Live At Tusk Festival
* Edition of 500 * French psych-experimental-rock genius Richard Pinhas in collaboration with Sax Ruins drummer, Tatsuya Yoshida, and saxophonist, Ryoko Ono. Recorded live at Tusk Festival, at Gateshead Old Town Hall, on October 10, 2015. Richard Pinhas, the founder of '70s legends Heldon, is one of France's best known experimental musicians and is a key figure in development of rock music fusing with electronic music. Yoshida Tatsuya is one of the most innovative musicians of the Japanese exper…
Mountains Are Mountains
Mountains Are Mountains is a solo album that presents the sound of many moments scattered all over a period of Berke Can Özcan's (Ex-Konstrukt, Big Beats Big Times) personal time on this planet. He is a drummer, composer, writer, producer who keeps experimenting with all that is available to his one ear. Gongs, aquadrums, a vibraphone, a steel drum, a prepared piano, a vintage harmonium which smells exactly like a vintage harmonium, log drums, kalimbas, as well as his self-made instruments made …
Kofu
* Limited edition CD including 16-page inserts with words in Japanese and English from Meitei and design by Kitchen.Label founder Ricks Ang * It began with ‘Kwaidan’, a simmering study on the lost art of Japanese ghost story-telling. Then there was ‘Komachi’, baptized in the earthly winds and static that define its comforting sonics. On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — or, as fashion…
Vertigo KO
A compilation of unreleased material from the Light Sleep and Voice Hardcore sessions alongside specially recorded new material, including a cover of “The Void” by The Raincoats. Both formats include a 20 page zine designed by Studio Tape Echo featuring photography from Masayuki Shioda and writing from both Disciples and Phew. It follows on from a limited edition cassette and digital release of Phew’s music on Disicples called Vertical Jamming, which compiled some of the cult Japanese artist’s l…
Horizon, Volume 1
* Online Color Vinyl Edition: “Clear” – Includes Limited Edition Art Print. 2020 stock * Almost completely unknown in the west, Masahiro Sugaya has been composing and producing music since the 1980s in an exceptionally wide range of fields and practices. From arrangements for musical acts like the acoustic guitar duo Gontiti to acousmatic diffusion at spaces like Paris’s Groupe de Recherches Musicales (GRM), Sugaya’s reach is almost exhaustive in its breadth, but it was in the 80s bubble-era kan…
Commissions: 1977-2000
Makoto Inoue and Yasushi Yamashita’s Inoyama Land project spans nearly four decades, still active to this day. A portmanteau of their family names, the “Land” of Inoyama hovers between imagined mythical space and concrete reality, extending beyond physical releases into installations, site-specific sound design and theatre scores.
After their famed Haruomi Hosono-produced 1983 release Danzindan-Pojidon, the duo became involved in the budding environmental music business that was taking shape in …
Fischgeist
Fischgeist is the third solo album by Tomoko Sauvage, a Paris-based Japanese experimental musician and sound artist. For more than a decade, she’s been working on her unique ‘natural synthesizer’ by combining water, hydrophones and glass or ceramic bowls. The album was recorded in a former water tank in Berlin, a building with a special architecture and acoustics. Sauvage was inspired by the building’s history that she discovered by coincidence during her recording sessions. bohemian drips, a Be…
Trails to the Cosmic Vibrations
*2020 stock. Edition of 300, last copies. Comes with custom-made foil which transforms the special cover art by acclaimed artist Takashiro Kurashima into a kaleidoscopic trail of electric vibrations.* 1 continent, 2 bands, 42 musicians! Trails to the Cosmic Vibrations is a split LP that brings together two bands from Asia with outwardly contrasting dispositions, while sharing sympathetic resonances.
On Side A, hailing from Osaka, Japan, we have the ever exuberant postmodern psychrock legends, Ac…
Authority is Alive
Recorded live at the Playfreely Festival in Singapore, November 2019, Authority is Alive is a potent performance mixed from an intoxicating brew of poetry, philosophy and sonic alchemy. Bearing the theme “The Transparency of Turbulence”, the festival featured a strong line-up of East Asian and Southeast Asian artists and bore the ambition to be “an alternative to how we coalesce and navigate a region that is continuously torn apart by words, egos, greed and ideologies.”
“Everything... living... …
Toho Sara
Black Editions present a reissue of Toho Sara's self-titled album, originally released in 1995. A mystifying work of Japanese avant-garde shamanism, Toho Sara's 1995 debut introduced a radical new sound from Asahito Nanjo (High Rise), Makoto Kawabata (Acid Mothers Temple), and Hisashi Yasuda - playing an array of ancient instruments including tabla, piri, harmonium, biwa, shakujo, and hansho the group evokes an otherworldly ritual music, meditative and haunting. Originally released on CD by P.S.…
Far And Wee
Black Editions present a reissue of Kazuo Imai's far and wee, originally released in 2004. Kazuo Imai is one of the few artists to traverse both Japan's early avant-garde and free jazz movements. Though he began performing in the 1970s, his 2004 P.S.F. album far and wee was only the second under his name. In a series of thrilling acoustic guitar improvisations -- Imai's playing crackles with dynamic tension and physicality as well as a subtlety and nuance that reveals him as one of the instrumen…
Musica Transonic
Black Editions present a reissue of Musica Transonic's self-titled release, originally released in 1995. Musica Transonic was comprised of three of the most crucial artists to emerge from the 1990s Japanese underground: Nanjo Asahito of High Rise, Makoto Kawabata of Acid Mothers Temple and Tatsuya Yoshida of Ruins. The group's music was a supercharged combination of complex rhythms, blistering guitar attacks, and enormously deep bass momentum. Pushing the rock power trio to its miasmic, overdriv…
Schaum
Faitiche is very pleased to announce the release of a Schaum by Masayoshi Fujita & Jan Jelinek. Since their debut Bird, Lake, Objects they have played improvised concerts around the world. Japanese vibraphonist Masayoshi Fujita prepares his instrument with various percussion elements as well as metal objects and toys, while Jan Jelinek layers loops made using small-scale electronic devices. Schaum (German for froth, foam) is the duo’s second album.
Bird, Lake, Objects
Queried on his favourite word in the German language, Masayoshi Fujita will pick ‘getragen’ – without a sliver of hesitation. Further questioning will reveal that he loves the term’s semantic signifiers, its inherent sense of “expansive, deep, quiet and sombre.” And yet, ‘getragen’ leaves plenty of room for interpretation: depending on context, it might also indicate wearing apparel or the state of being carried – two more mundane interpretations that I would rather keep from him.
Does Masayoshi…
A Rose with No Name 'Sorry'
**Edition of 200** Tokyo-based sound artist and improviser Makoto Oshiro carries out live performances and installations in which he creates sound using self-made devices and remodeled pre-existing objects. Beijing-based musician/poet Yan Jun, one of the leading Chinese artists on the experimental/improvised music scene, creates music and produces installations freely utilizing electronics, field recordings and voice.
This album was studio-recorded on February 22, 2017, when Oshiro was visiting …
Minna Miteru
**2CD version** In collaboration with Markus Acher’s Alien Transistor label, Morr Music presents a collection of hard-to-find Japanese independent music, compiled by Saya, who plays with Ueno Takashi in the iconic duo Tenniscoats. They are part of a current music scene, which is little known outside of Japan. "Minna Miteru"“ focuses on that very scene: the featured bands and musicians share a certain idea of DIY, and are also connected through frequent collaborations and mutual appreciation.
Yo
*In process of stocking. 2022 stock.* Adachi Tomomi Royal Chorus is an experimental vocal group based in Tokyo. Drawing upon influences as diverse as the Fluxus movement, hardcore punk, contemporary classical, TV commercials, cartoon music, Conceptual Art and more, Adachi’s complex compositional miniatures are filled with energy, imagination and a sly sense of humor. This stuff really kicks.
Complete "La Grima"
"La Grima (Tears) was performed on August 14, 1971, at the Genyasai festival in Sanrizuka, Japan. The first six minutes or so of this performance can be heard on the omnibus LP Genya (released on CD in 2004). This CD presents the complete, unedited version of the performance.As if to slash through the audience's scornful, jeering reaction to Takayanagi's opening remarks, the group launched into a fiercely convulsive performance. Despite having a variety of objects thrown at them, Takayanagi and …