Control And Its Opposites
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
Meshes
Trombone, electronics and cello, the trio opts for a sparser, more irregular path, with perhaps a higher degree of difficulty. Two cuts, both emerging more or less unscathed, but somehow striking me as overly forced. Actually, it's a tough one for me to call; sometimes it has a searching quality that's very appealing, other times I hear it less as "searching" and more as "casting about". Again, I don't believe this series of discs are meant as statements or finished projects, more as snapshots; …
A Life Saved By A Spider And Two Doves
As George Lewis recently said, it has become increasingly difficult to distinguish between improvised and composed music. It’s a distinction he would like to see dropped. For much of its length this delicately nuanced recording could quite easily be a formal electroacoustic composition, an impression strongly reinforced by the fact that Evan Parker sounds curiously unfamiliar in this new grouping. He’s well used now to working with electronics, but this was a first convocation of this quart…
Endspace
Duo improvisations recorded at Goldsmiths College in South London
Hum
Quartet improvisations for trumpet, flute, harp and bass clarinet
Tasting
Recorded live at the June 2006 Jazz à Poitiers festival this little gem features the work of two truly extraordinary musicians, both of whom are giants from a technical and creative point of view: Phil Minrton and Sophie Agnel, an unusual and very welcome pairing in that ceaselessly changing world which is the improv scene. The former is well-known, and has the weight of many years’ experience on his shoulders, but refuses to give up and continues indomitably to explore the outer possibilities o…
Mouth To Mouth
Four compositions by the US-Chinese composer:
'Of Monsters' - Ingrid Lee, piano Merima Kljuko, accordion'Cells' - Ingrid Lee & Rowan Smith, amplified snare drums'Bead Spit' - Ingrid Lee, piano, Max Kutner, electric guitar, Tony Gennaro, percussion'Another' - Eric KM Clark & Andy Studer, violins, Heather Lockie, viola, Meldoy Yenn, cello, Jake Rosenzweig, bass & Tony Gennaro, vibraphone
Spiral Inputs
Trio improvisations with Sophie Agnel - piano, Bertrand Gauguet - alto & soprano saxophones and Andrea Neumann - piano frame, electronic devices
The Middle Distance
Trio improvisations for two pianos and double bass
Arethusa
Wade Matthews, software synthesis & manipulated filed recordings, Stephane Rives, soprano saxophone
Moonutatud Muundused / Distorted Conversions
Moonutatud Muundused / Distorted Conversions can be seen as an auditive synthesis of Kris Kuldkepp’s various musical activities over the last few years. Comprising a 40-minute exploration of musical entanglements, the album explores the double bass as a solo instrument with a rich timbre quality guiding the musical journey, being simultaneously not always visible or discernible. The double bass is like a trickster, taking many different forms over the course of the musical journey; its pure deep…
Smile
*300 copies limited edition* "One of the first things you notice about Dennis Tyfus is that his lips are too small for his mouth. This becomes especially obvious if you go out to eat with him late at night in Antwerp. He has to really grease up whatever sausage he chooses with a lot of mayonnaise in order to slide it through the taut sphincter that guards his mouthly cavern. This physical fact has made Dennis’s speaking voice a thing of horror for many years, but we have only just realized he is…
Gowanus
*50 copies limited edition* Extremely limited edition purple transparent cassette made for 2023 California tour. Hand numbered edition in printed 0-card hand painted with glitter spray.
Recorded on April 1st, 2022 in Gowanus Brooklyn, Gowanus is the first release from Andrew Lafkas, Todd Capp, and Bryan Eubanks since 2019's eponymous LP on Sacred Realism. They are here augmented by the modular synthesis of Xavier Lopez, who often plays with the trio in Berlin. The music on these recordings sp…
Series (E/A)
*50 copies limited edition* An extremely limited numbered and stamped edition of 50 glass-mastered CDs with individual covers painted by artist and philosopher Tim Bradley. Packaged in a beautiful painting on paper and polyvinyl sleeve.
Three live recordings of an electro-acoustic work developed and performed in 2013. A mesmerizing fusion of sine tones, open-circuit electronics/feedback, samples, and tuned noise, these structuralist compositions navigate the intersection of compositional rigo…
1401
*2024 stock. 300 copies limited edition* "It started in 2005 by colliding electrons against ferromagnetic material on a ribbon of rust to eventually excite phosphors behind cathode ray tube unless the thermal velocity of the yoke over modulates and restricts the flow of 60/40 rosin core anodized black under a waveform monitor. Plaid vectors, white fur, hex schmitt triggers, oxygen free copper and temperatures above 50° are equally as important mediums as 70% cocao in this cross disciplinary mult…
Ashwin & Above
Ashwin & Above is a collection of pieces composed and recorded between 2018 – 2022. For the most part it is a celebration of making music alone. Some of the pieces ended up celebrating friendship and took on new life in the context of group performances. I wouldn’t point to any unifying quality except to say I very much hope you enjoy the space, it is a lung full of turbulence and joy.’ - Adam Coney
‘I’ve been excited to get my hands on this LP and it hasn’t disappointed. I’ve played several tra…
Bereft
Limited edition of 116. One-sided LP. In these times of double lives it happens fairly frequently that acquaintances from outside "the world of experimental music" send short video’s of all kinds of circus acts, people making music in a river, singing in a helicopter, their pets sounding like the intro of an 80’s hit, etcetera. Often these outings are sent in an ironic way, as often liked by us in a painful, deadly serious way. There must be thousands of video’s of Japanese percussionist Ryosuke…
The Ascending Scale
*350 copies limited edition.* 2024 stock.Nick Parkin and Z’ev were introduced to each other by Charles Powne of Soleilmoon Recordings at a social get together in London in 2005. The following year they ran into each other again at the ICA’s Sonic Arts Festival, and after a series of meetings and conversations realised they had a number of common sonic and philosophical threads, and decided to try recording together. The two musicians shared an interest in site-specific recordings and the atmosph…
I was too young to hear silence
A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…
Cold Drinks, Hot Dreams
LP pressed at RTI. Tip-on jacket printed at Stoughton Printing Co. Atrás del Cosmos have been called Mexico’s first free jazz ensemble. Founded in 1975 by pianist Ana Ruiz, saxophonist Henry West, and percussionist Evry Mann, the trio soon became a central force in Mexico City’s creative arts community, mentoring a generation of improvisers, incorporating a revolving cast of artists into their immersive happenings, and sustaining a scene through their legendary weekly performances at El Galeón t…