Composition / Avant-Garde

Near Distant by Michelle Lou explores the intricate interplay of stasis, time and perception. Lou’s compositions challenge conventional interpretations, presenting music as a constantly evolving landscape. Through “static” or “stasis-variation” she reveals the complexity within seemingly unchanging sounds, inviting listeners to explore subtle transformations in pitch, timbre and dynamics. This album embodies Lou’s unique approach, emphasizing our active role in perceiving and transforming the in…

The album is inspired by the poetry of William Butler Yeats, in particular his work Sailing to Byzantium. The main composition, which features five recorder sizes from tenor to garklein, explores themes of time and transcendence, depicting a journey to an imaginary Byzantium where the poet is transformed into a golden bird. The four movements correspond to stanzas in Yeats’ poem, with recurring elements such as a lyrical refrain and a gyre reflecting the poet’s themes. The trajectory of the piec…

"Sciarrino is an important, and distinctive, figure in the Italian avant-garde. The present work is a setting of thirteen brief texts (its subtitle is ’12 canti e un proverbio’, twelve songs and a proverb) for baritone and 14 instrumentalists – the booklet notes say fifteen, but only fourteen are named. It puts before its hearer fragmentary, skittering sounds, sudden changes of dynamics, as sounds loom out of silence and disappear just as quickly. There are fluttery, fugitive sounds, repetitive …

Pianist Eunmi Ko’s latest double album, 12 Views on Life, offers a profound musical reflection on the tumultuous years of 2020 and 2021. Through two major projects, SPAM! for solo piano (and other objects she could find around her house) and Project GŪT for ensemble, Ko, alongside the Contemporary Art Music Project [CAMP], delve deep into the existential questions posed by the global pandemic and personal struggles with identity and creativity. Conceived for livestreaming from home, SPAM!, embra…

*2022 stock* "Leroy Jenkins, free jazz's greatest violinist, has always worked best in intimate situations with equally talented partners. He certainly had the optimum conditions on this duet date pairing him with outstanding pianist, composer, arranger, and conductor Muhal Richard Abrams. The duo played six Jenkins compositions for the session, which was recorded live. Abrams and Jenkins frequently alternate roles, letting each other set the pace, never colliding, and forging a highly effective…

Tip! "Three harpsichords in various states of disrepair were kindly offered to me by Leeds Conservatoire. I accepted, and a memorandum of understanding was swiftly drawn up. The offer was made under the condition that I might make some music from them, given my penchant for infirm instruments, and their conventional worthlessness to anyone wishing to use them for their intended purpose. There seemed to be an auspiciousness surrounding these harpsichords, the stories they might reveal, and more i…

*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates animal sounds with recording techniques in “Whale I,” Gordon Mumma offers audience members “Do It Yourself” participation in “Cybersonic Cantilevers” and Vladimir Ussachevsky suggests a pre-biblical story of the creation of the world depicted by electro…

Tip! *In process of stocking* "On "When the Streets Were Quiet", composer, bassist, and bandleader Max Johnson turns the focus to his finely wrought chamber music. Active in many contexts, Johnson is voraciously eclectic and impressively versatile. The works on this collection betray little overt reference to his wide range of stylistic activities, instead zeroing in on his craft centered approach to composition. With an emphasis on counterpoint, imitative textures, structural markers defined by…

On Mature Hybird Talking Frank Gratkowski, one of the world’s most advanced and original voices in the field of improvised music, teams up for the first time with one of the leading ensembles for composed contemporary music. He dedicates this 45-minute piece to James Joyce and Iannis Xenakis, who both had a major impact on him. Inspired by the rhythm and sound of Joyce's language, Gratkowski and the Ensemble Modern create a widely ramified, sensitive and incredibly vital musical organism. Energy…

Sarah Hennies (b. 1979, Louisville, KY) is a composer and percussionist based in upstate New York whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer & trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is primarily a composer of acoustic chamber music, but is also active in improvisation, film, and performance art. She is the recipient of a 2019 Foundation for Contemporary Arts Gran…

*2024 stock* Arne Nordheim might not be the best known early electronic music composer, but with this fabulously presented double disc of work it should help his music achieve at least a little wider recognition. He might be best known (at least outside his native Norway) for the discs on Rune Grammofon, but here we get some of his earliest tape work from the 1960s, possibly his most interesting period, at least to me. As a die hard Radiophonic Workshop enthusiast this collection seems to come f…

*2023 stock* Inspired by the kinetic physicality and aesthetics of balance found in Ken Unsworth's work, the music embodies a feeling of suspension between movement and stasis. Evolving and revolving melodies, poised skilfully in polyrhythmic structures, the music creates an intoxicating and emotional impression. There is a feeling of constant motion and flow of sonic currents that typifies much of Kate Moore's music. The music shifts from the material world, the gradually shifting stone-like cy…

A set of compositions by composer Kate Moore written around the concept of connecting memory of places and sensory experience, the album centres on the two major pieces, Ridgeway (2009) and The Dam (2015). Moore is at her most expressive in those immersive, visceral works, as she refers to personal experience and memories. In the title piece, Ridgeway, the giant white horse of Uffington, set in the dramatic prehistoric landscape where Moore lived for a time as a child, comes to life as in a powe…

On the evening of July 13th, 2023, I trekked up to Arnold Hall for a very special performance at The Stone. I sat in the front row and took out my notebook then turned to my right and looked around the space. The dimly lit room buzzed with quiet activity and conversation. After a few more minutes, the lights went even lower and out walked three shadowy figures. Each clicked on a small bulb that lit their individual music stands. This was my third time seeing the Jessica Pavone String Ensemble. T…

The Trilogy Tapes’ first CD presents a studio recording of Jack Sheen’s Solo for Cello, a 35’ work written for Anton Lukoszevieze, the cellist, artist, and Director of the group Apartment House, renowned for their recent recordings of John Cage, Morton Feldman, and Jim O’Rourke, amongst many others.  “Jack Sheen’s Solo for Cello and fixed audio is an extended exploration of the resonant body of the cello, but also a kind of flickering, glitchy and incessant ‘moto perpetuo’, of extreme intensity…

"Purgatory is part of a large cycle called Sunset Time which consists of seven days of ritual music. Rituality is one of Pape’s stylistic traits that is often expressed with imaginative and fantastic sound revelations, with unpredictable sound sequences, with powerful flows of voices and instruments in a continuous timbral transfiguration. Surreal and dreamlike sounds accompany the journey of Dante and Virgil and of the other characters they meet, following them to the threshold of Paradise, sou…

It's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, an…

Black Truffle is pleased to announce its second release from New York violin duo String Noise (Conrad Harris and Pauline Kim Harris), following on from their self-titled double-disc collection of compositions by Alvin Lucier (BT061). Here they present A Complete Anthology of Solo and Duo Violin Pieces by legendary American experimental composer Christian Wolff. The youngest and in some ways most radical of the composers of the New York School (alongside Earle Brown, John Cage, and Morton Feldman…

*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.

Futility by Rafał Zapała is a provocative album that reimagines the concert experience, fusing music with technology to challenge the traditional performer-audience dynamic. Through compositions such as No Meaning Detected and Futility, Zapała explores themes of control, engagement and the communal aspect of music in the digital age. This album invites listeners to an interactive journey, questioning the conventional boundaries of art and its consumption. This production demonstrates Zapała's in…

Inspired by the serene aesthetics of Japanese gardens and the avant-garde sounds of Edgard Varèse, Hervé’s work embodies a profound engagement with the environment, both natural and constructed. Featuring the compositions Germination, an ensemble piece with electronics that transcends traditional performance spaces, and Topos, an immersive soundscape blending music with the sounds of an imagined natural environment. The album concludes with Au Dehors, a composition that evolves like nature itsel…

* Italian Language Edition * 2024 Stock * Fernando Grillo (Foggia 1945 - Perugia 2013) contrabbassista e compositore, è stato tra i protagonisti dell'avanguardia musicale del '900, pioniere nell'esplorazione di nuove tecnichedi produzione del suono sul contrabbasso. Per lui hanno scritto compositori quali Salvatore Sciarrino, Iannis Xenakis e Luciano Berio. Karlheinz Stockhausen lo definì "il Buddha del contrabbasso", mentre Carmelo Bene, per il quale lavorò alle musiche dell'opera poetica "I ma…

"Other Minds is happy to present The Water Has Found its Crack, the debut album by composer Joseph Bohigian. Consisting of four new works written since 2018, the collection finds the composer expertly handling a variety of performing forces, from laptop ensemble to string quartet. Each piece engages with a different aspect of the California-born composer’s position as a member of the Armenian diaspora. These include the legacy of displacement since the 1915 genocide, maintaining culture in exile…

Jason Eckardt's Undersong cycle, built around Laura Mullen's text, with A way [tracing], 16, Aperture and The Distance (This), played by Fred Sherry, Claire Chase, Tony Arnold and the International Contemporary Ensemble under Steven Schick.

CD digipack. In his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology tha…

*2024 stock. Custon CDr* Works by Talib Rasul Hakim, William Bolcom, Howard Swanson and Frederic Rzewski are presented here. Highlights include Bolcom’s "Whisper Moon" for chamber ensemble and three of Rzewski’s songs, whose lyrics are drawn from words by Frederick Douglass, Langston Hughes and Guatemalan revolutionary Otto Rene Castille.

*2024 stock. Custon CDr* Trumpets and trombones twist through dense pockets of sound in Lucia Dlugoszewski “Angels of the Inmost Heaven”; the voice of a lone guitarist punctures the silence in James Fulkerson’s “Patterns” II and VII; flute, bassoons, viola and vibraphone are intended to “turn some dancers on” in Carman Moore’s “Youth in a Merciful House”; and a guitarist laments to the hum of an Elizabethan-type string and woodwind consort in Stanley Silverman’s “Planh.” This is a thoughtfully b…

The name Painjerk, the musical project of Kohei Gomi, didn’t come to mind for a long time. Offhand, I’d say it is likely that I reviewed very few of his releases. Many of those he released himself, and the ones of Harbinger Sound, Editions Mego, Alternative Tentacles and Hospital never reached me. He’s among the few musicians leaving the harsh noise behind and doing other projects. He calls it the “exploration and practice of kinematics of electro-acoustics using unorthodox methodologies, mainly…

Another Timbre is back with yet another incredible statement from the contemporary landscape of experimental sound, “Vesperi”, the debut album by the Italian composer Marco Baldini from the Florence-based ensemble, Blutwurst. A striking series of minimal works for acoustic instruments, drawing their inspiration from early music and North Indian (Hindustani) classical music, and executed by two remarkable ensembles - a quartet of two cellos and two double bass, and a trio of cello, double bass, a…

Another young composer who you’ve probably not heard of, but whose music you really should get to know. Four stunning pieces, three played by Apartment House, and one by the Rothko Collective. Brilliant music that really shouldn’t be possible from someone so young.

* Beautiful gatefold vinyl designed by the studio Experimental Jetset, Amsterdam with 12 page booklet featuring the photographic work of Johannes Schwartz and text of Maria Barnas used in the multimedia production of the work. * Face is a multimedia composition for voice, violin, piano, recorders, live electronics and video, based around the use of facial and emotion recognition software. Performers: Electra, Diamanda Dramm (violin), Susanna Borsch (recorder), Michaela Riener (soprano), Saskia L…

The latest in a prolific string of solo and collaborative releases by James Rushford, Turzets collects a pair of new works primarily created and recorded last year while the Australian composer-performer was in residence at La Becque, an art center on Lake Geneva in Switzerland. The side-length piece “Fallaway Whisk” explores hesitation in its many forms—reticence of speech, sonic restraint—using live, abstracted translations of text from English to German against a lush and swelling soundscape.…

For decades, Ludger Brümmer has represented a unique, courageous, and often instantly recognisable voice in electronic, algorithmic, and computer music. He develops structures that lead to aesthetic experiences normally found, if at all, only in the most expressive of instrumental works. Ludger Brümmer’s music is dominated by processes. All processes are on a trajectory towards a climax or evolve from a climax to a minimum. Ultimately, a complete lack of orientation is to be achieved in the clim…

Three compositions written by Francisco Meirino for ensembles. Utilizing pitch and timbre of traditional acoustic instruments Meirino’s unique compositional voice speaks out. Guiding the listener through tension and decompression, unease and malaise. Performed with Ensemble Vortex and Ensemble Phoenix in Basel, recorded during 2016-2019.Born in Spain in 1975, Meirino is active since 1994 (as Phroq until 2009) in experimental music and live performance. ​His music explores the tension between pro…

Six first recordings for solo percussion by Luis Tabuenca, each named after a work by Paul Klee, played acoustically with no electronics beyond amplification, with liner notes by Steven Schick.

First volume of Horatiu Radulescu's Piano Sonatas and String Quartets, with String Quartet No. 5 and Piano Sonatas Nos. 2 and 5, the quartet and Sonata No. 5 first recordings, played by the JACK Quartet and Stephen Clarke.

The lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy & Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.” Gold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard wa…

Six pieces for gamelan slendro by Lou Harrison, Larry Polansky, Petar Klanac, Billy Martin and Roland Dahinden, played by the French ensemble 0, the Swiss percussion group Eklekto and Gamelan Oksitan.

Elliott Sharp's Dispersion: Flexagons, Dispersion of Seeds, The Hidden Variable and Palimpsest, four processes-based works for large ensemble, played by the young musicians of Veni Academy under Marián Lejava, with Sharp on electroacoustic guitar.

Four works by Alvin Lucier, Carbon Copies, Risonanza, Music for Pure Waves, Bass Drums and Acoustic Pendulums and Broken Line, performed by the Berlin-based Trio Nexus.