Derek Bailey

One of the most important musical partnerships in English Free Improvisation was the duo of Tony Oxley and Derek Bailey. Their long standing friendship began as early as 1963 with the group Joseph Holbrooke (including composer/bassist Gavin Bryars) and lasted over forty years. These recordings were created in the studio in 1975 and catch them at their peak. Also included is Oxley’s touching tribute to Bailey, a dynamic new piece for electronics and percussion recorded live at the recent Bailey t…

Derek Bailey - guitarSabu Toyozumi - drums Recorded live on November 2nd, 1987 at IMAI-Tei, Fukuoka City, Japan by Hidenobu EharaConcert produced by Masahiro TomiokaMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhoto by Yumi Mochizuki at Taruho Jazz, Yamato CityCover art by Sabu Toyozumi

Originally released by Confront in 2013 on compact disc as The Complete August 15th 2001. Now freshly remixed and remastered in 2023 for release on a delux double 180g white vinyl LP set and digital. Recorded at Sound 323, London by Tim Fletcher on 15 August 2001

2023 Much-needed Repress. Finally reissued, one of the key recordings in the development of free improvisation and originally the first release on Incus, the label founded by Evan Parker, Derek Bailey and Tony Oxley to document the music. Outstanding deluxe vinyl edition of one of the most iconic free improv LP ever made, a landmark album in the British avant garde.Liner notes by Evan Parker (for the 2014 re-issue):‘The Topography of the Lungs’ was the first recording I made as a "leader" - in t…

Frozen Reeds is proud to present the only recorded duo playing of two legendary musical figures. “This is one of those moments that we’re always hoping for, and it's so rare. And it's so hard to talk about, because it's so beautiful. It's like you're seeing some new species of plant that you never knew existed or something.” – Bill Frisell

*2023 stock* In the history of free improvised music, there has been arguably no greater advocate for the idiom’s power and potential than the English guitarist Derek Bailey. Fiercely principled, between his emergence during the 1960s and his death is 2005, he cut a wide path, positioning this music at the height of creativity, transpiring in real time, and a means through which people from diverse background could come together, express, and commune. For Bailey, “playing is about playing with o…

2026 Repress. Mega-Tip! Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint. The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic…

*Limited edition of 400 copies.* Recital is thrilled to publish an album of lost Derek Bailey sessions recorded with his friend and collaborator Charlie Morrow. In 1982, Bailey and Morrow organized a series of live concerts and studio sessions around New York. This new LP is a boiled-down rendering of the master tapes that lived dormant in Charlie's archive, until now.  Throughout the album, Bailey and Morrow are joined by a rotating cast of New Wilderness players including frame drum percussion…

**2025 Stock. Very last copies** A Monumental 52 CD + 2DVD + photo-book box (Every box is numbered and unique because Han Bennink himself painted each copy by hand! ) to celebrate 45 years of Instant Composers Pool - and worldwide delivery is included! "Improvisation is like daily life... like crossing a street" - says Han Bennink. The ensemble of the Instant Composers Pool, or ICP, improvises for 45 years now on the highest level. "These guys can swing like madmen and then all of a sudden play…

* Limited LP reissue, and the first time the album has been in print on vinyl since its initial release* Our swimmer presents a reissue of Misha Mengelberg's Groupcomposing, recorded in 1970 and originally released in 1978. Comprised of a one-time international free music supergroup, and originally released as the sixth production on pianist Mengelberg and drummer Han Bennink's ICP label, Groupcomposing has been largely absent from the history books. This is the case because the record has been …

** 2021 Stock ** Entropy Stereo Recordings presents Dynamics of the Impromptu by Derek Bailey, John Stevens and Trevor Watts. These pieces run the gamut from whispery low key musings through enraging or boisterous call and response. The moods constantly shift and evolve as Watts, Bailey and Stevens purvey musical structures that defy logic. Emotions flare up as in "Impromptu Dynamics #6". Arguments or debates are imminent. The sensibilities of unity and collaboration resurface as the music seems…

Bristling with tension and remarkable restrained interplay, encountering both players at the top of their game, No Business’ latest LP, Live at FarOut, Atsugi 1987, a never before issed duo between Bailey and the Japanese saxophonist, Mototeru Takagi, is easily among the best documents of free improvisation we’ve heard all year.

A rare 1979 duo of Derek Bailey with multi-reedist Tony Coe, who sticks to clarinet. The press hears a shared debt to Webern behind the free playing, in tight clusters of fixed pitches.

A 1982 New York studio session that pairs Derek Bailey with Brazilian percussionist Cyro Baptista and his cuica, surdo and berimbau. Polyrhythms and traces of samba meet a guitarist who declines the bait.

In May 1977 Derek Bailey gave me a press ticket for Company Week - a series of concerts of improvised music in London. I made some notes at the time, but there seemed to be nowhere suitable to publish the extended commentary I eventually produced. So I wrote it into a dummy book and it to Derek. Most of it is reproduced here." Peter RileyOriginal copies of this rare and invaluable document, published in 350 copies

Corbett vs. Dempsey presents a reissue of Misha Mengelberg's Groupcomposing, recorded in 1970 and originally released in 1978. Comprised of a one-time international free music supergroup, and originally released as the sixth production on pianist Mengelberg and drummer Han Bennink's ICP label, Groupcomposing has been largely absent from the history books. This is the case because the record has been so unavailable, certainly not as a comment on the magnitude and magnificence of the music. With i…

Derek Bailey's 1980 solo acoustic guitar masterwork, reissued on vinyl for the first time. Two unreleased solos recorded for Charles Fox's Jazz in Britain on BBC Radio 3 in the same months are added.

Derek Bailey and Jamie Muir, the percussionist who left King Crimson after Larks' Tongues in Aspic, recorded in 1981. Consistently thrilling, often very funny, and not easy listening.

Recorded in Liverpool back in 2003, this improvised performance unites two of the UK's foremost improv exponents (Tony Bevan and Paul Hession) with two pioneers of modern free music, the multi-talented guitarist, turntablist and noise artist Otomo Yoshihide and the late, great Derek Bailey.The performance shuffles into first gear during the speculative, tentative first throes of "No Hiding Place/Softly Softly", establishing a ruthlessly abstract sound world from the outset, only to tighten up sl…

Derek Bailey and Anthony Braxton, recorded in 1974 at the Royal Hotel in Luton. Volume 1 appeared in 1984; the planned second volume is issued here for the first time, remastered by Rashad Becker.

Following on from the re-issue of Topography of the Lungs, Otoroku is proud to follow up with another legendary free-improvised document, this one from the duo of Derek Bailey and Evan Parker, originally released on the INCUS label in 1975. "The London Concert is one of those rare recordings that capture musicians at a special moment of confluence, a moment when procedures are proving fruitful and before practice has hardened into dogma, when different visions are not yet turned into position pa…

Derek Bailey and Han Bennink in London, 1972, a blueprint for generations of free improvisers, paired with an equally combative session from the year after. Mal Dean's sketch of tussling vegetables is on the cover.

Factory pressed double CD in printed triple panel Ekopack cardboard sleeve. Derek Bailey : guitar. Simon H. Fell : double bass. Will Gaines : tap dance. Mark Wastell : violoncello. Recorded live at The Klinker, London on Thursday 24th August 2000. Compèred by Matt Scott. Original DAT recording by Tim Fletcher.Mixed and mastered by Simon H. Fell. Produced by Mark Wastell. One of the special qualities of improvisation is the array of responses musicians and performers have to the environment …

Derek Bailey's second solo LP on Incus, from 1974, remastered. It includes a side-long piece for his stereo electro-acoustic guitar set-up, recorded on 13 May that year after a first visit without the guitar.

Derek Bailey and cellist Tristan Honsinger in a duo first issued on Incus in 1976, newly transferred from tape at Abbey Road and remastered by Rashad Becker. Honsinger's voice leans toward slapstick.

Derek Bailey's first solo album, recorded in 1971 for Incus, expanded with extra tracks from earlier reissues and a 1972 performance at York University. The cover montage was shot in the guitar shop where he worked.

Derek Bailey, solo guitar. Recorded on 22 June 1991 at approximately the times indicated.

Outstanding!!! A huge document of this incredible year in jazz in Germany – a time when free styles were breaking out all over, alongside some of the groovier styles of the MPS scene as well! This beautiful box documents the 12th German Jazz Festival in three different concerts – amazing music that really shows the transformation that was taking place at the time – and which is still revolutionary all these many years later – making for a listening experience that makes us feel like we're hearin…

When you contacted me about the duos, I thought there is nothing more original than playing with a dead person […] which is curious because Derek Bailey is very much alive, especially when we hear his voice and I feel he's sort of sitting here, in the studio, and he's waiting for me and I'm waiting for him and we're not quite sure what's gonna happen. „Derek and I always wanted to do a duo recording together and we never quite managed that. Within the later years that we were trying to set somet…

Their earliest meeting on record - the complete London (Wigmore Hall) concert (organised by Emanem), featuring them both at the top of their form. Highly acclaimed by both enthusiasts and critics. Reissue of 4006 which contained the concert section of Emanem 601. "These twelve duets between African-American avant-gardist Anthony Braxton and Brit Derek Bailey are remarkable for several reasons, not the least of which is that this is the first recording of these two seminal figures performing in t…

Awesome collective improvisation. "The fundamental tension between freely improvised music’s momentary existence in performance and the monumentalizing impact of media becomes more nuanced with each new delivery system. While MP3 files lack the totemic mass of box sets of discs, they nevertheless have a compensating spectral power. The rise of the archival recording compounds this tension, particularly when one is proffered to be the long-missing puzzle piece that completes the picture of how an…

Derek Bailey: acoustic guitar. Simon H. Fell: double bass. This is the full recording - freshly remastered - of the 2001 duo gig, an excerpt from which appeared in 2002 on a long-deleted Sound 323 mini-CD which was voted a record of the year by The Wire magazine. Here at last is the full performance in all its exhilarating acoustic power; an unplugged (but very intense) set from a hot and summery Wednesday afternoon, recorded in the basement of Sound 323 in London by Tim Fletcher.

A much-needed reissue of Derek Bailey's 1978 2-CD Japanese release on the Morgue label, the first disc a series of studio improvisations and the second presenting two live performances in Nagoya and Kalavinka.Recorded and originally issued in Japan in 1978, the contents of this two-disc set quickly became something of a collector's item as the album quickly went out of print. Happily, the master tapes were reacquired for release on Incus in 2002, providing further documentation of a rich portion…

Guitar, Voice - Derek Bailey, Eugene Chadbourne. Recorded 2-1-1995. Released by Rectangle, a Jazz and improvisation music label from Paris.

Derek Bailey, electric guitar. Pat Thomas, keyboards. Steve Noble, turntables. Recorded at Moat Studios, London, August 1997.

Recorded 31 March 1983 at Woodland Pattern, Milwaukee, Wisconsin, USA. 'This was a cassette not officially released on Incus or any other label. It was sold by Derek Bailey at concerts. For a short period in 2010 original copies were sold via the Incus website. Now released on CD & Cassette, restored and transferred from the original cassette. The back story : In 1983 Derek Bailey was due to visit Japan for a concert tour and decided to take with him, for sale at the concerts, a cassette …

John Butcher and Derek Bailey first played in duo around 1989, at London's Red Rose Club. Butcher then took part in the 1990 & 1992 (London) and 1996 (Vancouver) Company weeks. Various other playing situations materialised in the 90s, ranging from Saturday afternoons at the Oasis Wine Bar in Hackney, to a quartet with Robyn Schulkowsky in France, and a trio with Joelle Leandre at Tonic in New York in 2000.A comparatively long lived grouping was with tuba player Oren Marshall - which relea…

UK free jazz guitar icon in unreleased solo material remastered from the original reel-to-reel recordings recorded in London, 1974, Bailey playing mostly electric guitar.  Previously unreleased recordings, remastered from original reel-to-reel tapes. The music on this CD came to light when, during preparations for the reissue of Derek Bailey's Lot 74 - Solo improvisations (incusCD57), Karen Brookman discovered tow reel-to-reel tapes stored along with the original album masters. They turn out to …

Legendary guitarist derek bailey has plied his wholly original brand of free improvisation for over three decades. these live recordings of bailey's 1980 'accompaniment' to japanese dancer min tanaka, previously available only on a privately-released cassette, amply document bailey's command of a highly individualized atonal language. "rain dance" is the work of a remarkable ensemble: bailey's ringing tones, tanaka's percussive movements, rumbling thunder, a downpour, and the patter of rain drip…

'Featuring Derek Bailey on electric guitar and Steve Noble on drums & cymbals. Recorded in a London studio in February of 1999 and not released until now.'