Jazz /
Our Thing To In ’N Out
Joe Henderson Our Thing To In ’N Out Revisited notes: The Blue Note label in the early and mid 1960s was a haven for musicians engaged in the process of expanding the jazz vocabulary with unconventional harmonic strategies and new compositional infrastructures that elicited equally exploratory improvisational responses. And it was an ongoing process, benefiting from the sporadic, albeit calculated, interaction of different perspectives and methods of creative inspiration. Established or working g…
Die Unwucht
Big Tip! As poets from Shakespeare to Heine have recognised, “the forest” is not just about grandeur and most expansive of gestures; it is also about intimacy and there is a remarkable intimacy to Christopher Kunz’s and Florian Fischer’s music. The forest is both inhuman, wild, and, because it houses us and to a degree depends on us, profoundly humane. You’ll find these qualities here as well. Focus, breathe and listen. (Brian Morton)
In The Shadow
Joe Maneri’s last Microtonal recordings from the year 2002. These are not typically arranged songs, but asymmetrical, asynchronous constructs that develop from simultaneous, complimentary but peripheral gestures of the mind and heart. The harmonic contrasts that result from Joe Maneri’s breathy microtones; the fixed pitches, inclining towards atonality, of Tyson Rogers’ piano; and Jacob Braverman’s ambiguously scored percussion color their contrapuntal angles and parallel lines. Layers of energy…
Dorgon Y Su Grupo
2025 stock ** "Released not recently for the underground 'Jumbo' Dorgon y su grupo will make us discover and feel no longer a solitary and difficult Dorgon or immersed in impromptu and meticulous 'two-up' experiences. Accompanied and supported for the occasion by Curtis Hasselber (guitar and trombone), Ted Reichman (accordion), his partner Laura Cromwell (drums) and Matt Moran (vibes), this phantasmagoric figure of 'metropolitan minstrel' will confirm his multifaceted soul and desire to push him…
Kouartéto
"We recorded this CD in May 2023 on the magical Greek island of Hydra in the Old Carpet Factory Studio. The title Kouartéto emanates from the cover image by the artist William Pownall who in the true spirit of Hydra has for many years been an important focus for visitors seeking original artistic creations. And so, in this spirit. The music on this CD reflects a multifaceted response to a multicultural and open understanding of how artists can work together.
Every project involving these four cr…
Attikos
*2025 stock* "A “meeting of spirits” between Greek singer Savina Yannatou and legendary free jazz bassist Barry Guy recorded live in Amsterdam, May 2010, where they performed at the famous Bimhuis Club. The music consists of free improvisations and a composition by Barry Guy, alongside two traditional songs arranged by Savina Yannatou and Barry Guy.The architects Ilya and Emilia Kabakov imagined a vertical opera space of several floors to be built within a cooling tower at the Zollverein Collier…
Evil Season
2025 repress The bass, that metronome that marks the time for musicians of every style, of every era, that secluded, silent, but essential character for a band. Without the bass, the music would be deflated, the heart notes would leave a wasteland of rowdy high frequencies without any rules. But bass players who have character can elevate those low frequencies and even make them loud at times. Who knows if free jazz, if we want to call it that, is exalted by the Arabic background, those semitone…
Frequency Equilibrium Koan
Frequency • the rate at which a vibration occurs that constitutes a wave, either in a material (as in sound waves), or in an electromagnetic field (as in radio waves and light). Equilibrium • a state in which opposing forces or influences are balanced: a calm state of mind. Koan • a paradoxical anecdote or riddle, used in Zen Buddhism to demonstrate the inadequacy of logical reasoning and to provoke enlightenment. Many, many, years ago in a once enchanted place they called The Big Apple, New Yor…
Introducing A Very Heavy Person, First Visit
First visit to the audio equivalent of a graphic novel.
Prophecy Live, First visit
First visit live offers new mastering of the trio’s first performance at the cellar cafe, New York City 1964.
What Happened There?
An electrifying 1st-time meeting between guitarist Keiji Haino and trumpeter Natsuki Tamura, captured live at Tokyo's Shinjuku Pit Inn, where the duo shape an unpredictable set that veers from reflective stillness to wildly passionate outbursts, their extended techniques and visceral vocals — sometimes urgent, sometimes outrageous — fueling an exhilarating and uncompromising sonic adventure.
Sun Song
Sun Ra's debut album, released in 1956, catapulted Sun Ra from the Chicago jazz scene to become a darling of the underground scene. This important album featured star players such as John Gilmour!
Prison Planet
*Edition of 100, comes in hand-numbered jacket with bag* "The Chicago collective trio of tenor saxophonist Gerrit Hatcher, Lebanese bassist Eli Namay and drummer/percussionist Bill Harris are captured live at Chicago's The Whistler in the summer of 2019 for two extended and exploratory improvisations, showing both technical mastery and a curiosity for new modes of expression through inspired and intuitive conversation." - SquidCo.com
The Good Instinct of the Morning
*Hand-numbered edition of 300. Digipak in resealable poly-bag* The Gerrit Hatcher Group—featuring Gerrit Hatcher (tenor sax), Katie Ernst (bass), Ben Lamar Gay (cornet), Keefe Jackson (tenor sax), and Julian Kirshner (drums)—delivers an electrifying blend of free improvisation and avant-garde jazz. Their latest release, The Good Instinct of the Morning, showcases their bold, spontaneous creativity and masterful technique. Hatcher and Jackson drive the melody with expressive, ever-shifting saxoph…
Burnt Pan Rolling Boil
*Hand-numbered edition of 300. Digipak in resealable poly-bag* "Tenor saxophonist Gerrit Hatcher's latest solo recording – I believe it's his third solo document - is also the first title available from his new label, Kettle Hole. While he oversees a fairly prolific output, he's not into overkill. The CD's total time is under 30 minutes & it is limited to 300 numbered copies. Time is tight; copies are limited. Nothing is wasted. Economical and sharp." - The Free Jazz Collective
Shifa - Live In Oslo
*2024 stock* ‘Live in Oslo’ is the sophomore album from Shifa, the outstanding UK trio featuring pianist extraordinaire Pat Thomas, celebrated saxophonist Rachel Musson, and sonic transcendent drummer Mark Sanders. The group derives its name from the Arabic word for healing and the music they make aspires to do just that.
This album follows their acclaimed, Downbeat 4-star debut ‘Shifa Live at Cafe Oto’. Listen to ‘Shifa Live in Oslo’ and discover contemporary master musicians celebrating the mo…
Zlatko Kaučič @ 70 Inklings
If it can be said of someone that he is more than a musician, more than an improviser, more than an artist then it can certainly be said of Slovenian drummer Zlatko Kaucic. Zlatko is a good spirit, he is a man who not only goes down in musical history as a partner of the greatest artists of improvised music, but also as a good spirit. As someone who, when he plays and when he enters a room, the world becomes brighter, wiser and arranged as it should be. This year Zlatko Kaucic turned 70 and his …
Endless Season
The ultimate cosmic music has arrived! Prepare to be gently led into an invigorating electronic dreamscape by a skillfully creative partnership. Despite collaborating since 2016, Endless Season is the first duo album from 577 Records Co-Creator (and legendary maestro), Daniel Carter, and rising tenor saxist Ayumi Ishito. Originally recorded as an acoustic set, the plan changed when Carter encouraged Ishito to explore audio production. Before they knew it, she had shaped beats and sounds that per…
Furthered
"Furthered" is the new album by Alex Ward Item 4. The quartet's music is the fullest realization of Ward's long-standing desire to create a context where his compositional concerns can coexist with improvisation of the most unfettered stripe. Given a line-up which would be perfectly capable of creating compelling music without recourse to pre-written elements at all, Ward's compositions aim to function as another "personality" within the overall mix, subject to the same spontaneous interrogation…