Experimental / Free Improvisation

Two live sets recorded in 1970 at the Shibuya club Station '70 by the first New Direction group of Masayuki Takayanagi, with Motoharu Yoshizawa on bass and Yoshisaburo Toyozumi on drums. P.S.F. issued them on CD in 1994 and 1995 as Call in Question and Live Independence. They hold early, jarring versions of Gradually Projection, played without harmonic development and with feedback and spontaneity in its place. Here on three LPs in a box.

Makoto Kawashima's first studio album, recorded at GOK Sound in Tokyo and built on two side-long pieces. Nothing is smoothed over: the only addition is a faint pre-echo from the reel-to-reel tape. He stands in the line of Kaoru Abe, Tamio Shiraishi and Masayoshi Urabe, leaving silences and small hesitations next to bursts of tone.

*300 copies limited edition* This is the 14th album released by this Georgia-based improv trio, but the first to come out on LP. The Electric Nature has gone through a variety of phases during its decade-plus history, but its recent work has been fairly abstract, and so it continues here. The basic threesome — Michael Potter, Michael Pierce and Thom Strickland — are not credited with individual instruments here. It is merely noted that between them they play guitars, synthesizers, drums, percuss…

*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…

*2026 repress* Recorded on February 28, 1971, at the Henie Onstad Art Centre in Høvikodden, Norway, this remarkable document captures Soft Machine at the height of their creative powers—performing two continuous sets that blur the boundaries between composition and improvisation.   On this evening, the British avant-garde ensemble unleashed an unbroken flow of sound—dynamic, exploratory, and charged with the band’s signature blend of jazz, rock, and experimental electronics. All instruments—exce…

The new release by Ochibonoame captures the trio’s raw and searching approach. With Makoto Kawashima on alto saxophone, Louis Inage on bass, and Naoto Yamagishi on drums and percussion, the group navigates the volatile terrain of silence and eruptive energy. Their music unfolds as an intuitive dialogue, where fragility and abrasive sonic bursts collide in real time. The result is a deeply visceral document of spontaneous creation, rooted in the underground spirit of Japan’s improvised music scen…

Trás os Montes Records presents Live Performance, 2018 by by Gabriel Ferrandini, Maria Reis and André Cepeda. Recorded at the Blues Photography Studio, Lisbon, November, 2018. Voice - Maria Reis, percussion - Gabriel Ferrandini, Smoke Machine, Slide projection and Photography - André Cepeda, Recorded and Mixed by Miguel Abreu, Master by Tó Pinheiro da Silva.

Huge Tip! * Limited edition of 300 copies, Embossed cover, comes with insert and postcard * Killer record here! Three Italian heavyweights doing what they do best - radical improvisation that sits somewhere between electronics, silence, and pure Mediterranean mystery. This is the real deal. Nicola Ratti, Alessandra Novaga, and Enrico Malatesta - three names you need to know if you're serious about contemporary improvised music. The sound? Imagine if AMM had been born in Southern Europe with lapt…

On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.

Two decades of French experimentalism meets Japanese spiritual practice in this haunting collaboration. Recorded around a 104-year-old harmonium, Dora and Suzuki channel otherworldly beauty through voice and electronics - music of prayer, magic, and genuine mystery.

Lise Barkas and Jean-Baptiste Geoffroy’s Notions de Confort is a provocative dismantling of musical ease. Rooted in improvisation yet fractured by raw timbres and spatial instability, it turns comfort into an elusive mirage—challenging the listener to question habitual listening.

Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue. The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmurs that sugg…

Guitar solos by Shin'ichi Isohata and six duets with Otomo Yoshihide, electric and acoustic, 24 tracks recorded in Osaka in early 2013. Jigen Production.

One of the wildest albums that British reedman Lol Coxhill ever played on – and that's really saying a lot, as he's played on a heck of a lot of wild albums! The set's done with a Japanese group, and it's got an insane mix of improvised jazz and post-punk energy – Lol's work on soprano sax mixing with guitar, drums, and percussion – often used in different combinations from track to track – sometimes very free, sometimes with more of a song structure, and vocals from singer Eiichi Tsutaki in Jap…

First recorded work by Swedish drone composer Mats Erlandsson and double bassist Gus Loxbo, friends for 25 years: free improvisation, electroacoustic drone and doom, reshaped in the studio through digital processing and tape work.

On Nouvelles Ethnologiques de l’Obscur Museum, NEO Museum forge a fierce, finely cut collision of free jazz, radical rock and European avant-garde composition. Born in mid-80s Vandœuvre-lès-Nancy, the trio turns saxophone, guitar and drums into a compact laboratory of fractured forms, bristling improvisation and volatile collective invention.

Insane," or in French, "un truc de malade": expressions often used to describe a strange work of art, a daring piece of architecture, or an experimental piece of music. It’s a comment that should be taken figuratively: not necessarily pejorative, and most often even positive. In contrast, the music of this album reflects a "sick" theme in the true sense of the word, as the two protagonists chose to resume their twenty-year collaboration in the antechamber of a hematologist's office. The album’s …

Triple Point, featuring Pauline Oliveros, Doug Van Nort and Jonas Braasch, was an improvising trio with a core instrumentation of soprano saxophone, greis/electronics, and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as a metaphor for the group's improvisational dialogue. Triple Point's musical interaction was centered around an interplay between acoustics, physically-modeled acoustics (v-accordion), and electronics. Van Nort captured the sound of the othe…

Joanna Mattrey on viola, Camila Nebbia on tenor sax, Camilo Ángeles on flute and Violeta García on cello, recorded live at Jazzwerkstatt Bern in 2024: strings, winds and breath in a shifting collective language.

Jessica Pavone's sixth solo viola album builds on the open strings and their sympathetic resonances, with electronic effects as a playing partner and guest appearances by Fred Frith on guitar and Joe Lally on bass.

Solo guitar by Swiss improviser Florian Stoffner: six pieces he recorded himself at Bee Street studio, mixed by John Butcher, stretching the instrument's vocabulary through texture, space and spontaneous invention.

Minutiae is the first full-length release form Stockholm’s Ināra Quartet, made up of brothers Kasper (guitar, banjo, mandolin) and Mauritz Agnas (bass, cello), Johan Graden (piano, harmonium, synths) and Mischa Grind (percussion). Drawing on wide performance and composition experience in free improvisation, jazz, and composed new music, the quartet have carved out a unique niche where radical approaches to rhythmic organisation and group interaction are wedded to immediately accessible, folkish …

Jonah Parzen-Johnson & Lau Nau return with a double CD edition on We Jazz Records bringing together their 2025 debut duo release A Few We Remember first time on CD, plus a live recording from the album release tour recorded in Bolzano, Italy, in April 2026. In April of 2026, Lau Nau (Laura Naukkarinen) and Jonah Parzen-Johnson crossed into Italy separately and made their way by train to meet in Bolzano for their first tour together. There was a bit of the energy of the first day of school. Nervo…

The Finnish-Norwegian trio of Olavi Louhivuori, Eivind Lønning and Kim Myhr make their debut with Nubes, released by We Jazz Records on September 25. Recorded at We Jazz Festival in Helsinki in 2021, the album’s organic flow moves beyond genre, building a sound world that gains intensity slowly and surely as the piece progresses. The music of the trio, documented when joining forces here for the first time, sounds unified, confident and searching, taking the listener to places far from the obvio…

*40 copies limited edition* "Midlife Crisis Ambient Moniker" is a Personal Greatest Hits. A Selected Ambient Works Volume 1. Lost Episodes. Archival Deep Dive. Bastard tracks with no home nor family, but with proximity to one another. Unreleased recordings dating as far back as 2014, with source material as old as 2004. There’s even a few songs that once saw the light of day, but never got their time in the sun (“Drain, When It Hit Me,” excerpts from “Earth Day…”). Many of these recordings were …

*10 copies limited edition.* Although Jackson and McLean spent many of their formative years playing in an array of dubious named and increasingly outsider rock groups, ‘Big Gamble’ is the first time they have ever made music purely as a duo. In the intervening years since their last band activities together. Jackson founded Thraa and began to focus on prepared guitar experiments in a series of aurally challenging and investigative solo records issued on his own Fr33zehead imprint. McLean has co…

Recognized as a skilled and sought after collaborator, Ted Byrnes solo albums cast a wide net that capture Byrnes' adventurous and omnivorous approach to solo percussion. An alumnus of Berklee College of Music in Boston, MA, Byrnes has made his home in the center of a Venn diagram that includes free improvisation, studied electro-acoustic work, fearless new music and harsh noise. Recognizing the porous borders between these modes, Byrnes' work on Moving My Body Through Space is a flailing medita…

*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.

Renowned saxophonist, woodwind player, bandleader and composer Tamar Osborn stands at the heart of the UK’s forward-thinking music movement. A multi-instrumentalist whose genre-slipping creativity has made her the go-to voice for artists within the new wave of jazz and improvised music, Osborn now unveils her most ambitious and exploratory project to date. Well known and highly regarded as a bandleader and featured player across a wide number of groups - most notably her modal ensemble Collocuto…

Tip! *300 copies limited edition* "Before hitting the road together in 2022 Bill Nace and Emily Robb recorded a tour split — a cassette, limited run of 50 — only to be found at their merch table. Now on vinyl, the split captures a moment bursting with verdient, crisp anticipation. Both artists were then on the heels of significant artistic leaps. Robb was wrapping up the promotional cycle of her first full-length solo record, 2021’s How To Moonwalk, and Nace had recently shifted his focus from p…

Taping, expanding, and challenging the parameters of how we perceive rhythm and percussion, comes “Notte”, the debut solo LP by the Italian journeyman drummer and composer Piero Perelli. Ranging from the infectiously hypnotic to complex abstractions and sheets of ambience, every step of the way it's an engrossing listen that shouldn't be missed.

Silvia Bolognesi - Upright Bass, Voice, Poetry, PercussionDudú Kouate - Percussion, Voice, Ngoni, KalimbaGriffin Rodriguez - Electronics, Voice Recorded, Mixed, and Mastered by Griffin RodriguezRecorded December 14-16, 2021 at Shape Shoppe Paradiso - Siena, Italy

‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…

Folklore & Concepts, the latest release by Smegma—now five decades into their outsider avant-garde career—extends the band’s legacy of ritualistic collage, spontaneous improvisation, and anti-academic noise. Infused with tape, synths, prepared piano, horns, and voice, the album melds shamanistic energy with surreal group interplay, creating an unpredictable and stubbornly original sonic tapestry.

*300 copies limited edition* Reliques de Roses, musical tandem formed by two household names of the European underground: Laure Boer (Edition d’Art, Arbore...) and Tom Val (Orion Music Workshop, HWYUIOD...). Bridging the Berlin-Paris experimental connection, the duo brings us a collection of nostalgia-tainted songs, noisy improvisations and synth-led talk-over songs. A fragile Art-Folk with industrial touches strongly reminiscent of Vox Populi!, Throbbing Gristle, and in more recent times, DIY h…

*300 copies limited edition* "Interplay" is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before. They actually did not sing words, but produced sounds, reacting to the voice on certain situations given by the author. Afterwards the five tracks have been combined together into a single track. The final result is an interplay of voices, an abstract sonorous space, disembodied…

**Never-before released document of Don Cherry blowing cool fire in Rome, 1976. First official release. Mastered from the original master tapes.** An amazing document of the life experiment that was the Organic Music Society. This super quality audio, recorded by RAI (the italian public broadcasting company) in 1976 for television, documents a quartet concert focused on vocals compositions and improvisations. Here, Don Cherry and his family-community’s musical belief emerges in its simplicity, w…

*300 copies limited edition* Timo Van Luijk with percussionist Kris Vanderstraeten, together for an enchanting exploration of liminal psychoacoustic space. "Playing with Kris always reminds me of doing expeditions in a lake. Some kind of under water sound fiction observing sonic creatures. This album is a live recording (28-01-2012, Kunstencentrum Belgie, Hasselt,Belgium) which to me always felt like one of the best concerts we did. As with our previous album Arrêt au Lac Chimère Vincent de Rogu…

Reissue of a magnificent, impossible-to-categorize French classic originally released on the hopelessly obscure d'Avantage label in 1976. Pretty much the definition of musical anarchy, "Paralleles" begins with an atonal duo for trombones, wends its was through accompanied poetry readings and cornet solos, vamps into a rap delivered by Vince Taylor (France's answer to Eddie Cochran and Bowie's inspiration for Ziggy Stardust!) on 'Rock N Roll Station' (which Nurse With Wound deconstructed later on…

La Scie Doree returns with an absolute stunner, the LP “Atlantic Crossing”, a reissue of a rare privately released cassette recorded by the Bayerischer Rundfunk, from 1988