Walce w Walce
Małe Instrumenty (Small Instruments) are a band exploring new sounds using a wide array of small instruments. The instruments used in their sonic experiments feature an ever expanding array of professional instruments, sound toys made for children or naive in nature, strange musical inventions as well as a whole array of small items that aren't really instruments but do make a sound. The music created in this way reveals unique colours of sound sometimes beautiful and fine, sometimes surprising …
Chemia i Fizyka
Małe Instrumenty (Small Instruments) are a band exploring new sounds using a wide array of small instruments. The instruments used in their sonic experiments feature an ever expanding array of professional instruments, sound toys made for children or naive in nature, strange musical inventions as well as a whole array of small items that aren't really instruments but do make a sound. The music created in this way reveals unique colours of sound sometimes beautiful and fine, sometimes surprising …
Samoróbka
Małe Instrumenty (Small Instruments) are a band exploring new sounds using a wide array of small instruments. The instruments used in their sonic experiments feature an ever expanding array of professional instruments, sound toys made for children or naive in nature, strange musical inventions as well as a whole array of small items that aren't really instruments but do make a sound. The music created in this way reveals unique colours of sound sometimes beautiful and fine, sometimes surprising …
Antonisz
**CD version** Małe Instrumenty (Small Instruments) are a band exploring new sounds using a wide array of small instruments. The instruments used in their sonic experiments feature an ever expanding array of professional instruments, sound toys made for children or naive in nature, strange musical inventions as well as a whole array of small items that aren't really instruments but do make a sound. The music created in this way reveals unique colours of sound sometimes beautiful and fine, someti…
Ffroggssichorddd
**200 copies** A famous English conductor said that the harpsichord sounded like "two skeletons copulating on a tin roof". An instrument that was once the basis of every orchestra and chamber ensemble was long ago replaced by the stronger and, for some, sweeter sounding piano. Now the harpsichord is very much the preserve of specialists and early-music supporters and has seen very little progress in design. Enter architect and musical philosopher John Körmeling. In addition to designing utopian …
The Fluid Computer
**220 numbered copies** Floris Vanhoof works on an hybrid form of music and visual arts. Inspired by structural film and early electronic music he makes audiovisual installations, expanded cinema performances and music releases. Experimenting with cross-medium translation and compatibility, he questions our viewing patterns and the possibility of the new perspectives to emerge. Regardless of nostalgia, he purposively chooses analog technology, reinventing 'high-tech' and looking for ways to make…
Plein Air | Silva Datum Musica
**300 copies** Plein Air the album presents recordings from a plant-driven synthesizer. A custom built instrument that uses scientific sensors and software programming to generate real-time tree leaf data. Light, photosynthesis and transpiration modifies sound: the rhythm, melody, texture, tempo and harmony shift with atmospheric conditions and tree response – electronically. The sounds of each leaf of regional deciduous trees by scientifically sensored data-sonification are much more musical th…
City of Women II
Jimi Tenor and a group of friends visited twice at Edward Vesala’s unique home (Sound and Fury Studio) in Korkeakoski in southwest Finland. It was winter 1998. Matti Knaapi and Jimi Tenor have been designing and building instruments since the early '80s. They brought vanful of apparatus to Sound and Fury which already had a large collection of Vesala’s exotic and self built instruments. During the two rather extreme sessions 13 songs got finished. The first part was released in year 2000. Sadly …
Clarity Cycles
**numbered edition of 25 copies** Clarity Cycles focuses on various sized glass instruments made by Jeremy Popelka in mid to late 2018. They were played by Jon Mueller using various drum, gong and cymbal mallets and recorded and mixed throughout late 2018 and early 2019. The cover photographs were taken by Jeremy Popelka at his studio in Sturgeon Bay, WI, where the instruments were made and the recording session took place. Jeremy Popelka is an artist based in Sturgeon Bay, Wisconsin, USA. Over …
Vibe
Important Records announces Vibe, the new LP from Extended Organ, the Los Angeles-based quintet associated with the Los Angeles Free Music Society (LAFMS). Vibe, Extended Organ's first full-length studio LP since 2000's XOXO was recorded in April 2016 by members Joe Potts, Fredrik Nilsen, Paul McCarthy, Tom Recchion, and Alex Stevens. The album consists of two side-long tracks, Hate and Vibe, recorded live at LACM Studio in Pasadena, California by acclaimed engineer André Knecht. On Vibe, the gr…
Schwingende Luftsäulen 2
Werner Durand Schwingende Luftsäulen 2, the second chapter dedicated to Durand's music applied to the Pan-Ney, the wind instrument of his own invention. With gorgeous artworks by Karlheinz Bux and extensive liner notes by Adelio Fusé. "Schwingende Luftsäulen 2 is the second chapter of a trilogy featuring the Pan-Ney with its tubes or columns of vibrating air (Schwingende Luftsäulen, in fact). This second chapter, in which the Pan-Ney is flanked by the tenor sax, reconnects where the first one en…
Drop By Drop, Suddenly
XI Records releases Drop By Drop, Suddenly, a two-CD set of eleven compositions for bassoon composed and performed by Leslie Ross. Ross is not only an internationally renowned instrument builder but is also an uncompromising creative musician. The first disc starts with a series of short seed pieces that play primarily with the timbral and microtonal differences highlighted between tone-holes, forming a layered effect while playing with only one fingering, single note or multiphonic. They range …
Musique Con Crete
Starting with an artist residency Tasos Stamou visited the Greek island over the course of three summers, collecting field recordings, performing with local musicians, producing electronic compositions and gathering old records and tapes of traditional music of the region. The project resulted in the assembling of a unique sound collage which reflects his personal experience as a music visitor to this part of the Mediterranean. Tasos Stamou is an electroacoustic music composer, performer, altern…
Schwingende Luftsäulen
At Soundohm, we’ve dedicated our lives to music which defies category and constraint - which ventures into unknown territories, risking everything to stand on its own. There are few better cases than Werner Durand - a true maverick of experimental practice. Since the early 1980s, the composer and instrument builder has been sculpting a singular landscape in sound, bridging countless compositional spectrums, while resting comfortably in none. Rising to the stunning singularity for which he has b…
Gestrupp
Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Anima ensemble. During that time, Limpe and Paul Fuchs collaborated with the Austrian pianist Friedrich Gulda as well as jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs on Gestrüpp, which was produced and recorded between 2012 and 2014…
Monte Alto
A holy grail of free improvisation/spontaneous music reissued on vinyl for the first time in nearly 40 years, beautiful pressing housed in an elaborate silkscreen print, hand-numbered, and limited to 500 copies* Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Ensemble Anima, working on the periphery of krautrock and free jazz. During that time, Limpe and Paul Fu…
Irrinitzi
Irrintzi is the full leght solo debut for Xabier Iriondo, after his split with Paolo Cantù in the Phonometak Series 10. Irrintzi is the sum of the collaborative attitude that Xabier has continued over the years, a splendid double one-side LP, housed in a deluxe die-cut cover. 500 copies only, sold out at source.
Spacecraft / Unified Patchwork Theory
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV.
One year later, the group was in Rome, Italy, but also involved i…
Les Premières Machines 1968 - 1988
Manipulating and experimenting in all directions, Pierre Bastien gets help from a lot of human-being (Percussions, piano, cello & accordion) but also from machines: toy robots play percussion, xylophone or even the guitar. The result is surprising, varied, funny, crazy but always very interesting. Part of the now famous collection Les Zut-O-Pistes, 'Les Premières machines - 1968-1988' includes the artist's debut works. Starting with the simple 'Sans Titre', recorded in May 1968 during his school…
One
Originally released in 1973 as a private press LP, 'One' is the first document of GAEB, a mysterious sextet of Californian improvisors. Formed in the late 60's by artist Richard Waters and jazz drummer Lee Charlton, the group made music using Waters's kinetic sculptures. His most important creation was the waterphone, a sort of acoustic synthesizer which used water in its resonators to produce warbling, tone bending vibrations similar to th edeep sea harmonies of humpback whales. Together with t…