Music For The Ritual Desecration Of Corpses
*200 copies limited release* Tip! The early collaboration between Maso Yamazaki (aka Masonna) and Rudolf Eb.er (aka Runzelstirn & Gurgelstøck) was based on the exchange of tape recordings and ideas by mail; they were guided more by a shared sensibility regarding extreme music and art than by a similar musical style. The first result of this cooperation was released in 1995 on Eb.er’s own Swiss label, Schimpfluch, as a cassette titled “Clitoris Projectile Pump Action”. In 1998, they performed as …
Kinetic Void
*150 copies limited edition* The ambient lineage, from Brian Eno’s Music for Airports forward, has been characterized as sounds that can recede into the background, creating an absence that exists laterally to the listener’s attention. The Kinetic Void originated from a different premise. The compositions assembled here retain a commitment to atmosphere, putting texture over melody and suspending conventional notions of meter. But they embody an inverted relationship to density from that of the …
Mirror/Leaks
*20 copies limited edition* D. Stine and Doug Fogelson return to LAD with their latest long player, Mirror/Leaks. Recorded shortly after their beguiling first collaboration Dusk Breathing, a slightly different approach is evident here. This followed their desire to chart a different course, as well as new geographic realities. Rather than being led entirely by their improvisational muses, the pair approached the recording dates for this album with more of a sense of intentionality.
Shortly aft…
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
Dry Spell
*2026 stock* Alluvium, a collaborative project of Nika Kaiser and Nathan Stickel, uses a combination of composed and improvised video projection, field recordings, and experimental sound. They create performative installations responding to site-specific details within each of their works, drawing ties between the political and the spiritual. The geologic phenomenon of alluvium occurs when loose clay, silt, or sand has been deposited by running water in a streambed or floodplain for an impermane…
Don't Let Me Be A Burden
*2026 stock* "In Uptown Bogland things sound great 'cardboard humans fall to pieces' was top-forty and the money was rolling in I should not have trusted dad I knew his weakness for the horse god but I am Dan Koelacanth I am a simple man I do not use spell check auto-correct I don't monitor levels or worry about excessive treble this CD from the Krim Kram label may bring trouble to your door so tool-up ready don't let the unexpected topple your sanity be caring generous loving do not be swayed b…
Precedes
*2026 stock* A new collaboration between Ross Scott-Buccleuch (Diurnal Burdens) and Andy Jarvis, Precedes has its origins in the series of blank tape compilations released by Ross on his tape label Steep Gloss. After being invited to contribute to volume 3 of the Blank Tape Compilations in mid-2021, Andy became engrossed in the process of working with blank tapes. When you strip everything away, what's left? Having somewhat unfinished business in the blank tape realm himself (now that the compil…
The Sirens
*200 copies limited edition* The sun sat high above the desert outside Joshua Tree on October 17, 2024, baking the rocks and shrubbery outside the Farrington Observatory as a small group of invited guests ventured up a steep path towards the telescope. Kyle Simon, the artist and printmaker who founded the Observatory, was standing outside the print studio sat below the towering cylindrical building, greeting friends alongside his wife Sarah and lifelong friend Brian Weitz, the musician widely kn…
Death Drug And TV Screen
Started out as a sideproject to Incipientium and The Family Men, Gustav Danielsbackas' Future Chemicals has slowly evolved into its own ugly thing, exploring his passion for video culture and dystopian, technological havoc. Death Drug And TV Screen was initially meant as a soundtrack for a film started in 2022 that got forever stuck in limbo. Saved from the production room vortex, Discreet Music now presents the whole, massive thing in its mind-melting entirety. Clocking in on almost 70 ambitiou…
Live At Helluva Lounge
The hardcore noise improvisation duo featuring Martin Escalante, a ferocious noise saxophonist from Mexico, and Tatsuya Yoshida will release a CD featuring the complete recordings of their live performances in Kobe and Okayama from their previous 2025 tour, to coincide with their second Japan tour this August!
Fully Nowhere: A World Resources Archive
"World Of Echo is proud to announce the release of Fully Nowhere: a World Resources archive, compiling material drawn from limited lathe 7” singles and LPs released by the Aotearoa/New Zealand label, World Resources, predominantly across the 1990s. Supplemented by previously unreleased archival recordings, and material drawn from recent sessions, it’s a revelatory listen, a judicious selection of drone, noise pop, fractured electronics and laminal improvisation from the small community of musici…
Shoot And Crucify
The third tape on the fledgling Cold Spring label, 'Shoot And Crucify' was released back in 1988 in an edition of just 50 copies (CS003). It features some of the very earliest works of many now-influential and essential Industrial / Noise / Experimental artists. The 'scene' at the time was built on the mail-art network, exchanging an explosion of ideas, sounds and art around the world via the (then very cheap) postal system. Just a handful of these 19 tracks have since been reissued, but the vas…
LIVE au FIMAV
*2026 stock* This concert recording is something of a miracle. Nothing suggested that this album or even the performance it documents—pro- duced in extremis, in the middle of a global pandemic, with ever-chan- ging public health orders—would see the light of day. A few weeks prior to the event, no-one knew if the concert would happen, nor did I know what we would be performing! Really. Almost half of the program was composed four weeks before the show. From the outset, I knew that the set list w…
Nausea To Attain, A Place To Being
*100 copies limited edition* First public release by Pittsburgh / WV area noise artist. Weird, tape-centric stuff. a f ish -- wears a hat, hiccup as usual, the expect ed ; uun til, some thing other th an.
Packaged in foldover bag with inserts and packing tape / xerox banderole affixed to tape
Sound & Company + Rosa Anschütz
Post city music from Sound & Company (Christian Stadsgaard + Hannes Norrvide) with Rosa Anschütz. Grey electronic palette accented by tenor sax contributions from Jim Slade.
Kenter
*2026 stock* Alessio Santini works with sounds and images. After playing guitars in obscure black and doom metal bands during nineties, and working on several electronic music IDM projects, he started a path of research on granular sound processing and audio-video interaction, from fifteen years now.
Kenter is an electric guitar + acoustic drums (both heavily manipulated), record. Big, raw, digitally distorted guitars are processed, re-processed, then processed again, leading to massive noise, t…
Shutsumin
Shutsumin, the debut recording from the generation spanning duo of Japanese legend Otomo Yoshihide, toggling between guitar and turntables, and rising saxophonist Kei Matsumaru, a native of Papua New Guinea, who moved to Tokyo after studying jazz at the Berkelee College of Music in Boston, where he's become a close collaborator of Eiko Ishibashi in addition to leading his own genre-defying solo projects. Both musicians casually ignore lines between jazz, experimental music, and noise, fashioning…
Bonjour L'Ambiance
Two live recordings : one in an old castle in the countryide, the other in the cave of a bar in Paris. Normally only available at gigs.
Pianoise
On Pianoise, Emmanuel Lalande turns the piano inside out: specially retuned instruments become broadband noise generators, and composition becomes subtraction, where the notes you don’t play carve harmonic negative space as vivid as the ones you do.
Strange City
On Strange City, Merzbow drags Sun Ra’s archival fire through a bank of howling electronics, turning rare Saturnian jazz fragments into towering, cosmic noise storms where horn blasts, rhythms and feedback fuse into a single, irradiated signal.