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2025 stock A one man band born in the mid 70’s in Detroit, MI, The Happy Dragon Band is the brain child of Thomas Court. A studio wiz, synth pioneer and electronic music professor. After releasing one private press LP he went on to other pursuits and the obligatory obscurity followed. This is truly a one of a kind mashup of early analog synths, Floydian psych ballads, and even some proto new wave and reggae. The record received its first ever reissue and wide release for Record Store Day 2023, a…
"Reticence / Resistance" is the eighteenth Pelt album and the first since 2012. It was mastered by James Plotkin. Pressed on 140 gram 12 in Virginia by Furnace and housed within a gatefold jacket bearing new design elements from the band's Patrick Best. As a part of the Three Lobed Recordings 20th Anniversary series it features an OBI strip bearing an essay about the LP by Aquarium Drunkard's Tyler Wilcox. Edition of 700
A real brain ripping free jazzing blast from the past. Togashi Masahiko may be a name you have already encountered if you are a bit acquainted with Japanese free hardcore blowing jazz. He was the man responsible for churning out Japan's first free jazz disc being “We Now Create” for which he got assisted by Takayanagi Masayuki and Yoshizawa Motoharu amongst others. The following year in 1969, he teamed up with another hardcore blowing spirit, Takagi Mototeru - one of Japan's most unique sax howl…
2025 stock Exact repro of this 1971 release by saxophonist Hank Crawford. The personnel also includes Eric Gale (guitar), Cornell Dupree (guitar), Richard Tee (piano), Chuck Rainey (electric bass), Ron Carter (electric bass) and Bernard Purdie (drums).
Last copies...** Heavyweight high-gloss embossed jackets with metallic Pantone. Each LP housed in polyethylene acid-free paper backed sleeves within consistently designed 12" sleeves for each record ** Adding to its already extensive discography, The Hafler Trio (now just solo) enlisted the help of Wire's Bruce Gilbert for their latest, Idiots. Grim and far reaching, this 2XLP moves at its own pace and draws the listener in with its slow, dark amble. Channeling both the natural and industrial wo…
Mannequin Records is proud to present the official reissue of Caroline K's outstanding 1985 album, "Now Wait For Last Year." This haunting, wistful work of post-industrial synthesizer music sees the late Nocturnal Emissions co-founder only solo record, which has accrued a fervent cult following over the past 40 years, and copies of the original pressing are today extremely rare and sought-after. The music on "Now Wait For Last Year" seems to exist firmly outside of it. Tags like industrial, mini…
2025 stock In 1976, Alf Emil Eik embarked on an extraordinary journey in a studio in Oslo. Armed with a 16-track MCI recorder and a vast array of instruments, including a couple of his precious bass guitars, he set out to create his musical masterpiece. Eik, a composer, musician, technician, and producer all in one, used the studio as his compositional playground and experimented with percussion, synthesizers, bass riffs, and tape phasing effects, pushing the boundaries of what was possible at t…
Composed and performed by Ronan Courty, this piece for solo double bass slows down the layers of time by invoking an invented age-old music, somewhere between imaginary folklore and early music. Acoustically produced, the violent and obsessive friction of the bow on the string gradually reveals hovering layers of harmonics that extend the suspension of the moment while evoking a kind of electronically produced ambient sound; the illusion created by the emergence of sustained tones is particularl…
* Edition of 500 * Marc Sabat's Gioseffo Zarlino is "the third in a series of pieces inspired by ideas in the history of music theory, which I seek to experience and unfold in a sounding world" (taken from the liner notes by the composer). In the piece, unfolding cyclically over 70 minutes, voices, strings, harp, and flute, weave through each other exploring a novel tonal space developed by the Renaissance Italian Composer-Theorist, Gioseffo Zarlino in 1558 and reinterpreted in the 21st Century …
* Edition of 500 * In Catherine Lamb's Prisma Interius series the unpredictability of the outside articulates the field of perception through precise bandpass filters, while acoustic instruments and musicians guide the unfolding of its harmonic space. A series of nine pieces exploring the potential of the Secondary Rainbow synthesizer, an instrument developed in 2016-2017 with Bryan Eubanks, that uses the live environment outside the performance space as a noise generator for basic subtractive s…
I Too Am A Stranger was recorded at ATA Studios by the core Sorcerers trio, featuring the compositional vision and timeless lines of bassist Neil Innes, truly rare grooves from drummer JoostHendrickx (Gott Street Park, Eddie Chacon)and a little cosmos of tones and melodies from reed/flute/vibes/keyboard player Richard Ormrod. Up-and-coming Leeds trumpeter Olivia Cuthill was chosen to augment the brass sections, and regular collaborator Danny Templeman fills out the percussion palette. As ever, t…
*2025 stock* Since 2013 label founders and musicians Neil Innes & Pete Williams have been tirelessly fulfilling their shared dream of making the records they weren’t hearing. Having spent years working in various bands both players felt the desire to break free of the constraints of working within another band and started on the slow path to creative autonomy by starting to work on the 12 tracks presented on this compilation. While deliberating their next steps they were approached by Here & Now…
2008 release ** "Pauline Oliveros (accordion with Expanded Instrument System); Peer Bode (live text with Bode vocoder); Andrew Deutsch (live mixing, archival recordings, samples, loops and electronics). Voice Coil was performed by the Carrier Band in the fall of 2003 at the Deep Listening Space in Kingston, New York. Pauline Oliveros performed on accordion and computer-based Expanded Instrument System, Peer Bode performed live text with his Bode Vocoder, and Andrew Deutsch performed live mixing,…
2009 release ** "Denissow avoids postmodern clutter by putting critical distance between himself and the music - this is a fantasy. Jürg Henneberger and Hedwig Fassbender avoid the hard sell, keeping the make-believe sound world allusive and inscrutable. And they bring comparable qualities to one of the best Folk Song cycles around - a work whose charms have, arguably, been dinted by overfamiliarity but that has now been calmly reassessed."
2006 release ** "Sparse mandolin music (very slow & deliberate plucking reminiscent of Derek Bailey), with a couple spurts of electronic noise throughout the duration."
2011 release ** "Ultra-heavy bass from the depths by our friends Lee “Culver” Stokoe (also with Skullflower these days) and Karst (nothing else but Mutant Ape and Turgid Animal boss). Deep matter."
2010 release ** Limited edition of 484 hand-numbered copies. "Joint release of Aquarellist and Vetvei labels – new Vresnit album recorded in winter-autumn 2010 in cooperation with Kshatriy, Hladna and Neznamo. Qualitatively new in project creativity a five-part ambient space dedicated to the Culture Solar beginnings and transfiguring seeds disseminating. Vresnit art is turned to research primary being experience, – human consciousness conditions being resonant to the general nature. Sparkling co…
2008 release ** "Maurizio Bianchi is more than a legend in contemporary electronica, he is beyond good and evil by now in what respects to creative effort, he has surpassed all genres and styles, has reinvented and deconstructed himself, has even recessed from doing music during years and has come back again fresh and rejuvenated. With a vast discography and extensive musical career as sound sculptor and textural colonizer Bianchi is more alive than ever. “Innervation” released by the excellent …
2007 release ** "Spectral modulations refer artificial synthesis of psychophysical filters, while electro hypnotic segmentations unclose multiple external stimuli of pauperized dimensions. The neural degree is shading the higher method of frequencies, but the turgescent preceptive instruments autoregulate the recognizable discomfort. The normalization method is already remitted to the infected acquisition: it's the lacerating beginning of the epileptic end, realized in the year 2005."