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*In process of stocking. Edition of 80 copies.* Granny Records presents Insondables Humeurs by Bruno Duplant. Third part of the trilogy together with Élégie du temps présent (Granny records, 26, 2021) and Sombres Mirroirs (Cronica, 188, 2022)
*2022 stock* Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance …
Astasie-abasie is a project of Ian Andrews which evolved out of a long running performance collaboration with Garry Bradbury. The project focuses on the amplification of small sounds (following the approach of John Cage, Gordon Mumma and David Tudor) through the capture of sounds generated by small objects by way of contact microphones, home constructed cartridges, miniature piezo microphones and conventional microphones. Various devices are used as constraints in order to distance any performin…
Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions between French guitarist, graphic and sound artist Xavier Mussat and saxophonist Quentin Rollet, performing live at Instants Chavires, in Montreuil, France, in 2020, for eight diverse and unusual improvisations.
*In process of stocking* Mauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin. Grande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said: “...In the beginning of the pandemic we decided to take a turn a…
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…
For the 2021 online edition of the Counterflows festival, Glasgow-based Kay Logan (aka Helena Celle) created the hour-long electronic Music for Counterflows, accompanied by an interview with Stewart Smith. For the CD and digital release, the music has been mastered by Stephan Mathieu, and the interview along with visual artwork by Kay are included in a 20 page booklet. The first Helena Celle album, If I Can’t Handle Me At My Best, You Don’t Deserve You At Your Worst, was released on the Night Sc…
Tip! Surveying late 20th century underground music - sounds that largely emerged before the internet delivered the illusion of interconnectedness - the most noteworthy often sprang from second cities, small towns, and backwaters, rather than cultured metropolitan centres like New York, London, Paris, and Tokyo. Boredom, marginalisation, and relative isolation seem to have been essential, counterintuitive components to the becoming of great art. Nowhere was this more true than in NZ/Aotearoa, the…
* Edition of 500 * Arbitrary presents the third in the Black Box series of releases by Mads Emil Nielsen. The release, which showcases a more sample- and grid-based side of the Danish musician/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.
Black Box 3 is based on sound pieces produced for Sprækker (Cracks), a dance performance & installation in Denmark, 2021. The starting points for these pieces are improvisati…
Representing Ahad's Flux Worlds 1, the lengthily titled 'Nemo Point Soundmap...' album is the very latest solo offering from this Hungarian sonic traveller now based in Berlin, Zsolt Sőrés. Spread over the two discs are seven pieces that take a combination of viola, bass, piano strings, voice, mellotron, dictaphone, percussion and all manner of other instrumentation and objects into a realm where inner space folds in on itself and unwittingly assumes the guise of multitudinous journeys to those …
*In process of stocking* Ingar Zach’s new album Musica Liquida is the first audio document of his ongoing artistic research project at the Academy of Music in Oslo. The project is called The Vibrating Drum and focus on vibration of the membrane, activated by vibrating speakers in contact with the drumskin. Musica Liquida is Ingar Zach’s 7th solo album, and we find him diving into an ocean of sound and orchestrating the complexity of interfolded layers in the impressive acoustics of Emanuel Vigel…
First Blush is the first album by a wild improv trio formed by Argentinian musician Javier Areal Vélez (guitar), and New Yorkers Kevin Murray (drums) and Chris Pitsiokos (alto sax). This is a joint release, coming on CD and digital as the first album of brand new label 1039 Records (NYC) and on cassette by Lurker Bias (Chicago). This live document of the three musicians' only recording session so far proves to be hellish 20' drive down a terrible road, with all the windows locked up. Within the …
*43 copies limited edition* 'On his first solo album 'Onomat', Bill Harris, from Pittsburgh, who lives in Chicago, who is also the founder of the collective Amalgam, limits himself to his drum kit, microphones and amplification, producing a collection of striking sound sculptures. A good example where this approach leads is 'Mangosteen', in which the percussion movements are creatively distorted into an alienating stream of gritty sounds. We also find it in pieces like 'Razbliuto', only here it …
Clap. An Anatomy of Applause is a compilation of original works by a group of musicians and composers brought together by Andrea Stillacci and Unsounds. The project goal is to highlight the radically different forms and meanings that the sound of applause can take according to its context. The principle was to work from original recordings of each artist’s choice, with sources ranging from the thunderous applause celebrating Maria Callas’ last public appearance to the crowds cheering at the fall…
*Limited edition of 300 copies. In process of stocking* "Cristiano Bocci’s Beyond the Dark Zones does just what its title promises. It takes us beyond the heavy sounds of dark ambience—not only beyond them, but through them. Bocci’s poetics is rooted in the electronic soil of texture-based music; the plant that grows from it is a multi-faceted, many-branched thing. First, the electronics. Bocci is a skilled creator of audio software; many of the programs he uses to generate and manipulate sound …
Tip! Lucrecia Dalt channels innate sensory echoes of growing up in Colombia on her new album ¡Ay!, where traditional instrumentation encounters adventurous impulse and sci-fi meditations on atemporality in an exclamation of liminal delight. Dalt’s introspective approach to composition, last surfaced on her entrancing 2020 album No era sólida, refracts across ¡Ay! in a subconscious spectrum of the music genres she absorbed as a child. Treasured sounds and syncopations of bolero, mambo, salsa, and…