**Embossed, Matte laminate sleeve, insert card** This album is a distillation of the many long-term relationships I’ve had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound.
In many instances the pieces on this album were the germ for larger scale compositions and collaborations, forming some of the major works for Speak Percussion, the organisation I curren…
Music composed & mixed by Anthony Pateras. Tape part recorded and assembled at Gold Tony Love’s Audio Hell, Castlemaine, Australia. Perfromance recorded by Tomasz Kubiak live on 27th September 2019 at the 17th Sacrum Profanum Festival in Małopolska Garden of Arts, Kraków, Poland. Festival curated by Krzysztof Pietraszewski. Pseudacusis was commissioned by the Musica Sanae project by In Situ Foundation (Sanatorium of Sound Festival in Sokołowsko) in collaboration with Michał Libera, Phonurgia (La…
** First pressing of 200 ** Astral Spirits presents Grounded by Aaron Novik. This album was made with the acoustic sounds of the clarinet, bass clarinet and contrabass clarinet with minimal effects. It was recorded during lockdown in Elmhurst Queens, NY, April-May 2020. Mixed by Eli Crews at Spillway. Mastered by Jon Cohrs at Bear Call. Cover Art by Ariadna Garza.
James Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge. For more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in…
**Edition of 80** New live recordings, oriented with only two instruments, viola and frame drums. The album was recorded during a period of many live sessions between 2019 and 2020 with just a Rode nt4 stereo microphone and one of the very first Sony mz md. The sessions were amplified. Frédéric Charlot - Viola. Olivier Charlot - Frame drums.
** Edition of 500 + 20 pages booklet ** A More Attractive Way is a comprehensive study of live performances made by IST between 1996 and 2000. This set begins at the very outset of the group's career and features their debut concert at Club Orange in London and charts its way through further gigs in London, Billericay, Norwich and Cambridge. “A completely different intensity, but an intensity nonetheless,” Jo Fell reflects in notes accompanying A More Attractive Way. Her husband Simon, to whose …
Floating miasmic vapors. A chorus of mystery monks. Flights of Angels. Clouds and swirls of echoes. Weightless sounds that swirl and eddy and carry you downstream on your timeless journey to sleep, to death, to birth? It started with a clap – actually three – recorded as acoustic test tones inside one of the many ancient cisterns beneath Istanbul (Constantinople back then). Philip Blackburn then analyzed and stretched the reverb of the space as it were by an electron microscope that revealed the…
Brussels-based string quintet BOW celebrates musical freedom. Juggling between their own written music and pure improvisation, the ensemble has worked since its creation on a personal and modern approach, digging into their instruments' capabilities and blending a large scope of influences.
Its debut eponym LP, due to be released on Sub Rosa, gathers five instantly-composed pieces that were recorded live by Christine Verschorren in the Echo Collective studio in Brussels. During the day, BOW repe…
Spellbinding electro-acoustic constructions born from stringed instruments, percussive onslaughts and emotionally charged song craft. Maselli's uncanny skill to create non-conformist drama recalls the wind swept post-rock oblivion of Set Fire to Flames at their most layered and dense, The Haxan Cloaks doom-ridden worlds of grain and texture and the edge blurring of instrument and electronics so expertly honed by Emptyset. “There’s no solitude in art, since it truly only exists in the light of th…
** Edition of 200 ** TAL presents the first musical collaboration between Hamburg based Asmus Tietchens and Japanese artist Miki Yui, operating out of Düsseldorf for almost 20 years now. Highly respected and hugely influential artist Asmus Tietchens first made his mark on the electronic music scene in the late 1970s, whereas Miki Yui debuted her sonic settings in 1999. Their first joint album Neues Boot envelops the listener with a poetic sound sensibility and a conceptual clarity which was proc…
** 2021 Stock ** Entropy Stereo Recordings presents Fringe Benefits by Jon Rose. Two CD's (almost 150 minutes) worth of archival material from the 70's and 80's handpicked by Jon Rose with detailed liner notes. The music constitutes his experimental work in Australia with many home made instruments.
** 2021 Stock ** Entropy Stereo Recordings presents Dynamics of the Impromptu by Derek Bailey, John Stevens and Trevor Watts. These pieces run the gamut from whispery low key musings through enraging or boisterous call and response. The moods constantly shift and evolve as Watts, Bailey and Stevens purvey musical structures that defy logic. Emotions flare up as in "Impromptu Dynamics #6". Arguments or debates are imminent. The sensibilities of unity and collaboration resurface as the music seems…
** 2021 Stock ** The Remote Viewing Ensemble are a Michigan based experimental or avant-garde group and feature such instrumentation as: Prepared Guitar, Tapes, Cheng, Bone Guitar and Wood Flutes to cite but a few. This band also takes on another identity, which is The Northwoods Improvisors. This collective of experimentalists dabble in many different genres, some of which may be considered "World" or cross-cultural music yet the gist or perhaps motivational forces gravitates towards free-think…
** Limited edition of 200 ** A fragmented sound portrait of Vienna constructed from found sounds, buried tapes and field recordings. In Magneto Mori sounds from Vienna’s past and present are conjoined in a stew of semi-degraded audiotape. Using a portable reel-to-reel tape recorder sounds from around the city were recorded direct to tape over a two-day period. This tape was then cut into fragments and buried in a hole in the ground with a number of souvenir fridge magnets that erased the portion…
Toronto’s infamous psychedelic multimedia collective, Intersystems, make a surprise return with a new release, #IV. Coming via Waveshaper Media, #IV is Intersystems’ first new material since 1968! Intersystems’ pioneering avant/electronic music sounded positively alien in the 1960s, and more than 50 years later, this latest body of work sounds just as otherworldly. When they arrived on the scene in the late 1960s, Intersystems stood out from their peers. Comprised of architect Dik Zander, light …
** 2021 Stock ** Partly improvisations by Luciano Margorani (electric guitar, noises), Federico Zenoni (drums and objects), recorded together in Italy, then sent to Dave Newhouse (saxes, clarinets, and keyboards) in the USA for his input, this 2nd release by the trio is an expansion of the debut (under their full names, and then titled ‘Beauty Is In The Distance‘ – 2016) which only had one long composition. This new one has three pieces that have an even more florid array of aromas, catching sha…
Francesco Ziello is a multi-instrumentalist musician and electroacoustic composer, born in 1984 and based in Rome. From the beginning his contact with music is dominated by strong contrasts: on the one hand the classical aspect with the study of piano and on the other the influence of the roots of popular music and improvisation with the self-taught approach to other instruments, such as percussion and guitar. In 2012 he graduated from the Conservatorio di Santa Cecilia, where for a period he st…
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunners, that was also previously and notably site of seminal recordings by The New Blockaders, a.o. In that vein, Davies gets raw to the bone in ‘Wound Response’, using Lap harp fed thru transducer, read by contact microphone, and pushed to seething lim…
Alma de Nieto presents Madre by Fonemi. All tracks by Vito Santoro. Tracklist: Madre, Pietra Bianca, Cobalto, Attesa , Crepuscolo, Lungo i Binari, Uter.
**200 copies** Sedimental proudly brings you a remarkable new document from Pisaura, released for the Summer Solstice the 3rd week of June. Pisaura is Michael Pisaro-Liu and Zizia (Amber Wolfe+Jarrod Fowler). Asteraceae presents a hermetic world of shifting densities, dynamics, and spatialities that rewards endless listening as sequenced or on shuffle play.
The 72-minutes of Asteraceae were composed from field recordings of performances around Los Angeles during winter 2018-2019. Pisaura used as…
**180 gr Vinyl. Picutred Disc** Robert Wyatt’s long and distinguished career has been extremely varied. Initially a drummer with 60s psychedelic rock group Soft Machine. Leading the Canterbury scene in that time. Following that, Wyatt formed progressive rock band Matching Mole, focusing on instrumentals. An accident in 1973 resulted in paraplegia and a forced change in direction. The 70s and 80s delivered many well received solo and collaboration albums (including Pink Floyd’s Nick Mason and Mik…
Alma De Nieto presents Live Concerts 1990 - 2006 by Ruggero Tajé, Italian electronic composer, drummer and guitarist, and Ahmed Ben Dhiab,Tunisian painter, poet, author, composer, art teacher and singer born in Tunis. Live performance featuring: Nabil Khalidi: oud (Marocco), Raul Barboza: accordeon (Argentina), Carlo Rizzo: percussion (France), Michel Doneda: saxophone (France).
** Dark Green vinyl edition of 500 copies, newly mastered by Rashad Becker. Printed on beautiful matt laminate card stock w/ printed inners. ** Newly remastered by Rashad Becker for this vinyl edition, ‘Echo’ finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new music that we wager will take your breath away. Félicia was undertaking an artistic residency in La Becque when the plague took hold in Europe at the…
“Gyropedie,” Anne Guthrie’s third record for Students of Decay, takes us further into her hermetic practice, wherein expertly captured field recordings, French horn, and electronics are woven into potent and richly imagined electroacoustic environments. In Guthrie’s own words, “Quite literally a record of pilgrimage from East to West. Remnants of Midwest and East Coast soundmarks, instruments sold to lighten the travel load, sketched out and then buried under the new. Winter birds and crunching …
The Giving Shapes is a collaborative project between harpist/vocalist Elisa Thorn and pianist/vocalist Robyn Jacob that formed in fall 2017 at the Banff Centre for the Arts. This is the duo’s first release. This project triangulates aspects of new music, creative music, and song-writing, combining their classical training and their involvement with the Canadian creative and indie music scenes. Though they originally met while both pursuing degrees in classical music at UBC in 2007, they share an…
**Edition of 250 copies, Mastered by Giuseppe Ielasi. Painting by Gayle Paul, design by Ashley Paul** 'Ray' is Ashley Paul's bright, sensual return to Slip: a lifting, delighting suite of yearning winds, loose beats, and cocooning, humid bass coming together and falling apart as songs. The LP airs Paul's new trio, alongside bass clarinettist Yoni Silver and bassist Otto Willberg, who fatten out and shine light on her singularly intimate, multi-instrumental with mystery and grace. 2018's 'Lost In…
Oliver Coates’ skins n slime is a caliginous anatomy concealed by a drone-metal membrane, feeding upon mechanized strand distortions and thriving amidst its harmonic waste.
In his follow-up album to 2018’s Shelley’s on Zenn-La, the British cellist and producer leads an impassioned performance of string through viscous, synthetic modulation, triggering a darker side of his compositional sensibilities. Shelley’s experimental dance hybrids are substituted here for scorching color palettes and bruta…
* Sold out at source. Edition of 60. Handstamped and numbered * A summer recording session, conceived as a dadaist collage sound experiment and edited in the traditional apulian cooking style.
Efisio Biancofiore: Potatoes, handmade metal & wood instruments, reed objects.Pino Montecalvo: Rice, keyboard, bass, plastic bone, some toys and voice.Valentina Magaletti: Mussels, drums, percussion, magnetic sources.Thanks to Gianluca Ranieri for his saxophone fragments.
The music of Christian Wolff has long occupied the fertile borderland between composition and improvisation, as both are usually understood. More a set of suggestions than a writ of prescriptions, his scores can take the form of graphic symbols floating freely against a white background—as in 1968’s Edges—or of pitches notated and other parameters left unspecified, as in the Exercises. He is on record as having said that a score is only a means to an end, the latter consisting of the performance…
**2CD Edition** The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddh…
*2020 Stock. * Tonal Unity is proud to present Seungmin Cha’s first solo release “Nuunmuun”, which translates to “Eye Gate”. Step through the portal and into the parallel universe of this singular artist. This is an album about consciousness expanding toward awareness of self. Focusing on a single point for long enough that you dive into it and come out on the other side, tapping yourself on the shoulder from behind. Think of it as circumnavigating your reality and washing up on a foreign shore…
Estonian violinist & singer Maarja Nuut & LA’s psyche-experimentator Sun Araw hand in gentle, unpolished improvisations on their collaborative album “Fantasias for Violin & Guitar” recorded live on location by Jackson Bailey aka Tapes. Brought together by Tallinn’s IDA Radio under the umbrella of a 10-day sound residency in magnificent Narva Art Residency on the border of Estonia & Russia, Maarja Nuut & Sun Araw set up their gear to jump head first into unknown territory of live-improvisation.
D…
Underflow Records presents Τhe Depths Above. Ko Ishikawa, Nikos Sidirokastritis, Giorgos Varoutas, Harris Lambrakis and Anna Linardou interpret the ecstasy of nature, wandering between ancient memory and imagination. The album was recorded in Athens on January 17, 2019, at the Underflow Record Store and Art Gallery, which was arranged accordingly for the project's audio and video recording needs. Ancient instruments, such as the Japanese shō and the Middle Eastern ney, a piece of acacia wood and…
* Limited Edition * Among the musicians whose work closely reflects the reduced forms in experimental music, perhaps the most interesting is Cristián Alvear, a Chilean guitarist performing formally radical post-Cagean music, as well as Laurent Peter aka D'incise, a composer, multi-instrumentalist and producer, one of the key figures of the eclectic scene in Geneva. The numerous projects in which they participate prove their strictly defined artistic vision and active involvement in networking th…
Majkowski returns to Astral Spirits, after his brilliant "Neighbouring Objects" tape that came out in 2015! "Days and Other Days" is Majkowski's 7th proper solo release following on the heels of the equally magnificent releases "Bright Astonishment of the Night" on Bocian Records and "Swimming in Light" on Entr'acte Records.
Quite possibly the most astounding and darkest (in a good way) album we've heard from Majkowski yet! He continues to explore the intersection between acoustic instruments an…
History of Sleep is a new release of slumberous drones for midnight vistas, by the duo of Donald W.G. Lindsay and Richard Youngs, a small pipes and electric guitar duo. These four pieces contain sighing, soaring improvisations for half-waking states, with keening bagpipe and whorls of resonant guitar. The 20-minute long finale, 'Dorrington' has at its heart a cue from the oldest collection of bagpipe music in existence by William Dixon. This tune was once played by the Allan pipers Will and Jami…
Fourth vinyl installment for the duo, 'Iwa Gaaden' is also their third collaboration with Random Numbers. Pushing forward their commitment for processed field-recordings, micro-samples and poly-rhythmic patterns, this 5 long tells a singular and dark tale about spirits and revenge. Mixing contemporary techniques and ancient sonorities, martial marches meet ghostly rave-esque rituals. A club ready but cinematic oriented odyssey, a pitch-black ballad in the Iwa Gaaden.
UVB76 is the multidisciplina…
* Edition of 200 hand-numbered copies * First material from Adrian Corker since 2013's 'Raise' album. This debut release on SN Variations is an experimental piece (Start Merge Fade) for cello, hammer dulcimer, tape and moog. Driven by evolving drones that emerge you in a trippy hypnotic state, the track slowly opens up into a cascade of harmonics, sound and noise.
Flip this over for two remixes of album cuts via Circle Traps and Richard Skelton. The remix of 'Changed' is a melodic and deep techn…
* Edition of 250 on transparent red vinyl * Balloon was originally commissioned by the London Sinfonietta as an acoustic piece, and first performed at the Southbank centre’s Sound Unbound festival in 2019.
“This is an arrangement for synthesisers of many tunings. I called it Balloon because I had this image of thrashing a balloon with a baseball bat or something, rather than breaking or bursting it just sort of floats off - unhurt, even if you absolutely pelted it.”
Slide “ is old and one of my …
**Matte laminate sleeve with black inner reverse print** Over the last 20 years, since its humble launch at the outset of the millennia, Lawrence English’s Room40 imprint has grown into an unmistakable force in the landscape of experimental, electronic, and electroacoustic music, enveloping a vast global context that extends far beyond its Australian roots. Somehow as humble as it is ambitious, with a catalog number into the hundreds - covering an incredibly diverse range of practices, as well a…