We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
The wait is finally over for collectors and progressive rock enthusiasts: the timeless masterpiece Transiberiana by Banco del Mutuo Soccorso is back on vinyl in an extraordinary new edition that redefines what a deluxe reissue can be.
The newly launched label Vinyl 777, specializing in high-end deluxe productions and unique packaging concepts, proudly presents this landmark release in collaboration with 3D Music Covers, the world leader in innovative 3D lenticular artwork for music. This is a c…
Audion 73 is where Audion Magazine’s global circuitry really starts to glow. First published on 3 March 2023 as a 48‑page A4 pdf, the issue threads book criticism, deep historical reappraisal and present‑tense scene reports into one restless survey. It opens, fittingly, on the printed word with “A Fistful of Spaghetti” - an extended book‑review section that uses recent titles on Italian cinema, music and counterculture as a prism, talking through how giallo soundtracks, spaghetti western scores …
Audion 70 catches Audion Magazine in full investigative mode, tracing unlikely connections between avant-garde improvisers, 1970s label culture and the latest mutations of progressive rock. At its core is a substantial feature on AMM / AMMMusic, treating the ensemble not as a distant academic reference but as a living fault-line in post‑war sound. The article unpacks how AMM’s radical non-idiomatic improvisation, tape abuse and volume-as-material approach rewired the language of collective playi…
Audion 69 opens on a sustained chord of Italo-symphonic grandeur and slowly fans out across Europe’s most fertile borderlands, using a handful of key case studies to prise open the archive. At its centre is an extended feature on Banco del Mutuo Soccorso, here framed unapologetically as “the Italian masters of classical rock” during their 1970s peak. The article doesn’t simply rehearse the usual praise quotes: it walks album by album through the original run, unpicking how Banco welded conservat…
On Banco, Banco Del Mutuo Soccorso refine their baroque, hard‑charging Italian prog into a fiercely lyrical epic, where Francesco Di Giacomo’s operatic voice rides labyrinthine suites of piano, organ and guitar that feel both fiercely intellectual and wildly emotive.
On Un biglietto del tram, Stormy Six turn the Italian Resistance into living song, nine pieces where folk‑rock, progressive detail, and militant clarity fuse into one of the sharpest, most moving political albums of the 1970s.
On Felona E/And Sorona 2016, Le Orme revisit their classic sci‑fi concept with a contemporary studio language, stretching the tale of twin planets into a more spacious, synth-forward sound that drifts between nostalgia and quiet reinvention.
Monitor, the 1981 solo album by Gianni Leone (Leonero), stands at the crossroads of Italian New Wave and progressive rock, offering a singular listening experience that both anticipates and transcends its era. Conceived in California following Leone’s transformative years with Balletto di Bronzo and his ventures in New York, this release embodies a synthesis of transatlantic influences and personal artistic exploration.
Stormy Six, trailblazers of Italy's progressive music scene and founding members of the renowned Rock in Opposition movement, proudly announce the reissue of their iconic sixth studio album, “L'Apprendista”. Originally released in 1977 and recorded at Milan’s famed Ariston Studios between April and May that year, this pivotal record marked a turning point in the band's artistic journey.
Renowned for their eclectic influences, Stormy Six forged an entirely new sonic direction on “L'Apprendista,” …
‘Get Ready’ by the Richard Last Group is one of the rarest LPs from the golden age of Italian progressive rock, originally released in a genre-changing 1972, both in Italy and internationally. Born in Milan in 1969 as Duu Duu, they became Richard Last Group two years later, when singer Maurizio Calò joined the line-up, later calling himself Richard Coley.
‘Get Ready’ is the only album released by the group, which, due to numerous line-up changes that also occurred during the recording of the alb…
2025 Stock. Limited to 500 copies, hand-numbered. Gatefold cover, textured sleeve + printed inner. This album comes with a bonus DVD featuring an audiovisual live performance at OUT OFF, Milan 1976. Milestone reissue! This work was realized in 1976; Cramps Records would have to publish it, but "Mirage" sank into the oblivion for 36 years. It's visionary as always; it has got a psychedelic attitude and an electronic expressive form. Thanks to its sensitiveness, its creativity, and its very good a…
Delirium formed in 1970 in Genoa from the ashes of the beat group I Sagittari and released the following year their first 45 rpm “Canto di Osanna,” which immediately attracted the attentions of critics and public alike. In 1971 they debuted with “Dolce Acqua,” an album with wonderful atmospheres that already from an iconographic point of view is exceptionally presented, with a three-panel gatefold cover and a visionary painting among the most memorable of the Italian progressive rock scene. Musi…
New reissue in jewelcase cd format. The origins of the Genoese band Garybaldi date back to 1965, the year in which guitarist Pier Niccolò "Bambi" Fossati, together with Maurizio Cassinelli (drums), Angelo Traverso (bass) and Marco Zoccheddu (guitar), founded the Gleemen, authors of a self-titled LP released in 1970: an excellent album, still linked to certain 1960s sounds, but in which Bambi Fossati's Hendrixian style began to make itself heard. In 1971 the band changed its name to Garybaldi and…
Sicilians Flea debuted in 1971 under the name Flea on the Honey and an album indebted to the British pop-psych scene. Their ranks include brothers Agostino (drums) and Antonio Marangolo (vocals and keyboards), Carlo Pennisi (guitar, vocals) - all future members of the legendary Goblin! - and Elio Volpini (bass, vocals, saxophone), the latter later merged into L'Uovo di Colombo.
If the debut album can be considered at least partly immature and derivative, however excellently produced and structur…
Hailing from Milan, the Alusa Fallax were born in 1969 out of the Adelfi, and released their first single in the same year, followed by a second shortly thereafter.Also in 1969, one of the two Guido in the lineup released a 45 under the name Guido degli Alusa Fallax ("Guardarti negli occhi" for the West Side).
The group stayed together for many years, and their only album was released in 1974 by Fonit; a beautiful album, which went sadly unnoticed, in the best tradition of Italian progressive ro…
Hailing from the city of Ancona, Agorà was founded in 1974 and, thanks to a simple demo, managed to capture the attention of the organizers of the legendary Montreux festival (which many will remember for the famous fire that inspired Deep Purple's "Smoke on the Water"). Their technical skills enabled the group to arrive prepared on stage at the event, and to perform an outstanding performance immortalized in this historic LP, which also constitutes the first case of an Italian band's recording …
CD sized paper sleeve album replica, with obi-strip and insert of notes mostly in Japanese. The album was recorded at the Catoca studio in Rome in a week, under the name of Etna, and contains some absolute pearls of Jazz Rock, with completely personal and absolutely Mediterranean flavors and musicality. The album is a perfect blend of rock, jazz, funky, free, played with great technique and vituosity, with many references to Bitches Brew era Miles Davis and early-70s Soft Machine
In this album y…
2022 Repress. "One of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s." - Chris Cutler. "Picchio dal Pozzo can be considered as the definitive 'Canterbury' inspired band, coming from Italy's 1970s progressive rock scene. Their 1976 debut album shows an incredibly rich sound texture, made out of some peculiar musical ingredients. Oblique tunes and liquid harmonies, airy flutes, crispy horns, loads of electric piano, fuzz bas…
Yellow vinyl / 180 grams, limited and numbered edition 300 copies. Following the tragic passing of the legendary Demetrio Stratos in 1979, the band Area wisely chose to forgo vocals (save for a few backing harmonies) on this album, as no one could ever replace the "maestro della voce". While this instrumental album may not push boundaries like its predecessors, it showcases a commendable blend of talent, with each musician shining brightly, particularly the remarkable bass work by Ares Tavolazzi…