Experimental / Avant-Garde

Simply put, Malkuth are a Leviathan; rising from the West, to lay waste to the Eastern lands—fierce and spiteful, having been awakened from centuries of contemplative slumber. In comparison to their two full-lengths on Hospital Productions, Hathir Sakta (and its accompanying disc on Prison Tatt Records, Tamahprabha, the set originally intended as one double LP) finds Malkuth in relative or even greater form, this material having been simmered to perfection, its ferocity seasoned to epic proporti…

Last copies...Henry Flynt is a seasoned tourist of The World Of The Other Ear and C Tune is his ringing, psychedelic meditation on/from the cosmos. Call it a sonic postcard or call it late night head music or even call it ecstatic minimalism if you have to. On this forty seven plus minute foray, our man Flynt takes his electrified fiddle and blends his droning sonic calisthenics with lonesome swing melodies and high decibel screech to the somnambulistic playing of his expat mathematician pal Mr/…

In the all-female duo Coa, Eddie Corman trades on volume and velocity in a howling rock beast that could well fit the bill soundtracking an apocalyptic horror movie. Both Eddie and Marcon first played together in an early incarnation of LSD-March, pysch-blasted legends of the Japanese underground. Combining their names to form a new endeavour into Japanese acid folk, Eddie and Marcon – as Eddie Marcon – have been working in much quieter tones to make delicate, gorgeous and esoteric music. Shinin…

Two tracks, 31 minutes. Southern are very excited to present the latest release in our Latitudes series from Master Musicians of Bukkake. Recorded at Southern Studios by Harvey Birrell on 17 April 2010. Additional tracking and mixing at Aleph Studios in Seattle. Produced by Randall Dunn. Mastered by Mell Dettmer. Artwork by Randall Dunn and A.Turner. Elogia de la sombra is the 24th recording in the Latitudes series.Master Musicians Of Bukkake are an enchanting collective, comprising a fine pedig…

American group Destroy All Monsters caused quite a stir when they first appeared in the UK. Featuring guitarist Mike Davis who had previously played in The MC5, Ron Asheton, bass player from The Stooges and drummer Rob King, the band were completed by vocalist and ex-model Niagara. Despite all of this, the band recorded only three singles for Cherry Red, all of which are contained on this mid-price CD.

300 copies. Three years after his debut Miniaturen, the Berlin-based composer and producer Konrad Sprenger - real name Jörg Hiller - returned in 2009 with Versprochen, his second solo album and first for the Italian imprint Schoolmap. Where the earlier record traded in short, clipped statements, this one stretches out into a longer, more spatial scale, twelve pieces with evocative German titles given room to unfold across darker emotional registers. The word Versprochen itself sits somewhere bet…

In 1987 the Morass tape was released. One studio side. One live side. Totally killer. The studio side was recently re-released as bonus material on the Nattering naybobs CD (Harbinger). We decided to re-release the live side on vinyl. And to add 15 minutes of extra material. Astounding unreleased live recordings from 1986. Full colour artwork and labels. Black vinyl bag.

a rare 7-inch single of studio outtakes by the violin-and-percussion drone masterpiece Outside the Dream Syndicate. Long out of print

idiosyncratic French musical provocateur's finest moments and laden with ace contributions from an international cast of oddballs including Pierre Bastien and Clive Bell, the provisional constructs Berrocal and co. jerry-rig around the free floating music signifiers that comprise Berrocal's aesthetic M.O. are slippery, beautiful things, riding across the seams of art song, meditative orientalia, drunken free jazz bleat, dark electropop, hazy jazz reverbed into Hassell-esque fourth-worldisms and …

III projects the atmosphere of Jack London and The Iditarod Trail Sled Dog onto a modern world ruled by technology. Devens brings us the most genuine melancholy contemporary pop music has seen since quite some time. This album leaves the underground scenery that is troubled by trends so often far behind and just shows us the pure essence of what Music has to be: raw emotions put to sound. With his third full album Bram Devens has once again amazed us with a masterpiece. In his usual brain-meltin…

Originally from Sacramento, CA this is a rude boy duo. The record begins with some of the most crude and rough guitar/drums duo mu ever! Then you'll drift toward a far away place... to be finally hypnotized for 25 minutes by a side-long track... derailing!

Daniel is best known for his work as the lyricist and frontman of Lungfish, whose work on Dischord Records spans 3 decades. This release is a limited edition full color 6x8" hardcover book + CD. This is the 2nd release in the series (the 1st being Hokane by Aki Tsuyuko), and contains 48 pages of Daniel's paintings and writings of guitar and piano drones, Jew's harp, and banjo recorded by Daniel in his home is inserted in the front cover of the book.

COMME A LA RADIO features vocalist Brigitte Fontaine backed by The Art Ensemble Of Chicago. Import reissue of 1971 album for the French vanguard pop chanteuse & The Art Ensemble Of Chicago. Here, the Art Ensemble provide the perfect mysterious ethereal backdrop for her vocal explorations. With strangely charted arrangements & mixing, the ten tracks here defy any & all conventions & result in the most provocative popular recording of 1971. The entire album runs all over the stylistic map while no…

1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Litton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of this eclectic group of guests that gives Maledetti its bi-directional feel. On o…

Religious Knives = Maya Miller and Mike Bernstein of Double Leopards and Nate Nelson of Mouthus. I have a special place in my heart for both groups, and was enamored with the first Religious Knives record, Remains, a compilation of CD-R, seven-inch, and vinyl-only material. The tracks were an amalgamation of the more droning aspects of both groups, fleshed out with some ghostly vocals and ’70s Italian horror movie-style keyboard supplements. Given the nature of the noise scene’s penchant for col…

Hala Strana, is a project of LA-based multi-instrumentalist (and multi-instrument builder) Steven R. Smith, who is a member of Jewelled Antler flagship improv psych group Thuja and a solo artist in his own right. Hala Strana is his vehicle for instrumental droned-out Eastern European folk music appreciation/interpretation, and really represents some of his finest work to date. Multitracking turns Steven R. Smith into a one-man village orchestra, playing everything from violin to optigan, bul bul…

The fifth and final volume in the "Cosmic Debris" series of split ART-LP releases set up by the Opalio brothers, aka MY CAT IS AN ALIEN (MCIAA), on their own Opax Records, ends up at its best with the space duo sharing the vinyl surface with the legendary avant-blues guitarist Loren M. Connors. Connors, who can be considered as the last real bluesman on earth, has the rare ability to turn single guitar chords into pure poetry, and don't you think we all need more of that in these dark days? The …

Beyond the Boundary of Time documents the last live performance of the legendary Revolutionary Ensemble before Leroy Jenkins's death in 2007. This recording was made of a performance on May 25, 2005 in Warsaw, Poland. In the 1970s, the Revolutionary Ensemble introduced New York to decided musical advances, many pioneered by Chicago's A.A.C.M. musicians. Ex-Chicagoan Leroy Jenkins, who played violin, of all unheard-of modern jazz instruments, had formed his concept from classical, swing, blues, a…

The legendary singer-songwriter and one-time teen idol re-emerges with his first album in 11 years. Anyone expecting conventional rock or pop should look elsewhere, however, as it is even more challenging than previous release 'Tilt.'

Live in-person' collaborations between Hototogisu and the BxC. Hototogisu, as you know, are the time-defying duo of Matthew Bower (Skullflower, Ramleh, Sunroof!, Total, etc.) and Marcia Bassett (Double Leopards, GHQ, Zaimph, etc.). For these sessions, Burning Star Core was C. Spencer Yeh, Robert Beatty, and Trevor Tremaine (the latter two being of Hair Police, Eyes and Arms of Smoke, Sick Hour, etc.). Note that the music on this disc is different material from the Heavy Blossom companion volume …

The “Altar” album is NOT a split album. “Altar” is a collaboration album between sunn 0))) and boris that is a result of both bands conceptualizing, writing and recording the album together as one entity. Both groups have stepped outside their previous sounds and created a wholly unique album that stands on its own unique ground. There are elements of each groups trademark sound within the album but true to each groups progressive and experimental aspects, “Altar” moves into a completely new dim…

Uncode Duello is the result of a long period of hard job, careful listenings, readings and visions, studying use of instruments, sounds, dynamics, of newest and oldest machines and technology. But not only. This is “The” record by Cantù and Iriondo, because they have produced and thought by themselves, making treasure of past experiences and putting all into it (SMWM, A Short Apnea, Tasaday, Four Gardens In One) meeting and crashing as it’s necessary for important projects. Twelve years in a "du…

Another eclectic rock/pop band out of the infamous Kansai scene that produced the Boredoms, Omoide Hatoba and more. This exciting young three piece unit based in Kyoto presents their debut recording after years of playing in just about every small club from Tokyo to Fukuoka. Visceral power pieces offset with charming female vocals, pointillism and dub effects. Striking originality and a childlike curiosity point this band towards a new Kyoto rock sound.

"Smegma man, fucking Smegma. They started the whole damn thing. Sure there was Lee Rocky & some soundeffects 78s that set the crew in motion but screw it.. you wouldn't be blasting The Beast or any Weird Handdrawn LP with rotten ears if it wasn't for this truly motley crew. In high school my sweet momma would give me ten bones a week for lunch, come Monday by noon that shit was blown at the local rec shop. When I only had a couple of raggedy bux left from gripping Zorlac stickers, the only optio…

A follow-up to the works of brass player Jacques Berrocal, Catalogue is about a highly de-structured, crazy music. They fervently use the retro flavour attached to the Sixties, by using famous tracks such as "Be-Bop-A-Lula" or "Avoir Un Bon Copain". "Antwerpen Live" is from 1979, the eponymous album from 1980, "Pénétration" from 1983 & "Insomnie" from 1987. Guitar-player Jean-François Pauvros and drummer Gilbert Artman can also be heard here

80's original second issue by the Suono label, the second album, "Lord Cromwell Plays The Suite for Seven Vices" is their masterpiece: it uses more contemporary compositions with a radical avantgarde approach: all in all, it is done in an interesting, skilled and extraordinary way.

Michael Mantler's 1988 WATT song cycle on poems by Beckett, Soupault and Meister, sung by Jack Bruce, Marianne Faithfull and Robert Wyatt with the Danish Concert Radio Orchestra and Rick Fenn (guitar), recorded in 1987 in Copenhagen, London, Willow NY and Boston.

Heiner Goebbels' setting of a monologue from Heiner Müller's play Der Auftrag, with Arto Lindsay, Don Cherry, Fred Frith, George Lewis and actor Ernst Stötzner, recorded in March 1988 in New York and Berlin and released by ECM in 1988.

Å (which is the first and the last letter of some Scandinavian alphabet) is a young trio of musicians on violin, exotic percussions, theremin, guitar, synth and piano, who have created a remarkably original world of sound. Although one can hear occasional influences from kraut rock style and the early minimalism, this sound is uniquely Italian in its sense of sound, space and time. An imaginative, meditative, bizarre, courageous and nostalgic music consisting in spontaneous compositions and impr…

Bachi da Pietra (The stone worms) is a two-men band whose dark and resonating music wraps around tunes of desolate candour and lyrics (in Italian) as dark and imaginative as broken love can be. A relentless drumming hovers over a huge wash of ride cymbal and a deep, plaintive voice, which is able to capture sadness, anger and yearning. The entire album is a visceral emotional journey: the dissonant blues-based songs develop around the steady drone of the singer's voice, a trance-inducing vocal p…