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Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mitra, and her brother Arash Khalatbari, who were born in Iran and came to Paris in their teens, as well as bassist Fr6 Man (Francis Manne).
Their sound was motley, combining elements of musique concrete and early industrial with ho…
Discounted Bundle. Transversales Disques returns with two historically vital releases that reconfigure our understanding of French electroacoustic music: Jean Schwarz's Unreleased & Rarities (1972-2002) and Bernard Parmegiani's Mémoire Magnétique, Vol. 3 (1967-1971).
Schwarz's collection marks the first comprehensive survey of the composer's work—thirteen previously unreleased pieces spanning thirty years that reveal his unique fusion of ethnomusicology and avant-garde practice. From the intoxic…
*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of Ian Thompson's brand new book "Synths, Sax & Situationists (The French Musical Underground 1968-1978)" in the webzine Rythmes Croisés (published on October 24, 2025).
The answer is certainly yes! And although the name of Pascal Chassin is still almo…
*50 copies limited edition. 8xtapes, book, thumb drive, hand printed postcard, hand-printed cassette artwork, two short essays* Eric Lunde’s recorded output began in the late 1980s, and many of his early releases are long out of print. Joe Colley did the world a favor in 1997 when he when he released when you wish upon a scar, a compilation of Lunde’s early work. However, there is something to be said for being able to both hear the entirety of a release as well as the chronological evolution of…
*41 copies limited edition* Emerging from the dense web of the 1980s mail-art underground, 'Kwashiorkor Presents…' gathers two rare cassettes from the elusive American collective known as Kwashiorkor (or K+), whose radical DIY ethos blurred the borders between music, collage, and correspondence. 'Kwashiorkor Presents…' collects 'We Are Numberless' (1988) and 'Reliving The Past' (1986) in a deluxe double-cassette edition that maps the outer edges of the 1980s home-taping underground. Kwashiorkor …
Mitar Subotić Suba (Rex Ilusivii) was one of the most prominent ex-Yugoslav producers and sound artists. His work encompassed not only successful production on some of the cult ex-Yugoslav records, but also works in the field of music for theatre, experimental electronic music, and installations. After moving to Brazil in the 1990s, he further explored his interest in local culture and released his essential work "São Paulo Confessions". Almost at the same time, he produced "Tanto Tempo", a semi…
Transversales Disques presents Unreleased & Rarities, a revelatory collection spanning 1972-2002 by electronic music pioneer Jean Schwarz - thirty years of secret compositions from one of the Groupe de Recherches Musicales (GRM) most dedicated yet overlooked figures. Schwarz occupied a unique position in the world of electroacoustic music, serving simultaneously as an engineer at the CNRS in the Ethnomusicology Department of the Musée de l'Homme in Paris and as a core member of the legendary GRM…
Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: "Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressin…
Sonde is a group of Montreal electroacoustic composers and performers. Their compositions were generally conceived for live performance on original sound sculptures. Through meditative improvisation, the group’s aim was to produce new music with sounds revealed by electroacoustic amplification and transformation.
Very active from 1976 to 1986, the members of the group included Andrew Culver, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard, Michael O’Neill and Linda Pavelka. Since t…
First-ever vinyl edition of Dendö Marionette's Juvenile Rock, a 2LP collection of unreleased recordings, alternate versions, studio experiments and live captures previously circulated only on a tiny CD-R run and a cassette via Brooklyn's Bitter Lake Recordings. The definitive companion to the band's self-titled studio overview, opening a window onto one of Osaka's most singular synth-wave units at its creative peak.
Definitive 2LP overview of Dendö Marionette, gathering the band's complete studio legacy: the cult 1981 7-inch flexi, a previously unreleased EP recorded in 1982, and an array of demos that captures the group as they evolved towards their fullest sonic identity. Essential for anyone tracking the Osaka synth-wave scene at its peak.
First vinyl reissue of Akebonojirushi's Paradise Mambo, originally on the influential DIW label in 1987. A six-piece formed in Hakata before relocating to Tokyo in 1984, the band fused new wave, jazz-funk and unconventional pop into a record that is unmistakably of its moment yet remarkably forward-looking, sitting somewhere between the city pop sophistication of late-80s Tokyo and the unrulier corners of the same scene.
First international vinyl reissue of Chiko Hige's Trap, his second solo album, originally on Japan Records in 1985. A tense, hypnotic record of hyper-kinetic grooves, clipping guitars and twisting saxophone lines: one of the cleanest distillations of the Japanese No-Wave idiom at its peak, and a record that still sounds startlingly contemporary four decades on.
First-ever official reissue of Machizo Machida and Kitazawagumi's Harafuri, originally on Tokuma's WAX imprint in 1992. Eleven years after the foundational INU classic Meshi Kuuna!, Machida (now better known as the novelist and Musashino University professor Kō Machida) channels literary ambition into a tight, modernised post-punk setting. With newly retranslated English lyrics included.
Reissue of Daisuck & Prostitute's Dance Till You Die, expanded from a 1980 7-inch into a full-length the following year. Equal parts ritualistic groove and No-Wave abrasion: one of the most uncompromising statements of early-80s Japan, and an obvious cousin of the New York DNA / Contortions axis. With insert and lyrics.
London’s The Lo Yo Yo was conceptualized by John “Alig” Pearce in 1984 after his primary group, the deservedly legendary Family Fodder, went dormant. Soon enough a few others were enlisted to round out the quartet, including Mick Hobbs of The Work and Officer! fame, alongside friends Joey Stack and Carrie Brooks. The Lo Yo Yo took elements from their other groups and, in the tradition of somewhat like-minded acts like The Raincoats, Naffi and Amos & Sara, added a strong dub/reggae element.
Short…
The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called "One Day..." but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s …
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time. L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists …
After forty years, the enigmatic Italian collective Capricorni Pneumatici's lost opus, Über Artaud, finally emerges complete. Originally conceived in 1987 as an electronic sonorization of Antonin Artaud's censored 1947 radio work "Pour En finir avec le Jugement de Dieu", this mysterious project showcases masterful use of FM synthesis via the iconic Yamaha DX7 synthesizer, creating dark ritualistic soundscapes akin to Throbbing Gristle and Nurse With Wound.