Hanazono
Satomimagae entrusts listeners with Hanazono, a compendium of miniature beauty, a sonic globe enclosed with subtly resonant energies. Satomi’s fourth full-length arrives as an invitation to revel in your immediate and imagined surroundings; to make time and space for guileless curiosity and garden variety enchantment. Hanazano, translated as “flower garden,” is a tribute to everyday mysticism, that sense of pure and private wonder excited by a stone, a river, or winds. Its often unplugged and af…
Duo / Timing
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Who Knew That So Many Blues...
A singular record, measured with a mastery of self and patience that’s utterly arresting in its stoic elegance and sound sensitivity. Keiji Haino plays Gamelan...
Shi wo Haramu Koe
This recording was designed by Yasushi Utsunomiya, a brilliant engineer, using the newly proposed "Autonomulti" method. The DVD contains eight independent channels: the sound of the duo Nanaentai performing on the third floor of the building Shin-Imamiya Nichiuchi Building, Osaka (4 channels), the sound on the second floor below where they perform (2 channels), and the environmental sound on the roof of the building (2 channels). The interleaved 8-channel data DVD contains 8 independent channels…
月蝕
2026 stock, reduced price ** Original Single Sided, Numbered **
月蝕 - lunar eclipse. The title is apt for a cassette that arrived in 1991, was heard by almost no one, and vanished almost entirely from the record. Vehiyd was a four-member noise and psychedelic band comprising 博子 on bass, 真由美 on drums, 界 on guitar, and Piaa on vocals - and this Vanilla Records cassette, single-sided and numbered in the label's characteristic manner, is the only recorded document the group left behind.
The genre ta…
Reflexive Universe
2026 stock, reduced price ** Original Single Sided, Numbered **
Recorded live at Maya in Kobe on 15 September 1991 - with only Mayuko Hino on electronics and voice and Hiroshi Hasegawa on synthesizer and electronics - Reflexive Universe strips C.C.C.C. to its core and finds, in that reduction, something more concentrated and more volatile than the full ensemble.
The choice of John C. Lilly's CCCC as a name pointed toward a practice in which sound was genuinely conceived as a system of feedback …
Refugee / On The Move
2026 stock, reduced price ** Original Single Sided, Numbered **
Nagoya produced a noise and improvisation scene that ran largely parallel to the Osaka-Tokyo axis - less documented, less exported, but no less intense. Dislocation was one of its legendary formations, a collective comprising Toyohiro Okazaki, Yoshimei Yanagawa, Keishi Kiyokawa, Fujio Kimura, and others, whose name appeared alongside Merzbow, C.C.C.C., Masonna, Monde Bruits, Solmania, Incapacitants, and Violent Onsen Geisha on the …
Portuguese Man-Of-War
2026 stock, reduced price ** Original Single Sided, Numbered **
The name comes from the French for "noise world" - Monde Bruits, the project of Shohei Iwasaki (岩崎昇平, 1962-2005), a figure whose significance to the entire architecture of Japanese noise exceeds what the relatively small scale of his recorded output might suggest. It was Iwasaki who organized Masami Akita's first Merzbow concert in Osaka - a founding act of the network that would, over the following years, connect Japanese noise to…
Flamenco Party
2026 stock, reduced price ** Original Single Sided, Numbered **
The name means "mercury lamp" - 水銀ランプ - and the industrial implications are entirely intentional. Suigin-Lamp was a trio: Kumiko Yamamoto on bass and sampler, Kazuhide Kawata on guitar, vocals, and sampler, and Kosei Yatani on violin and guitar. Flamenco Party, their only recording, was captured live at Shinjuku Ongakukan in April 1991 and released on Vanilla Records the same year - six tracks on a single-sided C62 cassette, number…
Shocks! Shocks! Shocks!
2026 stock, reduced price ** Comes in a snapcase with a numbered cassette has no label and a numbered j-card with different address stamp from 1st press. **
The most radical formal gesture in Shocks! Shocks! Shocks! is not any single noise burst or sample collision but the refusal - sustained across the entire cassette - to settle into a genre. Violent Onsen Geisha is Masaya Nakahara, a Tokyo-born artist who has described himself as someone with no musical talent, and who produced, precisely be…
Flowers Bloom, Butterflies Come
** Fine Art Book, Ltd. to 750 copies ** Hardcover book printed on Munken Print Cream 115g/m2 // 96 pages, 24cm x 22cm, 93 photos // Logo, slot and circle embossed // Matt laminate + selective varnish // Hand-numbered, hand-stamped ** "Flowers Bloom, Butterflies Come" is the result of a dialog between the stunning Japanese photographer and artist Miho Kajioka and the wonderful UK musicians and composers Ian Hawgood and Craig Tattersall (The Humble Bee), initiated by IIKKI, between August 2019 an…
Telquan
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.
"Usually the sparring partners of Tim Olive, magnetic …
Brother of Divinity
** 2021 Stock. Glass-mastered CD in hand-stamped, recycled chipboard cover ** 845 label leader and sonic explorer Tim Olive uses magnetic pickups and electronics in this meeting with radical living room concert sound artist, poet and improviser Yan Jun in Kobe, Japan, Jun using a variety of electronics, radio and field recordings as the two improvise in a wonderfully mischievous set of errant dialog and restrained deconstruction.
First up is a twenty-eight-minute work, which was recorded in Octo…
Faune
** 2021 Stock ** Fellow Canadians, Montreal's Ambiances Magnetiques collective member, turntablist and electronics artist Martin Tetrault meets Japan-based electronic explorer Tim Olive performing on magnetic pickups, in their first album despite having performed sporadically across three decades: 4 rich improvisations minimally edited, shaping sound in compelling ways.
"[... Tim] Olive did a recording on "a lovely afternoon in Montreal, minimally edited", with the well-known turntablist Martin …
Boro
** 2021 Stock ** Recording in Saskatoon in the Canadian province of Saskatchewan the day before their performance at the Sounds Like Festival, audio explorer Tim Olive brings his magnetic pickups in a first meeting with Doreen Girard performing on a prepared tsymbaly, a Ukranian hammer dulcimer, for a single, unusually evolving, and wonderfully rich improvisation.
Boro, a 2018 first-time meeting with Winnipeg-based sound artist Doreen Girard, develops a more abstracted quality, with recordings o…
Nice You!
** 2021 Stock. Glass-master CD with recycled chipboard cover, hand-stamped ** After a performance in 2019, Kobe-based Canadian sound artist Tim Olive and Calgary percussionist, experimenter & Bug Incision label leader Chris Dadge recorded these two studio pieces using Dadge's amplified percussion, small instruments & electronics, as well as Olive's magnetic pickup/electronics system, running through a number of guitar & bass amplifiers.abel leader Chris Dadge recorded these two studio pieces usi…
naar/voor
Recording in Kobe, Japan in 2014, the duo of Jin Sangtae, organizer of Seoul's long-running dotolim concert series and who gainfully employs cast-off computer hard drives as sound sources, and Tim Olive, who uses electro-magnetic pickups to give voice to consumer/post-consumer objects, for three tracks of recycled and unorthodox sound.
"Here we have three lengthy pieces, fifty-four minutes in total, of some great music. They cover the entire dynamic spectrum, with lengthy passages being all loud…
63-66
** 2021 Stock. Glass-mastered CD with letterpress cover by Ben Owen/Middle Press ** Recording in Brooklyn in 2014, this collaboration between Tim Olive and Ben Owen presents four tracks of electronic improvisation using shortwave radio, oscillators, paper, contact microphones and magnetic pickups, creating a mysterious and well-paced album of sound experimentation. "The inconspicuous titles of Tim Olive and Ben Owen's first collaboration make it look like an album of discrete parts, just four im…
Lowering
** 2021 Stock. Edition of 100. Glass-mastered CD in hand-stamped, recycled chipboard cover ** Like mad scientists of sound, sonic explorers Tim Olive and Cal Lyall met in a Tokyo studio in 2012 armed with hydrophones, magnetic pickups and electronics to record this richly detailed and slowly unfolding work, blending organic and mechanical elements of indeterminate origin, finding absorbing dialog without clamor or tumult; intriguing and engrossing.I think I'd only heard Lyall a tiny bit on one o…
Kaze No Shisha
Studio Mule present a reissue of Eitetsu Hayashi's Kaze No Shisha, originally released in 1983. Spiritual leaning rhythms come from none other than Eitetsu Hayashi, one of Japan's most renown taiko drummers, a percussive instrument that is deeply rooted in the mythology of Japanese folklore. Kaze No Shisha is a crucial album in his long-spanning career, that started in 1971 when Hayashi joined the famed Ondekoza Group. The so-called "demon drum group" established the taiko drumming to a global a…