Long Story Short
Renowned composer and guitarist Oren Ambarchi releases Long Story Short, a captivating solo guitar album that distills his signature sonic explorations into intimate, hypnotic compositions. Recorded on December 9, 2024, by Daniel Bengston at Studio Rymden in Stockholm, and mixed in February 2025 by Joe Talia and Ambarchi at Good Mixture in Melbourne, the album features two evocative tracks: "Apricot/Paper Cut" (4:02) and "And So Say All Of Us" (4:12).
Ambarchi's mastery shines through in these …
Algol
Tip! Algol is a new electroacoustic trio formed by Christian Lillinger (Germany), Elias Stemeseder (Austria), and Camilo Ángeles (Peru). The project was born during a collaborative tour and recording sessions in early 2024, between Mexico City and Guadalajara, and has since expanded with performances across various cities in Europe and Latin America. Conceived as an open system of real-time sonic construction, Algol operates at the intersection of composition, improvisation, and electroacoustic …
July, 2024, Montemor-o-Novo
Last year, Aires, Sã Bernardo, Sal Grosso & Vile Karimi inhabited the Blackbox at O Espaço do Tempo from July 3–6, part of CCA's curatorial project Jejum. Over four days, these artists and collaborators converge, creating shifting constellations of sound through solo, duo, trio, and quartet encounters. Each evening invites the public into the intimacy of open rehearsals, where structure dissolves into possibility, a daily ritual of improvisation where boundaries blur, and music becomes a living …
Smilets By
Re-issue of Danish cult classic from 2006 with new artwork by Martha Hviid and AK. 12" vinyl feat. oliver hoiness - andreas führer - anders lauge meldgaard yoyooyoy / lolita industri 2008 og 2006
lo-fi wizard oliver hoiness. the ever-cheerful kalle del what the hey. the evergreen supermelle aka. fresh fruit
Dou Dou Doudo: Ao Vivo Na Cooperativa Árvore
*300 copies limited edition* Audio taken from a live performance by Anar Band (Jorge Lima Barreto and Rui Reininho) with E.M. de Melo e Castro in November of 1978 at Cooperativa Árvore, Porto. The performance was filmed. A segment was included in »Obrigatório Não Ver«, a weekly programme presented by Ana Hatherly on Public Television’s Second Channel. It was not possible to determine the exact date of the event, and no documentation seems to be available in the relevant archives. »Encontro que T…
Racially Ambiguous
Slumlord Unleashes New Tape Racially Ambiguous – A Free‑Form Noise Rock Assault from the Portuguese Gutters.
Mother Tongue
A Senegalese Griot singer, an Amsterdam improviser and a Puerto Rican jazz drummer find eachother on an open playground, a stage build for improvisation, an old cinema now used for minute made story telling. Equiped with an m'bira, a xalam, a drumkit, a voice, percussion, house hold tools and an electric chlavichord on 220 volt, they sit down and take off: Wrrrrrraaang! Singer and percussionist Mola Sylla is in many ways a musical explorer. Born and raised in Dakar, Senegal, he grew up in the tr…
If protozoa connotes
Soft Items sends out their third release through Sensorisk Verden — An exercise of bringing another being to mind. Translating unconscious material into images or sounds, perhaps a past- or future self. The protozoa. A message abrubts. A door slams. A strange whistle. Personifying these noises as bridging entities between the known and the unknown.
Zonal Disturbances III
The next installment in Dirk Serries’ “” cycle. As with the previous chapter, the musician recorded material using electric guitar coupled with numerous effects. He recorded four more longer compositions that further develop Dirk’s direction, constructing his signature ambient style. Organic, somber, and eerie. The entire piece was also recorded live, in a single space, resulting in music that reveals the artist’s penchant for minimalism and slow, repetitive sound clusters, thus drawing on his r…
Lemures Loci
*200 copies limited edition* The latest release from Makoto Oshiro and Takahiro Kawaguchi, who have been collaborating since around 2008. Side A, loco, reconsiders the nature of improvisation by weaving together sounds from self-made devices and (non-)instruments—air horns, electromagnetic relays, air compressors, washers—alongside environmental recordings captured outside the studio. Side B, loci, brings together field recordings captured by both artists, each starting to record at the exact sa…
Visions Cosmiques (LP)
1969 cosmic organ improvisations dedicated to the Apollo 8 team, released on Philips' silver covers "Prospective 21e Siècle" series. Mid-70's re-press with grey sleeve and green labels.
For the Birds
Edition of 250. Deluxe edition + insert. For eighteen months, between 1984 and 1985, Patrick Lysaght played flute, strings, and percussion inside the Rainforest Birdhouse at the Rio Grande Zoo in Albuquerque, New Mexico. His audience and collaborators: 150 birds of 42 species.
The result is one of the earliest and most radical documents of interspecies improvisation. Predating the current wave of sound ecology by decades, For The Birds sits comfortably alongside the biophonic research of Bernie …
Monomonomono
*20 copies limited release* Gabriele Ghezzi (Guitarist for Node and Telemons) first solo project. The songs are recorded live, allowing his technique guitar practice to follow the edges of the drum machine and effects taken to the extreme. A fiery project born from the machines. Psy-death-core.
Sensitive
Tip! *300 copies limited edition* An’archives is proud to present [sensitive], a new album, and the first solo vinyl release, by Japanese keyboardist and synth player, Mitsuhisa Sakaguchi. A deftly assembled suite of glistening electronic tonalities, [sensitive] is the latest in a lengthy run of excellent, idiosyncratic albums by Sakaguchi. A low-key yet productive artist, Sakaguchi has released banks of solo titles via his own Bandcamp page, and is also an in-demand improvisor for electronics: …
Oozetones / Fleshscapes
While this album was written and completed in early 2022 the work here reflects about a decade's worth of developing a unique approach to improvising, super-imposition, and sound engineering as a method of constantly shifting and expanding composition. In many ways this work is the logical conclusion of the desire for, and searching after, a certain sound and feeling, which I believe is present here.... ...The ooze is all encompassing. The ooze moves across and through all things. The ooze is ac…
Live at Space Mountain
Fellahin is a violin, wind and percussion format for violinist Mike Khoury. He has assembled this instrumental grouping several times under that moniker. For this album, Khoury travelled to Miami to work with Kenny Millions (Keshavan Maslak) on clarinet and guitar, and Steven Bristol on percussion. Khoury is best known for his work as a soloist, in duet with percussionist Ben Hall and dancer/choreographer Leyya Tawil and as a member of The Northwoods Improvisers, Porcelain Hammer, The Redford Ci…
Drueling
After a year of inter-continental correspondence, Turner Williams Jr. and Derek Monypeny crossed paths in the Spring of 2023. Derek was touring in Europe, playing solo sets with his electric shahi baaja, an instrumental obsession shared by Turner. Turner invited Derek down to Marseille for a session in his aerial basement studio overlooking the city. The result was the first shahi baaja duet for either musician. Spontaneous Mars music in the shadow of enormous transmission towers, pylône electri…
Unfold
2025 small repress. Ideologic Organ present Unfold, brand-new recordings from The Necks, the legendary Australian trio who excel in bypassing musical cliche whilst exploring and extending the practices embedded within improvisation, jazz, post rock, ambient, minimal, and textural, "sound based" music. The latest document from this long-running ensemble presents itself as a double LP, with four side-length tracks. A deliberate absence of numbered sides hands a substantial swatch of participation …
Kokai
Kishun is a duo: Ishikawa Ko, player of the shō (mouth-organ), and Nakamura Kahoru, player of the gaku-biwa (Japanese court lute). Since 2015 they have used only shō and biwa. Their idea is to bring out the hidden sound in what they call “gagaku without melody.”. Gagaku is the ancient court music of Japan. It is more than a thousand years old. In the Heian period, nobles gathered old songs and dances from Japan and pieces that had come from Korea and China between the 5th and 9th centuries, and …