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Experimental /

Lahar
LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in…
ABSC / Dogpound
The Family Men’s ABSC / Dogpound is a raw, limited-edition 7-inch vinyl single released via Harmful Records in a run of 200 copies. It features two blistering tracks of weirdo Amphetamine Reptile-style rock from the Gothenburg experimental noise-rock…
"come on" e.p.
We have all been there at some point or another, maybe even last night. There are those moments when you are drifting into or out of sleep when it is hard to identify exactly what is real and what is imaginary. Time spent working through the hazy gau…
Casida De La Tierra Que Nos Dejan
*Limited edition of 50 copies signed by the artist* Casida de la tierra que nos dejan is a sound work by Marcelo Expósito composed of four pieces published on 7’ vinyl record. This work dialogues with the way in which the Italian musician Luigi Nono …
Drilling a hole without realizing its consequences
Beautiful bedroom noise from Malmø, Carrying the Swedish tape noise torch forward. Stripped down and restrained, but with a lot of depth to be found in the textures. Philip, who is behind the project also does the amazing label Sinkhole Editions.
Dried plum music for the grim reaper / gathering tiny traces
I’m very happy to present a split cassette of two of my favorite tape music artists from Denmark. A half hour of strange magnetic signals, unidentifiable voices, and all round textural bless. Too quiet to be noise, too gnarly to be ambient, but absol…
Black Tape II
Black Tape II is only the second widely available release by Ohkami No Jikan (The Time of the Wolf), one of the more esoteric groups of the 1990’s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet of Nanjo Asahito’s psy…
July, 2024, Montemor-o-Novo
Last year, Aires, Sã Bernardo, Sal Grosso & Vile Karimi inhabited the Blackbox at O Espaço do Tempo from July 3–6, part of CCA's curatorial project Jejum. Over four days, these artists and collaborators converge, creating shifting constellations of s…
On Beheading the Thalassocratic Vipers
Snapshots of an empire downfall black helixes elongated insectile forms a projection over the desert burning surface scimitar smiles through pillars of black smoke emerald shards lit night eyes that see all crosshairs obsidian steel ghosts haunting t…
Kachouzu
On Kachouzu, Merzbow compresses his late‑period harshness into four short movements, a 2×6″ lathe‑cut blast where metallic textures, searing feedback and dense midrange roar behave less like tracks than like successive cross‑sections of the same nois…
An Irish Almanac Of Noise & Experimental Music From 2025
Nyahh Records is delighted to present a collection of contemporary noise and experimental musicians from all across the island of Ireland. All crammed into this two disc set with wonderful artwork by Alan Doyle. This significant collection covers mul…
Gman+
Gman+ gathers some of the most elusive material from Merzbow’s 2011–2012 period and welds it into a single, punishing disc, four tracks that function as both archival rescue and self‑contained statement. The collection pulls together work originally …
Kotorhizome
Kotorhizome catches Merzbow in a phase where noise stops behaving like a vertical wall and starts acting more like an underground network. Recorded between 2011 and 2012 and released later as part of the Slowdown archive cycle, the album is built fro…
Bit Blues
Bit Blues sits in the middle of Merzbow’s Horizon cycle like a scorched signpost, three tracks cut from performances recorded at Munemihouse in 2011 and 2012 and later remastered in 2021. All the music is by Masami Akita, working with a small, intens…
Sugamo Flower
Sugamo Flower compresses a particular 2011 moment in Merzbow’s practice into two long tracks that feel like one continuous, mutating organism. Both pieces are sourced from performances recorded that year, later repurposed as material for “Sugamo Flow…
雲の絶対値 Kumo No Zettaichi
On Kumo No Zettaichi, Merzbow trades drum violence for a hall of hovering machines, two 2011 pieces where small drone boxes, oscillators, and minikoto threads knot into a dense but strangely weightless sky of electric weather. It is harsh ambient as …
Arijigoku (Test Mix)
On Arijigoku, Merzbow drags live drums and high-saturation electronics into the same pit, a 2008 vortex where blast-beat turbulence and molten noise spiral together like a ritual gone feral. It is harsh music with a striking sense of propulsion, less…
Yono's Journey
Yono's Journey invites listeners to travel through Akita's sonic landscapes, perhaps following an animal guide. Merzbow turns a 2007 home-recorded session into a three-part storm, where hyper-saturated feedback and low-end throb fold into each other …
Black Rome
The ominous title evokes fallen empires, decadent excess, historical weight. Rome - eternal city, center of classical and Catholic civilization - becomes "Black," suggesting inversion, corruption, death. Perhaps this is Rome during plague, Rome in as…
Electronic Union
Electronic Union suggests synthesis, merger, coalition - multiple electronic elements combining into unified sonic statements. These mid-2000s recordings demonstrate Akita's mature integration of diverse digital techniques, creating hybrid approaches…
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