Reissues

Recorded during nightly sessions in Dublin between April and July 2001, and originally issued that autumn on Mille Plateaux, Together Is The New Alone stood out within the German label's celebrated catalogue from its first listen, an album whose title named a feeling we now have an entire vocabulary for, two decades before the rest of us had a word for it. It was the second LP under Donnacha Costello's own name, and the record where the Irish producer fully emerged from his earlier work as Jayro…

Get Out by Pita unfolds as a seminal work in laptop-based experimental sound, capturing the raw interplay between digital entropy and sonic melody. Rehberg’s compositions navigate between turbulence and clarity, aided by precise electronic manipulations and a single-minded commitment to his artistic vision, setting a benchmark for subsequent generations of experimental musicians.​

Paris, 1978. Don Cherry walks into a French studio with a suitcase full of instruments nobody expected and meets Ustad Ahmed Latif Khan for the first time. No rehearsal, no plan, just two musicians who recognize each other immediately as kindred spirits. What happens next is one of Cherry's best efforts - an album only hardcore fans know about, recorded in Paris, released only in France in 1981, disappeared, and now back again in a special edition that demands attention. This is what "world musi…

Hegel by Lucio Battisti offers a boundary-pushing, introspective journey through philosophical concepts, poetic abstraction, and experimental electronics. Its eight tracks unfold with Panella’s cryptic lyrics, reflecting on beauty, identity, and the passage of time within meticulously programmed synth-pop arrangements. As Battisti’s final work, it stands as a compelling testament to the possibilities of Italian songwriting and sonic innovation.​

Cosa Succederà alla Ragazza by Lucio Battisti deepens the exploration of electronic sounds and playful, surreal wordplay from Panella. The album, centered around the mysterious figure of the “girl,” combines pulsating, synthesized arrangements with a cut-up poetic style, producing a work both hypnotic and elusive. Through eight tracks, Battisti turns pop into a puzzle, rewarding repeated, attentive listening.​

La Sposa Occidentale by Lucio Battisti marks a further evolution in his sound, with surreally poetic lyrics from Panella and a sonic palette that merges synth-pop and dance electronics. The album presents a concept around a female protagonist, while adopting minimalist visual cues—a white cover with a stylized drawing—and delivering tracks of subtle complexity and rhythmic invention. The result is a sophisticated and enigmatic work that expands the boundaries of Italian pop.​

L'Apparenza by Lucio Battisti marks a pivotal moment in his career, expanding on electronic and lyrical experimentation begun in his Panella phase. The album’s multilayered arrangements and poetic ambiguity invite listeners into an abstract space, where meaning slips between lines and melodic innovation comes to the fore. With tracks like A portata di mano and Lo scenario, Battisti tests the boundaries of Italian pop, offering an album that is as challenging as it is rewarding.​

Don Giovanni by Lucio Battisti redefines Italian pop with a distinctive synthesis of minimal electronic textures and enigmatic poetic imagery. With Panella’s elliptical lyrics foregrounded, the album resists straightforward interpretation, instead encouraging listeners to linger over its paradoxes and musical subtleties. Each track oscillates between melodic openness and experimental abstraction, weaving a soundscape that is both contemporary and timeless.​

Il Nostro Caro Angelo by Lucio Battisti is a crucial milestone marking the artist’s shift towards rock-oriented structures and deeper, more critical lyricism. The music is more electric, the arrangements more varied, as Battisti and Mogol probe the complexities of ideals and disillusionment, forging a sound that is both accessible and challenging. Each track acts as both confrontation and invitation, demanding listeners reassess inherited truths through fresh sonic and poetic codes.​

Umanamente Uomo: il Sogno by Lucio Battisti reinvents Italian pop with a poetic blend of nostalgia, emotional candor, and stylistic exploration. Mogol's lyrics navigate the complexities of memory, longing, and everyday struggles, set against Battisti's evolving sound, which balances melodic intimacy with touches of folk, progressive, and pop arrangements. These eight tracks, including enduring classics, reveal an artist at the peak of his expressive powers, fusing personal narrative with broader…

Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…

Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.​

Sister Irene O'Connor’s Fire of God's Love, reissued by Freedom To Spend, is a visionary 1976 private-press recording from Australia, blending devotional song with experimental electronics and echo-drenched vocals. The album’s raw spirituality, home studio inventiveness, and tape manipulations grant it a unique place in outsider pop, now made newly available to contemporary listeners in beautifully restored form.​

Yan Tregger’s The Pop World Orchestra is a compilation highlighting the versatile French composer’s rare library music works. Characterized by lush arrangements and dynamic orchestrations, the album distills Tregger’s cross-genre flair—it’s a bright, groove-driven showcase of 1970s pop, jazz, and funk inflections, reaffirming his status as a master of mood and melodic invention.

Tip! **2025 Stock** The Chisa Years: 1965–1975 (Rare and Unreleased) gathers the most exploratory moments from a vital era in Hugh Masekela’s career, collected on BBE as part of the label’s Masterclass Series. As co-founder of Chisa Records with Stewart Levine, Masekela set out to document the crossflow between African musical idioms and the currents of soul, jazz, and R&B pulsing through the United States and beyond. The result is an archive alive with the friction and joy of experimentation—a …

You Need This!: “World Jazz Grooves Volume 2” is a double LP/CD/digital compilation curated by Jean-Claude and Victor Kiswell for BBE, released October 3, 2025. Traversing jazz experiments from Denmark, France, Brazil, Canada, USA, and Jamaica, the album uncovers rare and unreleased tracks, including contributions from Mary Lou Williams, Dadje, Cedric Brooks, John Tchicai, and Kahil El’Zabar, revealing a deeply international, cross-genre approach that celebrates the global diversity of jazz.​

Mentioned on Julian Cope's essential guide Jap Rock Sampler, Food Brain released their debut album in 1970, gathering influences from prog, proto-hard and psychedelic music. By far a supergroup consisting of Shinki Chen (Speed, Glue and Shinki), Hiro Yanagida (Milk Time) and Hiro Tsunoda (Flied Egg), the band showed an incredible interplay on their nine instrumental pieces, generating a cult following aboard.

A generous and off-the-track psych-rock experiment, Space Hymns originally saw the light in 1971 on influential UK company Vertigo, home of the most forward-thinking prog bands of the time. Enlisting the pure genius of the future 10 CC Kevin Godley (drums, flute) and Lol Creme (lead guitar, synth), the band was led by esoteric frontman Ramases (aka Kimberly Barrington Frost). The vocalist had a vision in the mind to late sixties where the Egyptian Pharaoh informed him he was his new incarnation.…

Definition was the only album by the American psych folk band Chrysalis, released in 1968 on MGM Records. Together with their Velvet Underground label mates, Chrysalis, were considered pioneers of the art rock movement, thanks to their sublime vocal melodies and baroque arrangements -- ageless psych acid folk gems!

For those who still believe prog is a four-letter word, Caravan remain a mystery - More fool them, for they are missing out on some of thesweetest and most tuneful melodies in 70s rock, whether it be the jazz- inflected vaudeville of the title track of If I Could Do It All Over Again, I'dDo It All Over You, the gentle celebration of Virgin On The Ridiculous from Caravan & The New Symphonia or the funky ambition of The Dabsong Conshirtoe on Cunning Stunts. Formed, like Soft Machine, from the grou…

Alan James Eastwood's glorious Seeds is a certified folk-funk lost-classic. But who was Alan James Eastwood? He had never hit the big time and commercial success eluded him. By the mid-1970s, his musical career was pretty much over and he was almost unknown except among deep heads, amongst whom he would gain cult status. Original copies of the 1971 vinyl release of Seeds exchange hands for high sums, if you can find one. This expanded 2LP contains an extra record, collecting 9 rare non-album sin…

Veronique Chalot’s A L'entrèe du Temps Clair, released in 1982, is a luminous exploration of early French folk traditions. Backed by Italian musicians and employing instruments such as hurdy-gurdy, bouzouki, and bagpipes, Chalot’s distinctive voice and delicate arrangements breathe new life into ancient ballads, fusing medieval atmospheres with timeless musical sensitivity.​

H&F Recordings’ album Friends, sometimes known as Fragile, is a rediscovered gem of early 1970s British psych-folk. Crafted by Peter Howell and John Ferdinando, this collaborative project—originally issued as a private press—displays gentle harmonies, intricate acoustic textures, and a disarmingly intimate approach, now remastered for fresh ears after decades of semi-mythical obscurity.​

Unofficial release. Nana Vasconcelos’ Amazonas remains a vital artifact from the early 1970s, a period when the boundaries of Brazilian music stretched restlessly towards international horizons and deeper experiments in sound. Recorded predominantly as a solo project at Phonogram Studios in Rio de Janeiro, the album locates Vasconcelos in an intimate dialogue with percussion, voice, and the berimbau, instruments that he transforms into vehicles for storytelling as much as rhythmic exploration. R…

This Box Set brings together Goblin’s legendary horror soundtrack, a new six-track LP from Calibro 35, the LP-sized English book "Nel Rosso più Profondo" by Fabio Capuzzo, and a striking lenticular image, all housed in a deluxe slipcase. The set melds remastered classic material, insightful essays, and collectible visuals, offering a rich tribute to fifty years of cinematic innovation and musical legacy.

2025 stock Coil’s cultishly acclaimed Worship The Glitch features the group in dialogue with the ghost in the machine, an element they named ELpH and considered as much a part of the group as any physical member. Aye, you’d probably be right in assuming they were taking a lot of drugs during the creation of Worship The Glitch, and consequently the results stand out among their trippiest releases, comparable with the rugged space of early Pan Sonic and slightly later Mika Vainio releases as much …

"Originally issued as a private LP in an edition of 400 copies in 1983. MB de-composition for bionic organisms and concrete sounds. A sound that refuses both the cold logic of the fetish electronic computer-man-of-the-year and the sterile exasperation of the negative. A sound that dilutes and coagulates, eluding the listeners with minimal variations that make the cyclic style of Phillip Glass resemble a carousel of colors. This CD also features two untitled tracks first issued on compilation cas…

The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.

First vinyl edition of Stapleton's aquatic transmissions. Hypnotic environmental sound dredged from oceanic depths: warped radio signals, spectral electronics, mechanical groans

Ebalunga!!! is thrilled to announce the first official reissue of the self-released, self-produced, and self-titled 1985 LP Scott Seskind. The album is a lo-fi singer-songwriter jewel. Don't miss it.

Electric Taal Band, the eponymous debut from Electric Taal Band, is a vibrant Toronto project that forges unexpected connections between Punjabi percussion, cosmic jazz, and modern electronics. Channeling inspirations from Little India crate-digging to club experiments, the record traverses rhythms and textures with a fearless, exploratory spirit.​

A Gradual Awakening by Danna and Clement is a landmark Canadian ambient album created in and with the wilds of Ontario during the early 1980s. Built with analog synthesizers and field recordings, the duo’s introspective soundscapes reflect deep environmental and personal connection, evoking both spirit and subtle change across gently unfolding musical landscapes.​

Beach of the Pliocene, a sought-after release by Ken-ichiro Isoda, epitomizes Japanese ambient’s capacity to conjure landscape and memory. The album blends flute, guitar and environmental sounds in a meditative journey that merges gently melodic lines with the resonance of the ocean, functioning equally as a balm for modern anxieties and a portal for contemplative listening.​

The Tinnitus Chorus, a new album from Michael Scott Dawson, is a collaborative ambient project reflecting on his personal experience with tinnitus. Joining forces with an eclectic cast from the worlds of experimental folk, jazz, and electronics, Dawson weaves tape loops, gentle melodies, and field recordings into a quietly unified journey through sound and vulnerability.​

Ajomasé marks the influential debut of Gasper Lawal, legendary Nigerian percussionist, now presented in a vibrant reissue by Strut Records. Originally released in 1980, the album bridges Yoruba traditions and Western funk, propelled by layered drumming and energetic ensemble playing. Each track is infused with rhythmic invention and charismatic flair.​

Allen’s Soul Bag is a standout reissue from Allen Kwela Octet, capturing the spirit and sophistication of South African jazz in the early 1970s. The album, newly remastered from vinyl and pressed in a limited run, offers emotive ensemble playing and rich melodic invention, showcasing Kwela’s expressive guitar against vibrant horns, piano, and rhythm section.​

Pita Parka, Pt. II: Nim Egduf, the latest release from Dun-Dun Band, is a hypnotic excursion through polyrhythmic landscapes and global traditions. Guitarist Craig Dunsmuir leads a ten-piece ensemble in Toronto, weaving intricate ostinato riffs with jazz, Afrobeat, and ambient influences, resulting in a set of four expansive compositions that enchant and provoke.​

Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.​

Orbital is the debut album from Orbital Ensemble, a Toronto-based jazz fusion group melding psychedelic grooves, Brazilian MPB influences, and intricate improvisation. The resulting LP weaves together melodic openness, vintage moods, and crisp ensemble playing, offering an immersive sonic experience that feels both exploratory and deeply rooted.​

Broken Shoes, the reissued LP from Soweto, thrives on the vibrant interplay of jazz and funk, capturing an era where rhythmic conversation takes precedence over polished surfaces. With each groove, the band conjures a sense of lived experience, reframing classic township forms in a manner both contemporary and respectful of the genre’s roots.​