Reissues
Tim Maia 1970
Father of Brazilian soul music, Tim Maia needs no introduction, as he is one of the greatest artists in Brazilian music. From his debut album, self-titled and released in 1970, it was clear he was destined to become a legend. Considered one of the 100 best albums in the national discography, the record returns to shelves just like the original, as part of the “Classics on Vinyl” collection from Polysom, licensed by Universal.
Drugs Are Nice
Originally self-released during 1990, a tapestry of noise, girls talking into tape recorders, pre- and post-song material.
Bandolero
Originally released in 1970 on the short-lived Truth Records label, Bandolero by Bandolero emerges once again as one of the most unbridled and mysterious artifacts of Puerto Rico’s underground rock scene. Long out of circulation and shrouded in legend, the album is finally making a triumphant return—restored and ready to ignite a new generation of listeners.
Across eleven original tracks, Bandolero fuses searing fuzz guitars, swirling organ lines, and a propulsive Latin rhythmic core to create…
Investigation No.1
Originally released in the early 1970s, Investigation No. 1 by Carl Sherlock Holmes Investigation stands as an obscure but compelling chapter in the story of experimental jazz-funk. Blending the spiritual depth of jazz with the rhythmic pulse of funk and a distinctly Afrocentric consciousness, the album reflects a transformative period when musicians used groove and improvisation as tools for both artistic discovery and social expression.
Musically, Investigation No. 1 sits at the crossroads o…
John Zorn's Bagatelles Vol. 6
On John Zorn’s Bagatelles Vol. 6, John Zorn hands a fresh batch of his angular miniatures to the Brian Marsella Trio, who render them as a volatile, deeply melodic piano‑trio songbook where Monkish heads, free detonations and elusive “exotic” moods feel entirely at home.
John Zorn's Bagatelles Vol. 5
On John Zorn’s Bagatelles Vol. 5, John Zorn hands eight spiky miniatures to the Kris Davis Quartet, who turn his angular “weirdo tunes” into a fierce, lyrical piano‑guitar quartet set where structure, swing and free combustion constantly collide.
Exotica
On Exotica, Sun Ra is recast as an unlikely lounge visionary, folding the lush fantasy worlds of Les Baxter and Hollywood mood music into raw, off‑kilter Saturn tapes that turn easy listening into uneasy, Afrofuturist escape.
I Feel Funky / Talkin' Talkin'
Matata were formed in Kenya in 1963, laying down their grooves in Nairobi's Brilliant Club before going on to record two albums in London in the early 70s. Both Air Fiesta and Independence are perfect nuggets of Afro-funk, but alas Matata were reportedly homesick and they disbanded to return home. Their short-lived legacy lives on though, and now Dynamites Cuts have turned to their second album to present two of the hottest joints on a cool and deadly 7". 'I Feel Funky' is one of the band's bigg…
Hosianna Mantra
Newly remastered vinyl edition of this seminal 1972 release. In the history of experimental music, few artistic decisions have proven as radical or as successful as Florian Fricke's complete abandonment of electronic instrumentation on Popol Vuh's third album, Hosianna Mantra. Released in 1972, this stunning work represents not just a departure from the Moog synthesizer explorations that defined the group's first two releases, but a complete reimagining of what spiritual music could accomplish i…
Generic Flipper
Generic Flipper, the debut album by Flipper, remains the most absorbing full-length LP to emerge from the early San Francisco punk scene. A constant source of imitation for so-called "noise rock" bands, it has yet to be surpassed in its nihilistic glee. Recorded between October 1980 and August 1981 and released in 1982 on the indispensable Subterranean Records, this album functions as a chaotic, sticky mass of individual personalities: the magma-like bass eruptions and dual vocals of Will Shatte…
Lola
On Lola, Zbigniew Namysłowski Modern Jazz Quartet fuse blazing post‑bop with Polish highlander melodies, cutting a 1964 London session that became both a historic first outside the Iron Curtain and a cult artefact of fiercely local modern jazz.
Katcharpari
** Audiophile reissue from the original masters, 180gm vinyl pressed by Pallas, laminated hand-glued gatefold cover. Limited Edition. ** Katcharpari is the second solo album by Italian jazz trumpeter Enrico Rava, recorded and released in January 1973 and considered a cornerstone of the jazz-rock/fusion genre. Recorded in Milan and released on the German label BASF, Rava himself described it as his "breakthrough album." Thanks to the critical acclaim this work received, Rava caught the attention …
Zouroku No Kibyou
The first album by the most extreme noise project to ever come out of Osaka, now in a second deluxe edition that borders on insanity: natural birch wooden box, hand-numbered to 99 copies, color print lid reproducing the iconic cover art by manga master Hideshi Hino. Inside: the LP, a 40-page book of raw concert photos, a cassette of six rare studio tracks from April and June 1980 - Hijokaidan's primal first breaths - four postcards, a massive poster, a live photo book, liner notes by Jojo Hirosh…
Synths, Sax & Situationists (Music From The French Underground 1973-78)
France's near-revolution of May '68 kicked the country's small but vibrant counter-culture into overdrive and birthed a local underground music scene. The bands it spawned made music with far less rock purity than groups from the UK and US - their influences foregrounded improvisation, disjunction and genre-blending: Soft Machine, Pink Floyd, Frank Zappa, free jazz and radical politics. The introduction of the synthesiser in the early 1970s added fuel to the fire. This six-track compilation inau…
Dogon A.D.
One of the most important jazz albums of the 1970s - finally on vinyl in its definitive edition. Julius Hemphill's Dogon A.D. is the missing link between the avant-garde and the blues, between the cotton fields and outer space. Recorded on a freezing February day in 1972 at Oliver Sain's Archway Studios in St. Louis - no heat, malfunctioning equipment, some musicians didn't even show up - and yet what emerged was nothing short of a masterpiece. An "almost accidental classic" that has haunted col…
Hexerei Im Zwielicht Der Finsternis
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
Scumbag
Bones returns with Scumbag, a stripped-back, lo-fi record that distills his bleak vision into its rawest form. With skeletal beats, muffled samples, and whispered delivery, he crafts a shadowy atmosphere that's equal parts haunting and hypnotic. Known for his prolific output and DIY ethos, Bones sidesteps convention once again - this is not music for the charts, but for the dead of night. Scumbag feels like a confessional mumbled into a tape recorder, full of dread, detachment, and flashes of vu…
Tepepa
On Tepepa, Ennio Morricone turns the Mexican Revolution into an operatic fever dream, braiding solemn mariachi‑tinted themes, mystical guitar‑and‑orchestra adagios and defiant song into a score where personal vengeance and collective uprising share the same melodic bloodline.
Ourang-Outang
In August 1971, the white wizards of South Africa's psychedelic rock underground shared the stage with the black witchdoctors of the Afro-jazz avant-garde. The event was the Tribal Blues concerts at Wits Great Hall, an unprecedented cross-cultural showcase of independent music hosted by the maverick 3rd Ear Music label. Ourang-Outang (2020) presents rehearsals and jams recorded by 3rd Ear director, producer and engineer David Marks in rural KwaZulu-Natal as this unlikely alliance of musical drui…
Quintessence
A remarkable document finally surfaces after nearly 40 years in the NDR archives. John Taylor - the piano master of dense, orchestral voicings and skittish melodic invention - captured here in 1987 with the full NDR Radio Symphony Orchestra conducted by Dieter Glawischnig. All music written and orchestrated by Taylor himself. This is the logical conclusion of everything the man stood for musically - from Azimuth to Johnny Griffin's band to this luxurious symphonic setting. Stan Sulzmann on sopra…