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Electronic /

Segnale Unico di Avvio
Tip! ** Edition of 100, glass-mastered CD, includes poster ** A new face from the furthest North-East of Italy, Trieste: the city of the "bora", a powerful and relentless wind that for many of its inhabitants represents a state of mind, more than a simple typical atmospheric event. Petroglifi Solubili is the project by Loris Zecchin (Solar Ipse fanzine), born in 2021 with a simple sampler (the legendary Roland SP-404) and gradually expanded with an equipment that includes a number of synths, gui…
Persistent Repetition Of Phrases
First re-press in a decade for The Caretaker’s 2009 masterpiece, one of the earliest and most iconic releases on his label History Always Favours the Winners, and a true classic of the early 21st century. Spine shivers, all the way.
Music for Synclavier and Other Digital Systems
**2020 stock** Electro-acoustic musician/composer Jon Appleton plays a variety of digital instruments which, in his words, “obtain timbres and textures which convey expressive character through my work.” Instruments used in this recording are the Dartmouth Digital Synthesizer, the Synclavier, and the MUSSE of Sweden’s Stiftelsen Elektronmusikstudion Stockholm. The five pieces span the years 1974 to 1977 and include Appleton’s first digital piece “Zoetrope.” Liner notes include short introduction…
Visions - Music for Orchestra, 2 Pianos and Computer-Generated Tape
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
Navajo Dedications
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works. This …
Floating Frequencies / Intuitive Synthesis III
ELEH's Floating Frequencies/Intuitive Synthesis Volume III was originally released in 2008. Pure tone, pure sound, pure analog. Dedicated to Pauline Oliveros. Re-released on cassette by Cassauna in an edition remastered by the author. The trilogy began back in 2006 with the second volume arriving the following year and the third in 2008. The original editions were dedicated to La Monte Young, Charlemagne Palestine and Pauline Oliveros which gives an indication of where ELEH has been inspired. Fo…
Floating Frequencies / Intuitive Synthesis II
ELEH's Floating Frequencies / Intuitive Synthesis Volume II requires dedicated and careful listening. High volume and / or headphone use is highly recomended for maximum experience - especially on the B side, which is focused on ultra low end bass pulses being slowly modulated by bass frequencies well below the level of human hearing. Side A is a detailed account of the emerging frequencies resulting from the carefully crafted meeting of 7 sine waves. re-released on cassette by Cassauna in an ed…
Floating Frequencies / Intuitive Synthesis I
The first ELEH release was recorded between 2004/2005 using analog synthesizers, HP tube oscillators and guitars, and is now re-released on cassette by Cassauna in an edition remastered by the author.The trilogy began back in 2006 with the second volume arriving the following year and the third in 2008. The original editions were dedicated to La Monte Young, Charlemagne Palestine and Pauline Oliveros which gives an indication of where ELEH has been inspired. For those unfamiliar with the ELEH so…
G.A.M.S.
**300 copies** Feedback leads a life of its own. It is an uncontrollable sonic accident, usually ear-numbingly loud but sometimes also delicately ethereal. The essence of feedback is being released from bonds, its path is always one of intensification and escape. Its a physical phenomenon and hard to predict. The duo G.A.M.S. makes music on the edge of losing control. A restless drummer works his way through waves of feedback, which span the full spectrum of frequencies from pumping bass to the …
Lalaland Symbiose
**300 copies** G.A.M.S. are Andi Stecher (drums / percussion) and Guido Möbius (feedback). Released at the same time of their self-titled album, the Dadaist no wave track Lalaland Symbiose - featuring Felix Kubin on vocals - is available as a 7" single that includes a remix by the Berlin based Italian producer Unprofessional.
Constant Linear Velocity
**Limited and numbered to 150 copies** "Constant Linear Velocity" features recordings of a now lost sculptural work that was originally commissioned in 2016 for Colour Out of Space festival. The work consists of over 100 empty computer cases, fitted with 16 customised and automated DVD drives. Between 2016 and 2018 it was exhibited in Brighton, Athens, Croydon, Oxford and Rennes, on each occasion being reconfigured into a new form. The most ambitious of these being at Detritus Festival in 2018, …
Object Shape Description
**Limited and numbered to 150 copies** "Object Shape Description" is the debut recording by Brussels based Italian artist Marco Lampis. Lampis works between the visual and auditory disciplines, creating installations both with and without sound, in which discrete sensory perceptions become entangled. How might we understand sound through sight or be able hear by looking? This collection of recordings is inspired by the rhetorical figure of Ekphrasis in which a visual artwork is described verball…
Time Profiles
INERT/E is Lars Åkerlund (electronics) and Kasper T. Toeplitz (bass and electronics). After years of navigating in similar musical idioms - somewhere between noise, contemporary or “experimental” music – using traditional instruments as well as electronic or digital devices (Åkerlund used to be a classical guitarist, Toeplitz composed many orchestral or ensemble pieces), now they both make a large use of computers. They have worked with Dror Feiler and Zbigniew Karkowski, among others.Åkerlund a…
Everywhere At The End Of Time - Stage 4
2019 Small Repress. Fourth in a series of six albums from The Caretaker cataloguing the effects of early-onset dementia. Featuring four extended, smudged and hallucinatory side-long pieces - the darkest and most immersive music from The Caretaker to date.The Caretaker slips into the first “post awareness” stage of Everywhere At The End of Time. The ability to recall singular memories gives way to confusions and horror; the beginning of a process where all memories begin to become more fluid thro…
Everywhere At The End Of Time - Stage 3
2019 Small Repress. The third of a six album cycle cataloguing The Caretaker's fictional first person account of life with early onset dementia, presenting some of the last coherent memories before confusion fully rolls in and the grey mists fade away. In this crepuscular, autumnal phase, recollections phosphoresce, and wilt in advancing stages of entropic decay, steadily approaching a winter of no return. Continuing to mirror the progression of dementia, using nostalgia for ballroom as an alleg…
Everywhere At The End Of Time 4-6
Deluxe collectors edition - four CD set housed inside a deluxe 8-panel digifile with artwork by Ivan Seal. Includes a download of the full set dropped in your account.​ Compiling the final three albums in the 'Everywhere At The End Of Time' series - 4 x CD's and almost 5 hours of material cataloguing the ultimate descent into dementia and oblivion, using a patented prism of sound to connote a final, irreversible transition into the haunted ballroom of the mind that The Caretaker first stepped in…
Everywhere at the End of Time - Stage 6
Last copies. The final release from The Caretaker (1999-2019). The Caretaker provides closure to a 20 year-long act that has uncannily lurked in the shadows of so many of our listening lives. Clad for the last time in Ivan Seal’s specially commissioned artwork, ’Stage 6’ sees The Caretaker mirroring the ultimate descent into dementia and oblivion, using a patented prism of sound to connote a final, irreversible transition into the haunted ballroom of the mind that he first stepped into with 1999…
Everywhere At The End Of Time - Stage 5
Penultimate, 5th Stage of The Caretaker’s ‘Everywhere At The End of Time’ series charting severe levels of musical/mental deterioration and sensory detachment through four extended, smudged and hallucinatory side-long pieces. As we near the end, ‘Stage 5’ sees our protagonist enter a near-permanent state of confusion and horror. Mirroring the endemic deterioration of dementia’s latter phases, were pulled through the most extreme entanglements in the series so far; repetition and ruptures, barely…
Five Fertile Exchanges
**Limited and numbered to 150 copies** Little known outside of his native Australia, Peter Blamey has been recuperating discarded electronics into artworks for more than a decade. As Douglas Kahn writes in his sleeve notes here, he belongs to an artistic tradition unique to Australia that trades sound and energy. Having cut his teeth in an extensive exploration of disposed motherboards, Blamey has more recently worked with photo-voltaic cells, homemade electromagnets and rudimentary turbin…
Still Life - Requiem
Conceptualized (2010-2013), composed and produced (2014-2017) by Carl Michael von Hausswolff in Palma (Majorca) and Stockholm. Still Life - Requiem is a musical piece consists only of sounds emitted and extracted from physical matter using emission spectroscopy as the sole basic technology. Acknowledgements to Linköping University (IFM), Sweden. Still Life - Requiem consists of one piece with the same title and is divided up into two to fit the LP format. The piece is, as the title suggests,…
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