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"Heimoror" is the übertitle of Rudolf Heimo Eb.er’s audio-working period 2021/22. Most of the source material, documents of obscure and psychomagick acts, were recorded at the attic of the old, but newly inhabited, Om Kult farmhouse near Osaka, Japan. Combined with Rudolf’s organ and violin playing and often edited by the use of monaural cassette recorders and analogue filters, the recordings reflect these grim, animistic-shintōid events and deranged lo-fi rituals commited.
The "Heimoror" works …
** mini LP replica with obi & Japanese insert ** At the end of the ‘60s in Italy – but also abroad, especially in France and England – a very particular trend began to spread, that one known as ’Library music’ or ‘sonorization’: as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult…
** mini LP replica with obi & Japanese insert ** Giuliano Sorgini is one of the most mysterious composers of soundtracks and sonorizations, the latter being a particular line of music compositions created specifically for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films; these are works made in total artistic freedom, without limits imposed by a specific musical genre.Sorgini's name is linked to a wide series of records and music w…
** mini LP replica with obi & Japanese insert ** Masterpiece!!!!!! An unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages that are in full-bloom here. "In December 1973 the recordings of the soundtrack for 'L'Uomo Dagli Occhiali A Specchio' took place in the historic Fonorama Studios. This is an album that c…
** mini LP replica with obi & Japanese insert ** The Psycheground Group has been a completely mysterious band for a very long time, about whom nothing was known except the fact that they released an obscure LP in 1970, with a red front cover with a stylized drawing of a male face wearing a coloured bandana. Only in recent times it has finally been revealed that "Psychedelic and Underground Music" was played and recorded - and sung on very rare occasions - by musicians from Nuova Idea, who would…
** mini LP replica with obi & Japanese insert ** Killer. **First official reissue ever, certified holy-grail. Edition of 300 copies, black vinyl 180gr. Comes with Obi, and original liner notes by Jonny Trunk** At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual produc…
A very important artist from Naples, Alan Sorrenti released his first album in 1972 on the legendary Harvest label. Aria is an absolute Italian prog classic, with two different sides: the first only contained the long title track, a dreamy psych-suite starting with acoustic guitar and based on the marvelous instrument-like voice of Sorrenti, and exploding in the final part with a memorable violin solo by Jean Luc Ponty. Side 2 was softer, with three tracks, two of which also appeared on a singl…
Sister of well known artist Alan Sorrenti, Jenny (or Jane, as she was called in her early releases) was born in Naples from a welsh mother, and formed there the acid folk trio Saint Just. With this band, she released two albums before embarking in a solo career that only produced two more albums in the 70’s.
Jenny Sorrenti’s style as a solo artist is far from her previous bands, being much closer to the song format. Both albums being mainly built on Jenny’s delicate voice; “Suspiro” is the best …
"La Casa del Lago" came out just a year after Saint Just's eponymous debut album; in 1973 the band were a very special trio, consisting of Jenny Sorrenti (voice), Antonio Verde (guitar) and Robert Fix (saxophone). They had a contract with Harvest (as well as Jenny's brother Alan Sorrenti, who debuted with "Aria" the previous year), and managed to stand out in the vast Italian pop scene of the early '70s.Unlike many other musical realities, they had a concrete support from the record label, which…
Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz.Takayanagi was invited to play with his group New Direction Unit at the 9th annual Moers New Jazz Festival in Germany in 1980, which, as the name suggests, featured only free jazz performances. In front of the 3,000 plus audience, Takayanagi and company had their most rad…
* long out of print, few copies back in stock * Akio Suzuki has been making earthy yet ethereal sounds for over four decades now, all quietly emanating from the Japanese countryside. Born in 1941, he's made outdoor sound the focus of his career, constructing installations that transcend space and time, turning the outside world into a lucid daydream. In 1997, Suzuki analyzed the French town Enghien-Les-Bains, precisely mapping out (with footsteps) areas where echoes were most resonant. He built …
Music recorded in 1990. forgotten about and rediscovered in a box in 2003. live version recorded in 2003 at Roulette, NYC with the addition of Tim Barnes on crotales and Karen Waltuch on Viola. In 2003 i discovered a box of tapes I had thought I had erased, and had long forgot about. the tapes were all from between 1986-1991 , and as i listened back to them, I could clearly hear why i didn't like them at that time. But, youthful obsessions can sometimes be like tying your shoelaces together. Fo…
4-panel V-fold hard cardboard with Japanese OBI strip, softer insert for CD and a 4-page fold-out booklet in English and Japanese. Lucky restock, few copies available. Stephan Mathieu's original Japanese edition copies of his lost classic, recorded and produced between Summer 2001 and 2004 and originally released on the Headz label from Tokyo in the Winter of 2004. All the factors that make Mathieu's trademark sound today are already in full play here, the spectral drones, early instruments an…
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
Brand new issue of archive series of NHK electronic music studio. This issue will be a collection of Toshi Ichiyanagi's tape works at NHK studio as his memorial.
The first track is Transient '64, produced in 1964, composer Yoriaki Matsudaira. In the production process, a cluster of sine waves with a transient tone, referred to as 'transient sound', was created. The second track is Assemblages for Tape, produced in 1969, composer Yoriaki Matsudaira. Until now, electronic music has used sound sources with fixed waveforms, such as sine waves, sawtooth waves, square waves, and white noise. With these oscillators, it is impossible to create free tones. The ph…
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
*2024 stock* The cliffhanger collaboration by Masataka Fujikake and Takeharu Hayakawa, which has been going on since 2007, is now complete with a live performance of the May 2011 session with Jim O'Rourke as a guest. The trio's bold arrangements are a powerful work centered on a solitary guitar sound that only Jim O'Rourke could express.
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…