Jazz /
Andreas Røysum Ensemble With Marvin Tate
Norwegian clarinetist Andreas Røysum and the legendary Chicago-based poet / artist Marvin Tate met in 2023, when both were performing at Berlin Jazzfest. “Andreas Røysum Ensemble with Marvin Tate” is the fourth album by the ensemble, and contains the first recorded fruits of this meeting of visionaries. The new-found collaborators bring out the best in each other, reaching new levels of expression and purpose.
Dig into richly evocative and multi-layered poetry, expansive long form compositions a…
Convergence: Live In China
On Convergence: Live In China, William Hooker and John King turn a Shenzhen stage into a pressure chamber, stretching one unbroken hour of drums and guitar from whispering tension to volcanic release in a charged act of real‑time communication.
Four Ways
On Four Ways, Roscoe Mitchell joins Stephen Rush’s shape-shifting Yuganaut trio for an electrically unstable encounter, where reeds, synths and oddball acoustics melt into one long, multi-hued improvising organism.
Have No Fear
On Have No Fear, Von Freeman turns a 1975 marathon session into a fiercely personal manifesto, his elastic Chicago tenor pouring blues, bravado and vulnerability into performances that sound both off‑the‑cuff and obsessively shaped.
Spontaneous Music Ensemble
On this meeting with the Spontaneous Music Ensemble, Bobby Bradford steps into John Stevens’ London laboratory and, alongside Trevor Watts, Julie Tippetts, Bob Norden and Ron Herman, turns free improvisation into a fiercely alert, shape‑shifting chamber music.
Live at Yoshi's 1994
On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.
Numbers 1&2
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.
Sleep
Italian saxophone, cornettophone, and bansuri flute player Gianni Gebbia makes his debut on Minority Records with Sleep, released on LP and Bandcamp on May 1, 2026, the same day that marks the artist's 65th birthday.Sleep can be considered an introspective and ambient meditative work, whose structure does not correspond to traditional jazz compositions, but rather consists of extensive improvised hypnotic soundscapes without precise boundaries, using soprano saxophone and cornettophone with elec…
Orbital
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
The Straight Horn Of Steve Lacy
Originally released in 1962 on Candid Records, The Straight Horn of Steve Lacy finds a young Steve Lacy stepping forward with quiet confidence and a sound unlike anyone else at the time. Stripped of excess and focused on tone, space, and intent, these sessions reveal a musician already thinking beyond convention. The soprano sax cuts clean and direct, moving between sharp angles and lyrical calm, with a small group that listens as closely as it plays. Nothing here feels rushed or ornamental, jus…
Bête noire
*100 copies limited edition* Trombe's fourth album, 'Bête Noire' (2026), is a tribute to all those wild boars that tear up the countryside, slaughter sheep, and are chased and killed by bizarrely clad figures in orange vests, armed with rifles... Beware of the line of cars parked in a herd along country roads, because they're there, prowling. Don't meet their gaze, or you'll be petrified... In fact, I know some people who had to change their mode of transport after a collision with the beast... …
Half of What You See
*100 copies purple vinyl limited edition* Out Of Your Head Records announces the latest chapter in creative music: 'Half of What You See' by Wrens, a bold new contribution to the label’s tradition of boundary-pushing artistry and limited-run releases. Continuing their dedication to inventive sound and visual originality, Out Of Your Head Records—spanning Richmond and Brooklyn—invites listeners into a world where sonic textures and emotional immediacy collide.
'Half of What You See' showcases Wre…
Everything Is Space
The legacy of Afro-Futurist jazz pioneer Sun Ra continues with a first ever vinyl issue of fan favourite "Everything Is Space," on limited 7” vinyl.
Vesper Sparrow
The work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility. The Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, incl…
DLW: Live at Salle Cortot
Bastille Musique presents its thirty-eighth release »DLW: Live at Salle Cortot« featuring world premiere recordings by Dell-Lillinger-Westergaard. The live recordings were made between 2023 and 2025 at venues such as Salle Cortot (Paris), Resonanzraum (Hamburg), Orangerie Theater (Cologne), Elbphilharmonie (Hamburg) and Paul-Robeson-Studio (Berlin) and document the development of Dell-Lillinger-Westergaard’s repertoire during this period. In addition to the recordings produced by bastille musiqu…
Black Suite
Belonging to an incredible, audiophile reissue initiative dedicated to the seminal Jazz Actuel series - one of the greatest depositories of 1960s free jazz - at long last we're gifted one of the greatest of them all: the first ever fully authorized reissue of Jacques Coursil's towering 1971 LP, Black Suite, fully remastered from the original 1969 analog master tapes. Featuring an all-star line-up of Anthony Braxton, Arthur Jones, Burton Greene, Beb Guérin, and Claude Delcloo, it has long remaine…
Ready For Freddie
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
Breaking Point
** Special Time-Limited Offer ** Despite having performed on several of the most revolutionary avant-garde jazz records of the 1960s, including Ornette Coleman’s Free Jazz and John Coltrane’s Ascension, Freddie Hubbard’s own albums tended to hew closer to the mainstream. Perhaps no other single album captures the trumpeter’s awe-inspiring breadth of ability and versatility than Breaking Point!, which was recorded in May 1964 shortly after Hubbard had departed Art Blakey’s Jazz Messengers in orde…
Spring
** Special Time-Limited Offer ** Tony Williams Spring represents the drummer-composer at a crucial moment in his artistic trajectory. By 1965, Williams had already participated in landmark Blue Note sessions - Herbie Hancock's Empyrean Isles, Eric Dolphy's Out To Lunch, Andrew Hill's Point Of Departure, Jackie McLean's One Step Beyond. Despite barely being in his twenties, he had already established himself as a musician capable of listening at the highest level, responding to ensemble dynamics …
Life Time
** Special Time-Limited Offer ** On Life Time, Tony Williams upends expectations of a drummer’s debut, convening shifting ensembles that include Sam Rivers, Bobby Hutcherson, Herbie Hancock, Ron Carter, and Gary Peacock. Rather than a showcase of drum solos, the album is a series of explorations in texture, space, and form. Williams’ playing ranges from explosive to whisper‑soft, but always with an acute sense of placement: each cymbal stroke, roll, or accent is structural, not ornamental. The o…