No Eye Has an Equal
Recommended if you like: Steve Roach, Fennesz, Kara Lis Coverdale, William Basinski, Tim Hecker, Deepchord, in the dronier moments. A "reflection on how diversity can [create] a sense of infinity”, No Eye Has an Equal sees the Siena composer delving into his extensive archive of electroacoustic compositions, and presenting four radical reconceptualisations of his own material; each one a view into the deeply personal atmospheres he has created, and perfected, over a decade of composing.Opener Br…
Bioluminescence
"Rod Modell and Walter Wasacz join forces as Shorelights once more to deliver a marvel, an opus on deep sea meditations. The acts herein are engrossing artefacts of sensory exclusionism — not deprivation, for the music is divine enough to take over all sense and sensibilities upon listening. Numbness teases at your fingers as the mind drifts away with the current.Bioluminescence is indebted to all the merits of total submersion; deep drone, glimmering upper reaches, and clattering echoes paint t…
All Other Voices Gone, Only Yours Remains
**300 copies** All Other Voices Gone, Only Yours Remains is the result of a dialog between Nieves Mingueza and the musicians The Humble Bee and Offthesky initiated by Iikki, between October 2018 and June 2019.The complete project works in two physical imprints: a book and a disc (vinyl/cd) that can be experienced in different manners... Tthe book watched alone, the disc listened to alone, or the book and the disc watched and listened to together.Nieves Mingueza is an experimental and independent…
Twelve Atmospheres
**2019 stock** David Janssen is best known for his work as Ted The Loaf in Renaldo & The Loaf. When the band split up in 1987 after The Elbow is Taboo, Janssen took a long break from music until his return in 2006 as The Darkening Scale. After the first two solo albums under this name, he started a new collaboration with Sylvie Walder as The Tapeworm Vessel.This project produced three albums, the first one being Twelve Atmospheres which is now available on CD for the first time. It was originall…
Octopus
Harpist Hélène Breschand performs two challenging works by Eliane Radigue and Kasper T. Toeplitz with results intended for deep listening. The first sees Hélène perform Occam Ocean XVI for acoustic harp, drawing out a rich array of sonorities from a single pitch across its 27 minute duration. The first nine minutes are intensely meditative, with the effect of drawing our eyelids to half mast in the manner of best Eliane Radigue music, before that hypnagogic traction gives way to flurries of pitt…
Psychotropic Electric Eel Dreams IV
In Spring of 2017, Experimental Sound Studio (ess.org) presented Psychotropic Electric Eel Dream IV, a four-channel sound composition for the ESS Florasonic sound installation series at Lincoln Park Conservatory, Chicago. The installation was in conjunction with Rob Mazurek's solo exhibition The Shaping Light at ESS's Audible Gallery.What you hear in the Fern Room is Psychotropic Electric Eel Dream IV by composer, musician, and visual artist, Rob Mazurek. The sounds in this composition were gene…
Trian: Recent Works
Trian (Recent Works) is Claire M Singer's debut on vinyl and this double album gathers most of her previous output on the Touch label. During recent years Singer has focused on writing and performing a mix of organ, cello, and electronics with regular performances at Union Chapel, where, as Music Director, she runs a diverse program of concerts and educational workshops around the chapel's organ, which was built by Henry Willis in 1877. Solas ("Light" in Gaelic), which ccupy the first three side…
On Corrosion
Edition of 200 copies, a 10 cassette anthology housed in an handcrafted wooden box and featuring full albums from Kleistwahr, Neutral, Pinkcourtesyphone, Alice Kemp, She Spread Sorrow, G*Park, Relay For Death, Francisco Meirino, Fossil Aerosol Mining Project, and Himukalt. The collection stands as the 50th release for The Helen Scarsdale Agency, plunging through the depths of post-industrial research, recombinant noise, surrealist demolition, and existential vacancy.Curation and fabrication by J…
Lemegeton Party
Lemegeton Party is the narcotic and occluded industrial-ambient debut for the Junkie Flamingos, a project conceived in 2017 by Luca Sigurtà, Alice Kundalini, and Daniele Delogu. Each of these musicians has their distinctive sounds: Sigurtà with his vertiginous electronica, Kundalini best known as the author behind the death industrial project She Spread Sorrow, and Delogu in the bombastic folk of the Barbarian Pipe Band. Their collective amalgamation shifts but does not denude each of these aest…
Equivalents
Canadian composer Scott Morgan’s 12th long-player as Loscil takes its title from an influential series of early 20th century photographs by Alfred Stieglitz, abstracting clouds into miasmic, painterly canvases of smoke and shadowplay. It’s a deeply fitting analog for Morgan’s own musical process across the past two decades, fraying forms and tones into widescreen mirages of opaque texture and negative space. The name Equivalents referred to Stieglitz’s notion of the photographs as being equivale…
Heavy
**300 copies** Heavy was originally produced five years ago and released in 2016 on tape via Lee Noble's seminal No Kings label. Now the work has been reissued on vinyl and remastered from the original tape rips by Rashad Backer, preserving the fragile and heavy hearted auditory sensibility found in the original work, while making one of Ekin Filʼs earliest and most personally endearing releases available to a new audience of listeners. "Around the ancient city of Istanbul, a defensive wall dati…
Cylene
First time outing from two ardent explorers of peripheral sound tactics. Cylene is the first collaboration by François J. Bonnet (Kassel Jaeger) and Stephen O’Malley of Sunn O))). Laid bare we have a subtle and nuanced study of their individual practices forming a titanic whole. O’Malley’s guitar inscribes a void that patiently opens up a spacious universe for Bonnet to discreetly alter with perception re-orientating studio maneuvers. Cylene is infinitely rewarding for those that succumb to its …
Live at Bam Balam
Richard Pinhas, the founder of '70s legends Heldon, is one of France's best-known experimental musicians and is a key figure in development of rock music fusing with electronic music. Live at Bam Balam is solo guitar and processing as well as drone electronics with the use of a Metatronic Delay system: no re-recording. This brilliant collection of solo improvisations was recorded in Bordeaux (France) on April 16th, 2016 and April 21st, 2018. Limited edition vinyl-only release for the French Reco…
Arc 1
Finnish label Sähkö Recordings is launching a new archival series of unreleased work from its co-founder Mika Vainio. The late Vainio left behind plenty of unreleased material after his passing in 2017. Arc 1 represents the first in a series of releases that draw on Vainio’s archives. The material here was constructed for a 1994 radio project, entitled Ambient City, that Vainio performed as Ø. Both sides here begin with perturbed ambient synth-scapes - grumbling LFOs, digital noise, that sort of…
Nothing Is Objective
Spanish ambient composer Suso Saiz deepens his relationship with Music From Memory with the release of a new album, Nothing Is Objective. This joins 2017’s Rainworks as his second full-length album for the label, following archival collections of solo music and of his group Orquesta De Las Nubes. Nothing Is Objective was recorded in Madrid in 2018 during a period of transcendental change and creative awakening for Suso. It captures the composer as he develops a renewed relationship with his inst…
Desert Drone Cycle
**125 copies** Cristopher Cichocki is an interdisciplinary artist from the Coachella Valley, with an extensive body of work that examines transmorphic cycles of decay and renewal. His multi-faceted practice addresses environmental and socio-political disintegration above and beneath the surface of everyday perception. Cichocki is as accomplished in maximalist, immersive composition as he is with painting, sculpture, photography, video, installation and Land art interventions. Desert Drone Cycle …
Sirens
"When I was 22 I managed to acquire Techno Animal’s Demonoid 12" at a local record store, Rocking Horse Records. I can still recall the intensities of sound that marked the first moments of listening to it. The sense of bass as a tactile surface, that rolling groove and the howling sine waves and dub sirens that scorched with a type of sonic burning sensation that to this day makes my hairs stand on end. A year later I heard Ice’s Bad Blood, from there I discovered The Bug through a release on W…
Not Knowing
**200 copies** "Not knowing is my fifth accordion solo and a new challenge for the instrument itself, here treated as an object in space. Whereas in the other recordings the centre of attention was put in materiality, structure or deconstruction, with microphones extremely close to the instrument, almost inside it, here the point of inflexion is the architecture and space as an essential part of the recording. It's still with an exploratory intention that I try to blur the limits of what to expe…
Horizontal Alliances, Vertical Conflicts
**200 copies** Nine threads. Time in slices. Viewed from the side, events and relationships hang down in long, vibrating strings. The motion of tiny lives, suspended from an unknowable sky and travelling through wire to reach the ground where they dissipate; taken together, a trembling chorus of lives. Two lives, here. Nine years ago, things were simpler and more idealistic. The first Rose and Sandy release took the sound of a sort-of-zither and strung it out into gaseous and lambent chords. Alm…
Obscurum per oscurius
**200 copies** Operating under his own name as well as MVK and Swerve, Matthijs Kouw (his second name is Vincent, hence the V) has released music since 2011. Solo work as well as collaborations, works for dance, film theater and installations. Most recently, he focuses on long-form drone pieces, often in collaboration with Radboud Mens. Obscurum per obscurius is a latin phrase that can be translated as "(explaining) the obscure by means of the more obscure". A well-chosen title for this collecti…