklet. Daphne Oram is best-known for the design of her Oramics system, and also for co-founding the BBC Radiophonic Workshop in 1957, but until the release of this material, the only easily-available piece of music by her on CD was the 8-minute long "Four Aspects." There was also a 7" EP from 1962 on HMV, released as part of the Listen, Move and Dance series that was specifically designed to help children dance. Although the short pieces on this record are very basic, it cou…

Daniel Teruggi (1952-) studied Physics, composition and piano in Argentina. In 1977 he moved to France where he studied at the Paris National Conservatory. In 1981, he starts working at INA (National Audiovisual Institute), at the Groupe de Recherches Musicales (GRM). In 1997 he becomes Director of the Groupe de Recherches Musicales of INA, a position he kept until his retirement in 2017. From October 2001 to 2016 he was simultaneously Director of the Research and Experimentation Department of I…

In Daniel Teruggi's own words: Between 1984 and 1989, my acousmatic work was focused on processing and merging the four fundamental substances. Each « element » gradually became articulated with the others, thus crystallizing my subjective perception of their materiality. Over the years, helped by the enthusiasm of a Greek friend who propelled me into the Socratic universe, what started out as an exploratory path has become a circular, spherical unity, in which each occurrence simultaneously bel…

John Tilbury plays Cornelius Cardew's piano works of 1959-1970 (February Pieces, Volo Solo, Winter Potatoes, Material, Unintended Piano Music), with Eddie Prévost on tam-tam in a Treatise excerpt. Recorded at the Royal College of Music, London, early 1996.

Chamber and solo works by Cornelius Cardew from 1955 to 1964, many recorded for the first time, played by Apartment House directed by Anton Lukoszevieze at Gateway Studio, Kingston-upon-Thames, on 6 and 7 April 2001.

Including the films 'Hashima, Japan 2002' (installation and documentary versions) and 'Al Qasr, Bahriyah Oasis, Egypt 2005'. Plus 'filmmakers in conversation'. 'Straddling the line between documentary and audio-visual meditations on landscape, the Hausswolff-Nordanstad filmic partnership taps both the detritus of human civilization and its uncanny ability to withstand the forces of nature. In 'Hashima, Japan 2002' we are given a portrait of the Battleship Island off the coast of Nagasaki, a form…

This is seen by many as the "turning point" between early Fennesz electronic abstract works such as the Instrument 12" and Hotel Paral.lel CD, and the more guitar-based works such as Endless Summer and Venice. The two tracks, "Paint It Black" and "Don't Talk (Put Your Head On My Shoulder)," were initially released as cover versions of songs by The Rolling Stones and The Beach Boys, respectively. Since then, via the relevant mechanical and publishing rights, the world has ruled that these tracks …

'Musica Mundana': Mixed, fusion and root music, work on 'harmonisation' of various music and vocals. A genuine alchemy! 'L'Estran': What a beautiful metaphor is this piece of coastline. It conveys an impression of in-between, uncertainty, contraries. After studying music in the French National Music School, a decisive encounter with Ivo Malec, Guy Reibel, Jacques Lejeune and Jean Schwarz at the GRM will introduce him to electroacoustic music which he will afterwards focus on. He has composed aro…

One of the best in the series, a collection devoted to works realised in the Bourges studios, as well as the Annual Volumes of the works of the International Academy of Electroacoustic Music.

Christian Wolff's piano music of 1951-1961: solo works played by John Tilbury, and duos and Trio II with Wolff at the second piano and Eddie Prévost on percussion, recorded at Gateway Studios, Kingston upon Thames, in 2001 and 2002.

It took long enough. The electric kit finally gets a chance to speak for itself. I won't try to describe it, but it's been pretty much my main work of the last three years. I can't say it reminds me of anything else but, naturally, I suggest you buy it.

Charlemagne Palestine live at the Sorbonne chapel in 1979, playing two Bösendorfer Imperial pianos: forty minutes of slowly accumulating intervals and ringing overtones. Hand-made CD in a velvet box designed by Palestine.

2004 release. Special edition of Sacred Bordello (originally published by Black Dog Publishing) bundled with a limited edition CD released by Alga Marghen. As one of the most influential figures of experimental music and performance, Charlemagne Palestine has remained an enigma. Unlike his illustrious contemporaries Terry Riley, John Cale, Steve Reich, and Phillip Glass, little has been written on Palestine and his continuing influence. In his own right, he was and remains today a pivotal person…

Negative Sound Study was composed in 1969 directly on a historical Buchla 100-System experimental synthesizer available at the Intermedia Centre of the New York University. Charlemagne Palestine was dreaming of an expressive continuous evermoving, everchanging sound form; an enormous sonorous, 3-dimensional sculptural canvas in mid-air using electronically produced sounds. The first experiments were done with simple sine tone generators emitting the purest sound waves without any overtones. With…

Originally released on the Barooni label and sold out since a long time. Charlemagne palestine and Alga Marghen have decided to make the two cds available in a new 2cd set edition. The cds are a new print of the original ones, both included in a newly designed slipcase. Godbear. Flying. In the stratosphere of the overtones. Turn out the lights. Close your eyes. Trance out. Into SONORAMAGNIFICATALAND. Pushed by Remy Martin cognac, the piano would replay the encoded performances exactly in three p…

2nd album from 1987 by this French trio made up Gilbert Artman (post-Lard Free, Urban Sax), Jac Berrocol and Jean-Francois Pauvros. Chaotic, experimental rock & wave.

Ennio Morricone's score for Francis Girod's 1974 film Le Trio infernal, with Edda Dell'Orso and I Cantori Moderni di Alessandroni. 16 tracks on one LP, transparent magenta marble vinyl, 499 copies, Record Store Day 2022.