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'It is to the detriment of our understanding of musicality that we mostly measure it by the capacity to produce, and much less by the capacity to receive some sort of acoustic information or event. The virtuosity of listening, of understanding the sonic situation and its potential, is, however, that which defines one's capacity to interact – with other musicians, with the audience, and with the environment. This could also be taken to mean that an ethical act is implied in the situation of liste…
Platform 23 again explores to the dense voids, this time with a touch of the funk, with a reissue of Dutch experimentalists De Fabriek and two tracks from their "Music For" cassette series, this time calling all Hippies. Featuring both original and reinterpretations from modern-day heads, Dunkeltier and Khidja, this double-pack is something of an oddity, showcasing the bands' expansive range, moving away from the noise, drone and industrial soundscape releases they had become known for and craft…
Like a rediscovered Viking burial ship, Electro Nova compiles near-mythical drone recordings produced in 1998 and described by Helge Sten aka Deathprod as some of the most important music to ever come out of Norway. It’s the work of Kåre Dehlie Thorstad and compiles two of the earliest releases on Smalltown Supersound, back when it was basically no more than a bedroom operation. It’s taken over two decades, but finally the label have given the material a first ever proper release on vinyl, compl…
*200 copies limited edition* The Bridgewater Triangle is an actual 200 square mile forest and swamplands within Massachusetts, USA, an area known for paranormal activity, including UFOs, Bigfoot, Thunderbirds and ‘Pukwudgies’ – or spirits of the forest. ‘Beneath Bridgewater’ soundtracks the fictional experience of a rescue search team lost within the notorious Bridgewater Triangle.
It’s 1982 and a 19-year-old man has gone missing at Freetown Fall River State Park, located within the Triangle. A …
After his involvement w/ the monster debut albums by both Tangerine Dream and Ash Ra Tempel, Schulze went solo and this is the first album (originally issued on OHR, 1972). The first of many classic space rock/trance epics; long tracks in which Schulze plays everything (electronic machines, organ, guitar, percussion, much more), this is some of the finest German Kosmiche Musik there, staggering work and really quite underrated once you get outside his cult following.
*Edition of 300 numbered copies Die-cut cardboard outer sleeve, color print inner sleeve + poly-liner sleeves.* "The exquisite corpse shall drink the new wine", wrote the French Surrealists almost 100 years ago, and from this missive stems the parlor game in which we partake here. Through obscuring the tower itself, they cobble together meandering staircases in which to ascend with absent-minded haste; spontaneous line-weaving amasses figures and phrases into new planes of thought, therefore hol…
*In process of stocking.* 'Meth.O.Tapes' catalogue opens up on a programmatic framework in the form of Gil.Barte's first LP. Developped as an experimental exploration rather than a narrative, this object called « R.S.F » is a recollection of intriguing sonic pictures. Tracks neither really start nor they finish, pieces of an apparently unreasolvable puzzle like pages of a fantastic bestiary long forgotten.
"Wizards was my first deep trance electronic music album. This album was inspired by Terry Riley, one of the earliest people ever to compose and perform long, extended, cyclic pieces in the electronic format. This music was composed and performed in '81 and '82. I consider this album my best work. The instrumentation is three Sequential Circuits PRO-1s, Crumar Traveler One, and a Yamaha SK-20, all real time recording to a Teac four-track reel-to-reel. I mixed the four tracks to a Teac A-7300 Mas…
On Rain Forest Music (1981) J D Emmanuel builds gentle, short cycles of notes into floating clouds of sound, mostly improvising around single chords. The "minimalism" in his music lies not in repetitive patterns that barely change but more in the spare arrangements that focus the listener while also taking them on a sonic journey.
A tape loop technique used by Brian Eno, Terry Riley, Robert Fripp (and likely many more) called Continuous Looping was used in the creation of this album and a loo…
A forgotten classic! Created between 1981 and 1985 by JD Emmanuel, a new age composer who has received a lot of praise from people like Lieven Martens and John Olsen. These recordings signify Emmanuel's praise to the course of the day. Starting off slowly with morning synth meanderings, walking through midday, running in the evening, and closing the day with midnight meditation. "Somewhere hidden in the deepest part of the Self is that special place, where One can go within to the most ancient p…
*300 copies limited edition. Artwork with full-tone color* Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century.
Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations a…
*2022 stock* The duo Minit (Jasmine Guffond and Torben Tilly) have taken a slightly more melancholic turn for their first release on Staubgold. Their two previous efforts released on the Sigma label were more abstract. This one marks an increase in lushness, smoothness, and dreamy near-melodies. In fact, Now Right Here could be described as a cross between Fennesz's Venice and Rosy Parlane's Iris. It has the filtered instrumental/melodic component of the former and the softer noise textures of t…
The NetCast improvisation with Reynols (Miguel Tomasin, drums; guitarist Robeto Conlazo, guitarist Anla Courtis) Monique Buzzarté - trombone and Kevin McCoy-computer processing is my first International collaboration in this form. So far I have been involved in several multi-site improvisation NetCasts in the USA only. Through Pauline Oliveros Foundation I am interested in helping in the evolution of the Internet as an international venue where diverse collaborators can engage with one another. …
Since its release in 1996, Surface of the Earth's self-titled first album has gradually been recognized as an unlikely minimalist masterpiece and one of the key albums to emerge from New Zealand’s 1990’s Free Noise movement. Liberated from tonal and structural convention, yet also embracing elements of drone and ambient music, the Wellington trio created an album that defied easy categorization. It has been called "one of the most important albums to ever drag the subterranean vibe of unending d…
*2022 stock* Andrew Chalk's Over the Edges was recorded in one day at Colin Potter's studio, using only two strings of an acoustic guitar played with an E-Bow. The results belie the simple sources, and the album is a rich drone texture which draws the listener into its sound world. All four tracks share a common language, a slightly buzzing, gently undulating drone in a lower register, often layered until the pitches grow together. But each track also has noticeable differences from the others. …
'Spectrum is a continuation of my interest in the perception of time, and at the same time an acknowledgement of me being on the autism spectrum. I got diagnosed with this about 2 1/2 years ago, which was quite the shock for me at that moment. But in the past 2 1/2 years I have learned so much about this.
This album, with my interest in minimalism, opposed to bombastic music, is a form to embrace my autism and to accept it as it is. I didn't change as a person, but I do know myself better. The m…
*In process of stocking. 200 copies limiteed edition* The four pieces on this CD were written during travels, moving between places or being on the move. The first rough sketches have been developed further in different situations until they reached the final shape that can be heard on the album. These formations came about after many mood swings and rethinkings. Sometimes, the way to the final results was long, depending o the mood in the very moment, while working on the music. The manifestati…
*10 copies limited edition. In process of stocking* This record is dedicated to Mark Hollis. It was thought for a long time and realized in four days of April in Quarto Escuro, in Porto. Everything at the first take, recorded with a lot of love and an unbelievable group of people. It was supposed to be ambient, but it ended up being free. The name is stolen from "Come Mellow, Love is Fine", a beautiful twistedfreak loop.
Composed and produced by Sal Grosso. Performed by Sal Grosso (electronics, …
*In process of stocking* Colectivo Casa Amarela, Combustão Lenta Records and Favela Discos present & Fantasmas by Sã Bernardo. Recorded live in Damas by Raphael Soares & Leonardo Bindilatti.
*In process of stocking. 50 copies limiteed edition* Accidentally intended as the soundtrack to the digital post-apocalypse. All frequencies added together at once are heard, producing a noise which is to sound what white light is to light.‥ This is the komische that 2019 deserves. Composed, recorded, produced and mixed by Aires & Sal Grosso July 2019 @ Desterro, Lisbon