Black Burst Sound Generator
In analog video technology, a “black burst” is a reference signal for synchronizing video sources: an imageless video pulse in the nanosecond range, during which the video image remains dark. Darkness also reigns in the sound world of Black Burst Sound Generator, a project by Brigitta Bödenauer and Susanna Gartmayer, whose initials add up to BBSG. It is a darkness that stretches out around us as the brittle electronic sound impulses by Brigitta Bödenauer resound and fade, while brightly illumi…
Recordings with Guitar
* Edition of 150 * All tracks performed by Andrew Weathers on electric guitar, field recordings, organ. Recorded on December 11, 2019 by Adam Hirsch at The Creek, Oakland, CA, occupied Chochenyo Ohlone land. Most field recordings were made by Andrew Weathers between 2009 and 2019, some recordings were made by Harvey Day and Lindsay Keast. Mixed & Mastered by Andrew Weathers at Wind Tide, Littlefield, TX, occupied Comanche land.
Another / The Flame Within
* Edition of 500. In process of stocking * Underflow Record presents Another by Magam. The album includes Moody Alien's book "The Flame Within" and the digital album with bonus unreleased track. Magam is a shape-shifting, ever-evolving project, initiated in 2013 and directed by Moody Alien, that operates with the participation of musicians & other artists from around the globe, always embracing improvisation, experimentation & the unpredictable.
The album includes seven tracks performed by Călin…
Smirne
Inspired by the philosophy of George Gurdjieff, whose mystic meditations surely linger in the magick of their work, Smirne was born as a open minded experimental project. Generated by the fusion of different realities, the line-up at the time of the debut is composed of Andrea Reali and Tiziano Doria, members of Lavorazioni Carni Rosse, together with Anna Vezzosi and Cesare Lopopolo, from the electro-acoustic duo Rosso Polare. A thin line between improvisation, electronic exploration and Aegean …
The Blue Tape
* Edition of 300 * In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous…
Ken Clinger
Tip! A full frontal dive into the secretive, cult catalogue of Ken Clinger, rounding up lost recordings and his entire oeuvre 1983-1988, we are talking about 30 titles published over 26 cassettes by this hyper-productive, most overlooked but fetishised home-taping cult hero, carefully selected for your greatest pleasure. Mutant songs, hypnotic spoken words, obsessive synthesizers, in a must-check payload for fans of Nurse With Wound, Edward Ka Spel, Coil and the like.A legend of "cassette cultur…
Take All the Ships...
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
I’m Lost
A schizoid-concrete opus of environmental sounds heightened, stimulated, decontextualized, and teased into a psychic puzzle of industrialized and post-industrialized detritus, I'm Lost marks another milestone in the ever impressive catalogue from Australian sound-artist Eamon Sprod, who adopts the moniker Tarab for his endeavors. The title is one that explodes with a multitude of meaning. There's the geographical frustration in losing one's way as the surrounding landmarks fail to match with wha…
Lost In Spice
**Edition of 400** La Scie Dorée presents a new album by In Camera. In Camera is composed of Christoph Heemann and Timo van Luijk , both experienced and quite active in the contemporary experimental music world. In Camera was formed in 2003 out of a twenty year dialogue between the duo who have recorded two albums together. On these dates, Heemann plays the Moog and manipulates prerecorded sounds live to generate lush electronic drone-scapes while van Luijk symbiotically adds to the visual sound…
A Rose with No Name 'Sorry'
**Edition of 200** Tokyo-based sound artist and improviser Makoto Oshiro carries out live performances and installations in which he creates sound using self-made devices and remodeled pre-existing objects. Beijing-based musician/poet Yan Jun, one of the leading Chinese artists on the experimental/improvised music scene, creates music and produces installations freely utilizing electronics, field recordings and voice.
This album was studio-recorded on February 22, 2017, when Oshiro was visiting …
Comet Meta
Grubbs and Unami are fully in third-mind territory after their touted 2018 debut, Failed Celestial Creatures. From pindrop twin-guitar focus to Grubbs’s piano maneuvering in Unami’s electroacoustic forcefields, to unclassifiable throbs, ceiling fans, and the exultation of the crowd at the NYC marathon, Comet Meta casts a gorgeous avant spell. With resumes as long as their arms, restart their conversation. You'd be forgiven for thinking on occasion of gossamer Gastr-isms. Think instead of Comet M…
Land of Waves
On her 6th album, the French electroacoustic composer Bérangère Maximin explores the idea of a kaleidoscopic world - a sonic aggregation of living creatures, plants, minerals, nature and buildings, using various sound objects, small percussions, synths, electric guitar, voice and electronics.
Optical Cadillac - The Granitoid Panics
A split 10inch with Jean-Philippe Gross on one side and Golden Oriole on the other. The first one delivers 7’30” of an impulsive electronic quicksand where everything seems unstable and elusive, with that strange feeling of not knowing if you are moving forward or not, or that experience of a “non-Newtonian fluid” – a fluid you can walk on. In short, we are between immobility and speed, between raw materials and etheric frequencies!
The second Golden Oriole, Thore Warland, drums, and Kristoffer …
Luz Azul
**350 copies** "Luz Azul is a group started by LA-based vocal and performance artist Anna Homler (aka Breadwoman) together with musicians Marcos Fernandes and Robert Montoya in 2007. On this record they compose their own mesmerising cosmic universe where the hypnotic speaking in tongue voice of Anna Homler blends mesmerisingly together with the sound of her found toys, intensified by the shamanistic percussion of Marcos and the pulsating electronics of Montoya. As fellow percussionists and sound…
Novella
The CD album entitled Novella consists of two electro-acoustic, not-experimental pieces composed in 2002 and 2004, and an almost 50-minute long composition from 2007-2009. This is what I noted down in a digital form; it's time frozen, time which has acquired a certain shape which, however, is by no means an emotional rendering of those gone days, hours, and minutes. Aquaforta is only a piece called Aquaforta; it's the result of the artistic relationship with Agata Zubel and Cezary Duchnowski. T…
Explosions
Probably the first recording (1965!) of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques. Bob James (piano); Barre Philips (bass); Robert Pozar (percussion). Also including Bob Ashley and Gordon Mumma (electronic tape collage). The recording is made of an assembly of estranging electronic sound effects, trite sports commentaries, and the music of a beautifully improvising jazz trio. Bob James has, through this convulsion of out-of…
Collections I, Electronic Music With and Without Instruments
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…
Rarities (Volumes 1 & 2)
Lindsay Cooper was a rare and extraordinary woman; at home in rock bands (Henry Cow, National Health), Jazz ensembles (Mike Westbrook Orchestra, Maarten Altena Octet) Concert Halls (Concerto for Sopranino Saxophone and Orchestra, Songs for bassoon and Orchestra); she also founded the Feminist Improvising Group, scored feature films and wrote for television, dance, radio, theatre, contemporary ensembles and orchestras - as well as being highly respected as a virtuoso performer on several instrume…
Electro-Acoustic Solo Works 1984-95
Electro-Acoustic Solo Works (1984-95) collected assorted compositions of musique concrete and interactive computer music (Chatterlings of april 1995 for sampler and drums, and an excerpt from Aivilik Rays of may 1990, originally more than one hour long).
The thing like us
2008 release ** This CD is a realisation of the music written for the 2002 Veenstudio production Spinoza : I am not where i think myself to be. It is in two parts: Affectio and Epistola, based respectively on the definitions of the emotions from the third part of Spinoza's Ethics, and on a letter about free will Spinoza wrote to G. H. Schaller. Ayelet Harpaz - alto, Tatiana Koleva - percussion, Anne Falbourn - harpsichord, Carola Arons & Bert Luppes - voices, Paul Koek - director, Yannis Kyriaki…