Reissues
Offene Türen
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
Akuma No Uta
*2023 stock* "When I talk about Boris' Akuma no uta , I always relate it to the sampler platter at Friendly's, or any other restaurant. It gives you a taste of everything. From the Sabbath styled doom, to there Earth crushing drone. You even get a portion of MC5 styled noise attacks. And just like the salty deep fried goodness of the sampler platter, you're bound to like at least one of them. Maybe even all of them.After the almost ten minute guitar drone of Intoro subdues you to your chair, th…
Estórias para Voz, Instrumentos Acústicos e Eletrônicos
The legendary debut of Jocy De Oliveira - and a landmark classic from the 70s Brazlian Electronic music scene. To quote Keith Fullerton Whitman, this is the "lost Tropicalia / Psych / free-Vocal / Ring-Modulator freakout / jam hybrid that you’ve only dreamt about!"It is difficult to overstate the importance of Jocy De Oliveira. Defined by a body of singular music spanning seven decades, within the histories and continuing legacies of avant-garde practice, she is without equivalent. Her work is a…
Four Full Flutes
Born in Indiana during October 1933, since his arrival in New York City in 1958, Phill Niblock has occupied a central position within the world of avant-garde and experimental practice. Relentlessly active, his work as a visual artist and composer, in addition to his support of others via Experimental Intermedia - the performance venue he has run from his Soho loft since in 1968 - and XI - the label he founded in 1990 - have continuously lit a path for his peers and the generations that have fol…
Zombie
"Zombie: Fela in his life time was never ‘a good bed-fellow’ of the military institution. As a political activist, he believed the army should operate under the mandate of a civil government. If national interest compels the armed forces to intervene in government, the army is obliged to hand over power to a new civil government elected by the people and enjoying their mandate. To do otherwise is to usurp power particularly since a soldier’s duty is not to seek a political mandate. For emphasis …
Teacher Don't Teach Me Nonsense
*2023 stock* "Teacher Don’t Teach Me Nonsense: Fela explains the role of the teacher in any society with the concept that: all the things we consider as problems, and all the good things we accept from life as good, begin with what we are taught. The individual teaching begins with when we are children – our mother is our teacher. When we come of school age, our teacher is the school-teacher. At the university, the lecturers and professors are our teachers. After university—when we start to work…
Yellow Fever
*2023 stock* Fela Kuti deplores the fashion among African women for skin-whitening creams, an example of the post-colonial inferiority complex he believed was holding back the country's development. The song addresses the fashion much as 1973’s “Gentleman” berated African men for adopting European suits and ties. Fela explains that if you catch an “original” fever such as jaundice, you will suffer but, with luck, survive, and your symptoms will fade away. But if you catch an “artificial” (self-i…
J.J.D (Johnny Just Drop!!) - Live!! At Kalakuta Republik
*2023 stock* "Johnny Just Drop is talking about Africans who travel abroad only to return home with new values and mannerisms. Since the advent of colonialism in Africa, the education system left Black people with an inferior perception of their culture. Those who are Western educated, are in the habit of repeating untruths about African traditions and heritage, because the discipline to think and act big has not yet become a part of Africa’s present day academic and intellectual traditions. For…
Oto no Hajimari wo Motomete vol.9 - Tsutomu Kojima's works
Recent issue of archve series of NHK electronic music studio. Some foreign composers visited and worked at NHK electronic music studio. The frst apperance was Karlheinz Stockhausen's “Telemusik” ('66) assisted by Hiroshi Shiotani, it's included in vol.1 of this CD series. In this new release, three works composed in 70s assisted by Tsutomu Kojima.
1. Jean Claude Eloy “Gaku-No Michi” (1978)French composer Jean Claude Eloy visited Japan three times between 1977 and 1978 and spent a total of nearly…
Oto no Hajimari wo Motomete vol.11
Recent issue of archive series of NHK electronic music studio. This issue is a collection of Joji Yuasa includes works on past issue of this series. “My Blue Sky (No.1)” and “Music for the Main Pavillion of the Okinawa Oceanic Expo” has released on CD by Omega Point.
1. ”Projection Esemplastic” (1964) – sound fileWhen I was asked to create electronic music for NHK, I decided to use only white noise, which originally contained all frequencies, and cut out various components from it to compose the…
Oto no Hajimari wo Motomete vol.10
Recent issue of archve series of NHK electronic music studio. This issue consists of 5 works in 70s – 80s of new generation composers.
1. Jo Kondo “Tokyo Bay” (1987) This piece is a rearrangement of an instrumental piece into electronic music. The original piece was called "Non Projection," a piece for two pianos and orchestra. At that time, we were already in the age of PCs, though PCs were able to create beautiful sounds in the usual sense, Electronic music can only be heard on tape. In this c…
Oto No Hajimari Wo Motomete 4: Shigeru Sato Work
*2023 repress!!* Long out of print the 4th issue of archive series of NHK electronic music studio. Originally, Kosugi's “Catch Wave '71” was included in this issue, but, by a problem between composer and publisher, the CD was cancelled after several days of selling! Eventually, instead of Kosugi, Ranta's “Kagakuhenka” was up for renewed issue.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until the…
'Igginbottom's Wrench
*2023 stock* 'Igginbottom's Wrench is a studio album by the band 'Igginbottom, released in 1969 through Deram Records originally on vinyl only. It has been reissued a number of times (sometimes under the group title of "Allan Holdworth & Friends"), most notably on CD for the first time on 5 March 1989, as well as a remastered edition in 2000 through Angel Air Records with extensive liner notes detailing the band's history. It is one of the first recordings to feature guitarist Allan Holdsworth.
Music Or Not Music
*2023 stock* "Produced by Erick Van Huls, Recreation's sophomore release "Music or not Music" featured 15 tracks, many of them quite short and linked together in a continuing suite arrangement. With all three members sharing creative duties the all-instrumental set simply wasn't the lost classic slice of progressive magic some dealers would have you believe (the fact it was included in one of the Hans Pokora books merely added to the hype). The three members were all quite talented, but the majo…
It's A Beautiful Day
*2023 stock* "It's a Beautiful Day were no less memorable for their unique progressive rock style that contrasted well with the Bay Area psychedelic scene...It's a Beautiful Day remains as a timepiece and evidence of how sophisticated rock & roll had become in the fertile environs of the San Francisco music scene." - All Music
Rot
** 500 copies. Limited 50th Anniversary Edition: embossed, reverse board, hand numbered, limited edition red vinyl ** There was a particular type of artist who could only have emerged in the legendary early 1970s. Few musicians fit the bill better than Conrad Schnitzler. Revolution, pop art and Fluxus created a climate which engendered unbridled artistic and social development. Radical utopias, excessive experimentation with drugs, and ruthless (in a positive way) transgression of aesthetic fron…
The Drum Is The Shaman's Horse
** Edition of 344. Pressed on 140g black vinyl mastered by James Plotkin ** With the death in 2020 of long-standing occasional third member Peter Stapleton (percussion/electronics), A Handful of Dust has regrouped as the core duo of Alastair Galbraith (violin, guitar, cello, piano, drums) and Bruce Russell (guitar, electronics). This new set of live-to-four-track recordings from January 2022 is the first album to be wholly recorded "in the studio" since 1995's Towards a Soundtrack to the "Anabas…
August in the Water: Music for Film 1995-2005
Sublime, ethereal minimalism: the first drawing together of Hiroyuki Onogawa’s soundtrack compositions, plotting a decade of music for films by cult filmmaker Gakuryū Ishii. ‘Sequenced into an album by Onogawa himself, this retrospective spans a fertile period of collaboration with Ishii, through soundtracks for three remarkable films — August in the Water (1995), Labyrinth of Dreams (1997), and Mirrored Mind (2005) — where the cinema is texturally and sensually imbued with the spiritual, ambien…
Kip Of The Serenes
*2023 stock* Ireland's answer to the Incredible String Band, Dr. Strangely Strange engaged in the same type of psychedelic acoustic music with folksy arrangements. With traditional instruments like penny whistle, fiddle, harmonium, and mandolin, Dr. Strangely Strange was more solidly rooted in melody and structure than the group's flaky Scottish counterparts. Produced by British modern folk guru Joe Boyd, Kip of the Serenes is built around simple and repetitious melodies occasionally interrupted…
Heavy Petting
*2023 stock* On their first album, Irish band Doctor Strangely Strange declared themselves to be "strangely strange but oddly normal," and by their time of their second effort, 1970's Heavy Petting, it's possible that "oddly normal" no longer applied. The spiritual cousins of the Incredible String Band, although less rooted in folk traditions, their music flitted around like a butterfly, rarely settling anywhere for long -- and certainly never for the length of an entire song. "Gave My Love an A…