We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
**Edition of 200** Vittore Baroni and Daniele Ciullini met in the early 1980s in the then flourishing circuit of fanzines and mail art, starting a series of collaborations in small self-produced artistic publications and in the sound field, as in the case of “The Cop Killers”, a tape part of the TRAX multimedia project. In 2018, at the time of the vinyl reissue of this audio cassette, the idea of giving a sequel to the dystopian-science fiction "industrial opera" was born, but without anything c…
The London based singer and keyboard player Dominic Appleton, known since the early eighties for his musical activity in the post punk/dream pop band Breathless, and perhaps even more for his vocal contributions to the legendary This Mortal Coil project on 4AD, joins forces with the Milanese producer and sound artist Matteo Uggeri, active from 1993 behind several projects spanning from industrial to post-rock and ambient soundscapes, known for collaborating with artists such as Maurizio Bianchi,…
Belgium’s avant-rock legends explore their prehistory in a special archival project. Retrieved from long-forgotten reel-to-reel tapes and cassettes, this collection of previously-unreleased tracks unveils some of the meanders which eventually led to the inception of Aksak Maboul in 1977. These 17 tracks and 80 minutes of music will take us for a stroll through moments of free rock, improv, quasi-kraut, modular & ambient electronics, and various experiments. Out on November 21 on digital, limited…
2014 release ** "Aktion No. 1 features the live testimony of an open collective, as well as the union and welding of the various souls behind the three labels involved and the various related projects, on this occasion represented by A Happy Death, Autocancrena, Cassandra, IRS and Negativeself. We had the opportunity to receive a first taste of this collaboration at the Glue-Lab in Ancona during the mini-festival Roma Soffre, and we find within this tape the result of his performance at Dal Verm…
Includes digital download. Damn Brain seeks the absurd. But who is it and where is it located? Damn Brain is a melting unity which travels to the golden seasides of electroacoustic experimental music of the 1950s to acid-trip inspired oscillator sounds possibly heard while looking at György Ligeti’s face puzzle with missing pieces, dissolving on the ground during a storm in downtown Berlin in 1996. Damn Brain is the echo of a thought, a consciousness teetering between the rational and the surrea…
Yutaka Hirose’s new album "Voices" is a visionary ambient journey—field recordings, spatial layers, and abstract narratives create immersive, transformative sonic worlds.
*50 copies limited edition.* PIA: Flight 813/761 by Drekka .This cassette is a 30 minute sound journal recorded in the airspace of Pakistan on October 16, 1999. While traveling home from Nepal that day, my friends and I were delayed for a few hours in Karachi airport because there was a coup happening in Islamabad! We weren't in any danger, but it was still quite intense. Side A features an extended spontaneous harmonium piece entitled 'Ke Garne' (Nepalese for 'What to do')... layered harmonium …
Codex Of Pleasure And Pain unites dark ambient, drone, and experimental artists to honor Clive Barker’s Hellraiser. Eleven projects evoke the film’s eerie sensuality and dread, creating a bleak, immersive listening experience marked by drones, textures, and spectral rhythms.
Michaela Melián’s Music for a While is an immersive, genre-blurring debut that fuses ambient techno currents with classical elements and subtle pop inflections. Drawing on a palette of cellos, guitars, and synthetic textures, Melián crafts extended atmospheric meditations whose compositional wit never dilutes their approachable warmth, producing a record both refined and strangely inviting, nestled between art installation and intricate electronic composition.
*36 copies limited edition*
Reissue of a tape made by M.B. in 2021. Over 50 minutes of hypnotic ambient sounds, as bright as light refracting in waterfalls and mosaic stones!
Professionally printed CDr inserted in a professionally printed cover.The cover is made of high quality embossed cardboard (250 grams thick) and is approximately 13x15 cm in size.The edition is accompanied by a postcard featuring a reworked collage by M.B.
*60 copies limited edition*
The edition is handmade.The package consists of a black envelope of embossed cardboard (thickness 250 grams) that has two printed stickers in the center of both sides.The envelope is closed with two double black satin ribbons (one is black and one is red) that hold two metallic pendants, the one on front It's the clock hands, the one on back It's the symbol of the female gender.Inside the package there are:-CDr professionally printed in a black paper envelope-cover pr…
*42 copies limited edition*
Reissue of a tape made by M.B. in 2010. Two longs pieces of magnetic minimalism made of loops of viola and hertzian waves. A work dedicated to Italian composer Giancinto Scelsi, father of microtonal music. Usual non-standard handmade packaging made with special ribbed paper, a cutout of a vinyl record, a metallic treble clef, and some inserts. CD-r is in vinyl-like black polycarbonate.
The black-dye vinyl CD-R is contained in a handmade sleeve (approximately 13 x 13 c…
Tip, very special package! *36 copies limited edition*
Reissue of a tape made by M.B. in 2013. Probably this is the most experimental side of Bianchi. It was recorded as a live improvisation in the stairs of a building in the Industrial Zone 1 in opera. Here M.B. is alone with his voice, tubular effects, mechanical percussions. The package is completely handmade with wire mesh, with an industrial sculpture made of corrugated pipe, tongs, screws and metal pieces, assembled to the wire mesh with e…
In Dream finds Courtney Bailey navigating the blurred edge between introspection and liberation. Layering spectral synths over tactile percussion, her voice threads through emotional chiaroscuro - a sonic diary where desire, loss, and rebirth meet in hypnotic balance.
A bold journey through electronic experimentation, Parajekt finds Parajekt (Bernhard Hammer & Matija Schellander) shaping intricate soundscapes from drum machines, samplers, and modular synths. The result is an album that merges beat-driven textures, dub processes, and live immediacy into a compelling modern statement.
Demo is much in line with Jones's 1980s recordings, a set of primitive percussion tracks assembled from hand drums, chimes and simple effects, and possessed of a coldly malevolent focus. The Wire
Original Cassette material from Bryns Jones home, Audio Restoration by Radboud Mens.
"Bedouin In Mercedes" by Muslimgauze is an album characterized by its powerful and prolific innovation in experimental music. It features a blend of ambient electronics, polyrhythmic drumming, and a variety of voices and sound effects that create an immersive and visceral listening experience. The music combines elements of Middle Eastern cultural influence with electronic and industrial sounds, reflecting the artist's deep political and cultural engagement, particularly concerned with the Middl…
"Home Demo Tracks" by Muslimgauze is a collection of eight tracks with a total duration of about 47 minutes, featuring a distinctive blend of ambient electronics and polyrhythmic drumming. The album captures the raw and experimental essence of Muslimgauze's sound, characterized by visceral percussion, diverse voices, and sound effects. It reflects the artist's unique position in underground, experimental, and industrial music circles, continuing the innovative and atmospheric style that defines …
The excellent Black September, a continuous, five-part, 68-minute epic, is as formidably competent as ever, although more for the brooding, surreal nature of its soundworld than for its grooves, which here sound almost subsidiary. The soul samples and restlessly evolving minor-chord kaleidoscopes that unfold throughout the work is prima facie evidence of a musician on a roll. Boldly named after one of the most notorious Palestinian terrorist organizations, the group which carried out the Israeli…
The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sources like the DAT or DATs that make up the contents of the…