Les Cents Jours Clairs
Etant Donnes is a French duo named after Marcel Duchamp's last major work. The group consists of brothers Marc and Eric Hurtado, born in Morocco and working mainly as performance artists and musicians. Their sound can be described as a mix of field recordings, found sounds and sometimes whispered, sometimes violent vocals. They describe their sounds like this: "Through Marc and Eric, it is the volume of each word that becomes an object-sculpture, together with the power of their bodies expressin…
En Ondes
Sonde is a group of Montreal electroacoustic composers and performers. Their compositions were generally conceived for live performance on original sound sculptures. Through meditative improvisation, the group’s aim was to produce new music with sounds revealed by electroacoustic amplification and transformation.
Very active from 1976 to 1986, the members of the group included Andrew Culver, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard, Michael O’Neill and Linda Pavelka. Since t…
Juvenile Rock
First-ever vinyl edition of Dendö Marionette's Juvenile Rock, a 2LP collection of unreleased recordings, alternate versions, studio experiments and live captures previously circulated only on a tiny CD-R run and a cassette via Brooklyn's Bitter Lake Recordings. The definitive companion to the band's self-titled studio overview, opening a window onto one of Osaka's most singular synth-wave units at its creative peak.
Dendö Marionette
Definitive 2LP overview of Dendö Marionette, gathering the band's complete studio legacy: the cult 1981 7-inch flexi, a previously unreleased EP recorded in 1982, and an array of demos that captures the group as they evolved towards their fullest sonic identity. Essential for anyone tracking the Osaka synth-wave scene at its peak.
Paradise Mambo
First vinyl reissue of Akebonojirushi's Paradise Mambo, originally on the influential DIW label in 1987. A six-piece formed in Hakata before relocating to Tokyo in 1984, the band fused new wave, jazz-funk and unconventional pop into a record that is unmistakably of its moment yet remarkably forward-looking, sitting somewhere between the city pop sophistication of late-80s Tokyo and the unrulier corners of the same scene.
Trap
First international vinyl reissue of Chiko Hige's Trap, his second solo album, originally on Japan Records in 1985. A tense, hypnotic record of hyper-kinetic grooves, clipping guitars and twisting saxophone lines: one of the cleanest distillations of the Japanese No-Wave idiom at its peak, and a record that still sounds startlingly contemporary four decades on.
Harafuri
First-ever official reissue of Machizo Machida and Kitazawagumi's Harafuri, originally on Tokuma's WAX imprint in 1992. Eleven years after the foundational INU classic Meshi Kuuna!, Machida (now better known as the novelist and Musashino University professor Kō Machida) channels literary ambition into a tight, modernised post-punk setting. With newly retranslated English lyrics included.
Dance Till You Die
Reissue of Daisuck & Prostitute's Dance Till You Die, expanded from a 1980 7-inch into a full-length the following year. Equal parts ritualistic groove and No-Wave abrasion: one of the most uncompromising statements of early-80s Japan, and an obvious cousin of the New York DNA / Contortions axis. With insert and lyrics.
The Lo Yo Yo
London’s The Lo Yo Yo was conceptualized by John “Alig” Pearce in 1984 after his primary group, the deservedly legendary Family Fodder, went dormant. Soon enough a few others were enlisted to round out the quartet, including Mick Hobbs of The Work and Officer! fame, alongside friends Joey Stack and Carrie Brooks. The Lo Yo Yo took elements from their other groups and, in the tradition of somewhat like-minded acts like The Raincoats, Naffi and Amos & Sara, added a strong dub/reggae element.
Short…
Apparition
The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called "One Day..." but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording studio piano. In the 1980s …
L'Empire Des Sons
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time. L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists …
Decoder
Released on standalone CD for the first time in 33 years, this now-complete edition of the ground-breaking cult soundtrack is finally here.
Über Artaud
After forty years, the enigmatic Italian collective Capricorni Pneumatici's lost opus, Über Artaud, finally emerges complete. Originally conceived in 1987 as an electronic sonorization of Antonin Artaud's censored 1947 radio work "Pour En finir avec le Jugement de Dieu", this mysterious project showcases masterful use of FM synthesis via the iconic Yamaha DX7 synthesizer, creating dark ritualistic soundscapes akin to Throbbing Gristle and Nurse With Wound.
Archival Recordings: Primal Image / Beauty
Time is a mysterious companion in Alan Lamb’s Primal Image/Beauty. Recorded on abandoned telephone wires in Western Australia, these works explore harmony and materiality, blending dynamic sonic environments with deep listening. Lamb’s music invites us to experience the world’s hidden sounds, unlocking inner reflection.
Aka Meme
*199 copies limited edition* Aka Meme by Merzbow was first released on Music-Cassette in 1983 on Masami'a own label ZSF Produkt and on V2 Uitgave (a Sub-label of V2 Organisation). Tape was later re-released in other two editions but is long time sold-out and impossible to find. Finally OEC is going to re-release that special tape once more. This is Industrial-Noise from the very first era made by the master of Japanoise. Recordings are mixing many different sounds that range from: ritual-sounds …
Música Electroacústica Mexicana
*100 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…
From Punk To Ultra: The Plurex Story
The label that ignited the Dutch post-punk scene! Homogeneity be damned, these early Plurex tracks are a head-turning snapshot of what was happening in the late ‘70s Netherlands underground! Includes an interview with Plurex founders and all of the singles from 1978-‘80! Some of the bands would never release another record, but for the label and many of the artists there was yet more history to be made, not least of which was Minny Pops’ ascendance to seminal status, and Plurex’s emergence at th…
No Mistakes
*2025 stock* Finally the recorded studio work of Bill Ylitalo as Otto Kentrol and Faceless has been assembled! Prior to this, none of his work had been available digitally. No Mistakes features hard to find post punk & no wave cuts, four track demos, and previously unissued gems. Featuring sax, strange electronic instruments, recitative vocals and sporadic bass, guitar and drums- it’s a wild journey!
Pleasure
Girls At Our Best! were one of the greatest and most influential bands to emerge in the early 1980s as part of a new wave of independent acts. DJ John Peel championed them, playing their singles repeatedly and inviting them to record a session for his programme. Wry vocalist Judy Evans and brutal yet melodic guitarist James Alan who’d met at art college in Leeds fronted Girls At Our Best!, the proto-Indie band that formed from the ashes of Alan’s 1977 punk band SOS! Pleasure, the sole album, rea…
Kakashi
*2025 much needed repress!* A wonderful, rare record wrapped in a mysterious yet playful ambiance. Or maybe it’s just the impression that the Japanese language often gives me. ‘Suiren’ is an odd jazz-fusion-wave tune that sounds like its boiling, waiting to burst but somehow manages to stay in control. Like the nervous tick of a leg fidgeting under the table of a restaurant on a first date.Yasuaki Shimizu is a Japanese composer, producer and saxophone player. He worked with Ryuchi Sakimoto on ce…