*In process of stocking* 'Volumes II—Fiction Musicale et Chorégraphique is an ambitious, large-scale composition by the French double bassist/composer Benjamin Duboc for orchestra, voice, and physical movement. The composition unfolds in a long sequence of highly disparate parts, beginning with ambient noises and a spoken prelude before moving into more overtly musical passages. The orchestra commences with a sustained, droning chord marked by a slowly developing, internally unstable drift of pi…
In 2021, the international contemporary music festival Only Connect commissioned an interpretation from I Like to Sleep of the first movement of Olivier Messiaen’s Turangalila symphony. A project which initially led to a 15-minute piece performed at the festival, with the trio re-writing the music of Messiaen, but also rewriting the music of their own. Messiaen as a reference and compositional tool may be heard in the album for those really listening for references. With “Sleeping Beauty” the tr…
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
When in 1970 Jerzy Milian was developing his regular cooperation with the Berlin radio, which was launched a few months earlier by recording music for the television ballet “Rivalen”, he was at the peak of his creative possibilities. He could boast of three years of success with his own trio, along with cooperation with Gustav Brom and an ongoing adventure with the Belgian big band BRT. He also had an abundance of ideas and energy that could be devoted not to one, but two projects. In July 1970,…
*In process of stocking. 2022 stock.* Live in Sevilla, recorded and released in the year 2000, is arguably the finest document in this extremely prolific jazz quartet's catalog. If there's anyone who still believes that John Zorn is nothing more than an avant-garde screamer, look no further. The interplay between Zorn's alto and the trumpet of Dave Douglas is nothing short of amazing, and each one's soloing is focused and intense. Joey Baron and Greg Cohen are a fantastic rhythm section; Cohen a…
Crossing the Atlantic to meet in Belgium for the first time in almost six months, and going their separate ways less than twenty hours later, Masada’s concert in Middleheim was under pressure from the beginning. Reaching full-out intensity in the first thirty seconds of their very first piece, this is Masada at their wildest—simultaneously out of control and yet intensely focused like a laser beam. "I felt like a squirrel being dragged behind a Mack truck." — Greg Cohen. Beautifully recorded by …
*In process of stocking. 2022 stock.* The magical interplay and incredible virtuosity of this exhilarating trio of string masters has made it one of the most beloved and acclaimed of all Masada ensembles. Back now by popular demand for their first studio recording in over five years, their telepathic interplay and endless creativity had never been stronger. Ten more tunes from the rich and inventive Book of Angels featuring moody ballads, hypnotic grooves, intense burners and of course the trade…
*In process of stocking. 2022 stock.* In the early 90s, John Zorn surprised a lot of people, and considering that he was a composer known for sudden, drastic stylistic shifts and pummeling noise-improv, it was a notable accomplishment. However, rather than shock his audience with sonic terror, Zorn took an alternate route: he grew up. His original Masada Quartet was a markedly different project than he had ever been involved with before: although he'd recorded straight jazz sessions (News for Lu…
*In process of stocking. 2022 stock.* In 1993 John Zorn began composing and performing his 208 tunes that now comprise what is known as the Masada songbook. To celebrate the tenth anniversary of this, his most popular musical project, John Zorn has organized a series of CDs, featuring his most illustrious colleagues performing their own unique arrangements of these classics of modern Jewish music. This first release contains three guitarists whose styles are as varied as the compositions they pe…
*In process of stocking. 2022 stock.* Music for Violin Alone is the debut date as leader for virtuoso violinist Mark Feldman, who has performed as a sideman with countless musicians, in genres ranging from country to avant-garde jazz. Here he performs original, classically styled pieces that exude high drama. The violin arcs over small measures of time, plummets into hurt, soars back up into the air, then lands lightly spinning. Feldman bows out grit and texture with ribbed vibratos, and achieve…
*In process of stocking. 2022 stock.* One of the most versatile and active proponents of creative music, Karl Berger is a living legend who has been expanding the Jazz language since the mid-'60s. A pianist, vibraphonist, composer, arranger, conductor and educator of astounding energy and creativity, Karl has worked with many of the greatest names in New Music: Ornette Coleman, Don Cherry, Gato Barbieri, Anthony Braxton, Bill Laswell and countless others. Following up on his gorgeous 2010 releas…
*In process of stocking. 2022 stock.* The latest in John Zorn‘s second Masada songbook, the highly melodic and dynamic Book of Angels, the 10 songs on Alastor come courtesy of master composer and violist / multi-instrumentalist Eyvind Kang. Though Kang generally skews towards classical, chamber, and ambient, his take on Zorn’s hand-picked selections is a surprising and gorgeous collision of styles.
“Hakem” opens with synthesized accents and a strong Indian and Persian inflection—elements that re…
*In process of stocking. 2022 stock.* The first new studio recording in almost ten years by one of the most exhilarating ensembles in the ever growing Masada family. Together since 1994, their breathtaking virtuosity, extraordinary passion and telepathic interplay has increased over the years and now their performances set a new standard for excitement, concentration and commitment. Performing thirteen new compositions from Zorn's legendary Book of Angels, these three brilliant musicians, under …
*In process of stocking. 2022 stock.* As a unit, Masada was well-documented in live settings. Despite the ten studio recordings, there have been numerous double live concert outings from the quartet -- John Zorn, Dave Douglas, Greg Cohen, Joey Baron -- from all over the world, but until now, there has been scant opportunity to hear how Masada's sound (which came across as completely mature on their first studio date) was born and developed. This set, the band's first ever live meeting at the old…
** Carefully remastered. 4 page booklet with rare and unpublished photos ** In May 1972, the wave of anger and the thirst for freedom that had swept the world in 1968 arrived in Madagascar. The Malagasy youth took the opportunity to exile in search of a brighter future. Several of them, all jazz musicians and often polyintrumentalists, came to Paris with their afro hair and bellbottoms. Their names were Sylvin Marc, his cousin Ange "Zizi" Japhet, Del Rabenja, Gérard Rakotoarivony and Frank Rahol…
*In process of stocking* The trio Kalma Zolli Sinigaglia is coming out from the experiences of the duo “Scosse Elettriche” (Zolli-Sinigaglia) playing with other musicians like Trio Cavalazzi and Ariel Kalma. Riccardo Sinigaglia is a well-known Italian composer, electronic musician and improviser; he played keyboards and flute in groups like Futuro Antico, Correnti Magnetiche, Doubling Riders, and collaborated with many musicians in Italy and abroad. Davide Zolli has been the drummer of Italian n…
*Limited edition of 500 copies.* A group here that features some key members from the American avant scene, but whose standout member might well be pianist Oscar Jan Hoogland – who contributed two originals to the set, and whose work on the keys seems to really direct the energy of this session that features fresh interpretations of tunes by Herbie Nichols and Thelonious Monk! The setting is quite a different one for saxophonist Keefe Jackson, but he's superb throughout – blowing tenor and sopra…
"The group plays a ground breaking mix of psychedelic progressive rock, mesmerizing electronics, avant-garde classical and jazz improvisation. Effortlessly combines acoustic and electric instruments along with captivating vocals to deliver a fascinating set of adventurous musical pieces." - Progressive Rock Central The fifth album by this adventurous improvising rock group. This time round an expanded 8 piece version of the band improvised in the studio for two days in October 2019. These live r…
"This giddy avant pop affair is rather more avant than pop, with a large backing band of musicians steeped in the stylings of early 1970s psychedelia, mutant prog, free jazz saxophone solos, slinky blues (particularly on “Red White And Blue”) and moody spy soundtracks in the vein of John Barry’s score for 1965’s The Ipcress File. “Last Exit To Lublin” has a spoken word interlude in which the Cold War language of such films is remapped for the era of Brexit: “Papers, please/How long have you been…
Paul Dunmall the composer is to the fore here, delving deep into his musical history by providing a range of material that celebrates the breadth of his experience including aspects of jazz, funk and soul. The flexible ostinato based pieces are constructed around the unique musical personalities of the players; the first soloist on each track being the only preordained performance decision. Dunmall has always actively encouraged younger players and many of us have benefitted from Paul’s personal…
The extraordinary, powerful and characterful French singer Carla Diratz (described by none other than Robert Wyatt as "the soulful Ms Diratz") collaborates here with composers Martin Archer and Nick Robinson to deliver an extremely diverse set which runs from out and out prog through avant-rock to improv, electronic collage and modernist chanson - "Improg" is the name we've given to this mixed up school of music. Lyrics sung in English, French and Italian ultimately present a very personal view …
*2022 stock* Numerology of Birdsong is the second album by Somersaults, following on from their 2015 eponymous debut on Two Rivers. Olie Brice and Mark Sanders have been heard as a bass/drum unit with the likes of Paul Dunmall, Evan Parker, Mikolaj Trzaska, Rachel Musson and Ken Vandermark. Chatting about their very favourite saxophonists and what their ideal trio combination would be, they both agreed that they’d love to do something with Toby Delius, best known as a member of the legendary Dut…
*2022 stock. In process of stocking.* This is an outstanding hour or so of improvised music that beggars belief that this was only the second performance by this particular line up. The first was on 02/02/2020, and the first palindrome, and this concert 2 days later at Cafe OTO, with the second palindrome, and hence the title of this wonderful set. What is quite amazing is how such a rapport between four musicians can be created and cemented so quickly. Each free to add, comment or step up to le…
In 1952, Thelonious Monk, joined by Bassist Gary Mapp, Drummer Art Blakey and Drummer Max Roach, drove to an early iteration of pioneering Sound Engineer Rudy Van Gelder's studio in New Jersey, and entered a small and tightly-managed room that Van Gelder had strict technical rules for. In those recording sessions, and again in 1954, despite Van Gelder's tight management and an out-of-tune piano with tinny fidelity, Monk produced some of the most glorious music of his entire recording career and …
Following the releases of Kepos (2014 El Gallo Rojo Records) and Elpis (2020 Skirl Records), the trio featuring Zeno De Rossi on drums, Francesco Bigoni on tenor sax and clarinet and Giorgio Pacorig on piano is ready to release its third album This Is Always, out on April 22nd, 2022 on Hora Records.
Recorded live at the legendary Jazz Club Ferrara (aka Torrione), the trio renews a 10-year long fellowship. It literally becomes a collective; the fact should not be surprising, given the equal natur…
Pharoah ‘Farrell’ Sanders (born 1940) is a leading figure in the world of jazz and one of the last living legends with connections to players like Sun Ra and John Coltrane. His tenor saxophone playing has earned him royal status amongst free jazz players, critics and collectors.
Originally Sanders was interested in urban blues music, but his high school teacher exposed him to jazz and this took Farrell in an entirely new direction. Once completing high school Sanders quickly packed his belongin…
*2022 stock* Around Again - The Music of Carla Bley presents a collection of composer and pianist Carla Bley´s compositions in new interpretations by pianist Iro Haarla, bassist Ulf Krokfors and drummer Barry Altschul. While the recording continues the longstanding collaborations of Iro Haarla and Ulf Krokfors, it also introduces in the mix Barry Altschul, who originally recorded many of the featured compositions with pianist Paul Bley´s trio more than 50 years ago.
Following his trio debut ‘Triptych’ last year, trumpeter Matthias Lindermayr presents his duo record ‘Sequence’ with long-time companion and ECM Recording Artist Matthieu Bordenave on tenor saxophone. In contrast to its technical title, ‘Sequence’ is a very lyrical record, sacral at times. Like two figure skaters, the voices gracefully glide along and whirl around in perfect synch, always sensing where the other one is going. A fitting comparison also, as the recording session was equally exhaus…
Twenty years ago bass player Rafał Mazur started his journey in the improvised music world. From that time he became one of the key figures on the European scene and one of the most adventurous acoustic bass players in the world. From that time he played with such great improvisers as Laurence D. Butch Morris, Joelle Leandre, Barry Guy, Agusti Fernandez among others. Now we celebrate this jubilee by releasing the four-CD box set where Rafał invited to play the music of such fantastic musicians a…
Saxophonist, flautist Chip Wickham takes us to Cloud 10 with his most soulful and lyrical album to date Chip Wickham is a jazz musician and producer who divides his time between Spain, UK and the Middle-East and who has made a name for himself with a series of beautifully crafted solo albums that draw equally on the hard swinging spiritual jazz of Roland Kirk, Yusef Lateef and Sahih Shihab, alongside the music of British jazz legends such as Tubby Hayes and Harold McNair and the more contemporar…
Previously unpublished live recording, under exclusive license from the Horace Tapscott Family. The first opportunity to listen to Horace’s working quintet from the '90s! Includes a 16-page booklet with liner notes by the original producers of those recordings: Don Snowden and David Keller, photos by Warren Berman and some rare documents.
Heart of a Bird is an intimate collaboration between two kindred spirits, pianist/harpist Iro Haarla and bassist Ulf Krokfors. The music represents free improvisation within a compositional framework. The duo shares with the listener a beautiful, intense musical conversation, which reflects their own private feelings. On four tracks, the duo is joined by saxophonist Rasmus Korsström, adding another voice to the duo´s intimate sound. Heart of a Bird was composed in equal shares by Haarla and Krok…
Strings Revisited revives and revamps the sound of Strings, a now-classic recording of Henrik Otto Donner´s compositions by tenor saxophonist/flautist Juhani Aaltonen together with a jazz group and strings that was originally released in 1976 and has become one of the cornerstones of modern Finnish jazz. Strings Revisited was born from the idea of building on the music of the original album in order to create new music. Three compositions from it were recorded as new contemporary arrangements an…
Mother Tongue is the first recording of the Juhani Aaltonen Trio, founded in 2001. In addition to tenor saxophonist and flautist Juhani Aaltonen, the trio includes Ulf Krokfors on bass and Tom Nekljudow on drums. For this album, the Juhani Aaltonen Trio was recorded at Helsinki´s Kanneltalo during a concert held in fall 2002 towards the end of a nine-concert tour in Finland. The recording includes free-flowing improvised music principally based on compositions by Juhani Aaltonen. In addition to …
Despite the Covid-19 outbreak disrupting promotional and concert plans of the band Błoto, the three pressings of the debut album ‘Erozje’ have quickly sold out. Instead of leaving fans with old (recorded in 2018) material, the quartet decided to build the momentum and release the second album in 2020, entitled ‘Kwiatostan’ (‘Inflorescence’).
Marek Pędziwiatr has been part of the scene for over a decade now. He has gained recognition thanks to projects such as EABS and Błoto & Jaubi. Still, he has never emphasized his name through the prism of these bands, betting instead on collective work. The time has come now for Marek to present his debut album entitled Marianna, featuring him alone as Latarnik performing in a piano solo formula. Being sought after for years as a producer for other artists and as a composer and keyboardist for …
Since its first iteration in 1979, Vario has appeared in some fifty different versions, with a great variety of musicians, also actors, dancers, and filmmakers. It's the brainchild of Günter Christmann, a powerhouse of improvised music in Germany whose influence is out of scale with his acclaim. Since his emergence on the scene in the early 1970s, including appearances on classic FMP outings such as Rüdiger Carl Inc.'s King Alcohol (CVSD 032CD) and the eponymous Peter Kowald Quintet LP (CF 015LP…
*In process of stocking. Edition of 200.* Recorded live in Accord, New York, this recording stands not only as Notice Recording’s 70th album, but also the first release to document an event organized by Notice as well. June 6th was one of the hottest days of that summer, and the wooden platform on which the performances occurred was on the top of a small hill on Deer Creek Farm. Many sweaty trips up and down that hill carrying gear ensued. Luckily, the performance and audience space was nestled …
'Amiri Baraka (LeRoi Jones) spoke the truth (and the truth under his tongue was sometimes a hammer, sometimes an anvil, sometimes a sickle, sometimes just a breath or a blast). Baraka had no tongue in cheek. Sometimes he drew his language (his thought) and in the barrel of his language (his thought), there was the cartridge of criticism, the cartridge of ranting, the cartridge of analysis, the cartridge of sedition, the cartridge of poetry, the cartridge of music. Heroes Are Gang Leaders have th…