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Le Piano Demécanisé is a vinyl album with music played on a dismantled piano. The release of the album goes in tandem with the publication of the new issue of RTRSRCH magazine, in which Frederik Croene presents the text accompanying the LP. The LP was pressed in an edition of 500, sleeve design by Joris Verdoodt." Overall the music has a very contemplative and percussive nature. Either with hands, sticks or bows, he gently approaches the piano and works on it, very much like both a comp…
First full length Spine Scavenger LP Two sides of very slow moving yet very active modular synthesizer and heavy tape delays Recommended for fans of Conrad Schnitzler.
Awesome record, exactly as good as you’d expect it to be (Keith Fullerton Withman) "While Oren Ambarchi and Jim O’Rourke have collaborated in a number of forms, from remixes to their acclaimed trio with Keiji Haino, Indeed is their first duo album. One long electro-acoustic exploration (presented here as two side-long pieces), what Ambarchi and O’Rourke proffer up here is also melodic and approachable, bringing to mind the warm post-minimalism of composers like Alvin Curran, David Behrman and L…
Earlier this year we all fell in love with the absolutely killer (but sadly ridiculously limited) 'Twisted Stems' 7" from moody Londoners Guapo, and now we have the perfect accompaniment. Aethenor is the project of Daniel O'Sullivan (of Guapo), the prolific and omnipresent Stephen O'Malley (Sunn o))), Khanate, KTL) and Vincent De Roguin and between them they have managed to lay down some of the most earth shatteringly atmospheric and cinematic soundscapes this side of Earth's incredible 'Hex' al…
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
Take the manic snorts of captain liberty, dissonant as chalk & the next moment as melodic as sharp yet slick, metal teeth. Take the mermaid, 1988, turn the tides, gently, gently away. Selected breath/silences/selected feedback. Take an argument you have here w/ an empty street while the memory of high traffic is leaking back. Sirenum has a real "spiritual food" vibe & it's fucking pain & pleasure relief in this real met en zonder sort of way.
Performed by: Psychatrone (synth), Brian Turner (guitar). Recorded 1996 live to tape. One side is a synth/gt duo with WFMU's boss Brian Turner, while side B is a solo synth. Both tracks recorded in the mid-'90s. Psychedelic waveforms with a freeform sound that grows on you... subtle and mesmerizing.
Boris's meteoric rise to superstardom doesn't seem to be stopping any time soon, only today I heard that the band had signed their last album (the absolutely stunning 'Rainbow' from a few weeks back) to US mega-label Drag City - what next eh, how long before EMI and Atlantic start getting interested? How about Sunn O))) on Geffen then? It could happen. Still we're back on our ongoing mission to seek out every Boris record we can, and this 2003 release is one of those absolute gems that keep step…
Richard Youngs is a prolific British musician (located in Glasgow) with an extremely diverse output. Dusted Magazine once wrote he is defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him. So his new album for Dekorder might not be a surprise to anyone following his career. Still, a self-proclaimed all-electronic 'ecstatic House record' comes somewhat unexpected. With a line of distinctive s…
RESTOCKED, last copies - Gorgeous new lp with fold out cover and inner sleeve... "welcome to the temple, where you'd see the sun and the moon... experience the eternal balance between day and night, good and evil."
"2 psyched-out sides from the collaboration between mighty Aliens and Norways own answer to Hall & Oates - Bjerga/Iversen. These sides are boiled down from about 2+ hours worth of material recorded last summer in the stunning alpine village of Luserna San Giovanni, just outside of Torino, Italy.Space electronics, weightless freestyle strings, buzzing voices from the outer heliospheres and garbled and warped messages from the great beyond handed down on recycled trashcan tapes.... celestial harmo…
Cow's milk vinyl, artworks and music by Chris Pottinger, with insert. Side A originally released as a limited edition CD-R art set in 100 copies on Tasty Soil, Creature. B1 track is unreleased, recorded in 2007. B2 originally released in 2006 on Fag Tapes as a side of a tour cassette with Sick Llama. B3 was played as a loop for 8 months straight on a pirate radio station that broadcast out of the Cloud House on 107.9 FM. Far-out electronic music for the third millennium! The track on side A is s…
Indispensable 180g vinyl pressing of eight super-important compositions by the "Father of Electronic Music" dating back to 1923! Most notably - for us at least - it includes the incredible percussion pieces 'Ionisation' and 'Integrales' played by the Julliard Percussion Ensemble which are worth the admission alone - but then you've also got the three tape pieces 'Interpolations I, II, III' from 'Déserts' circa 1950-54 which seals the deal: ESSENTIAL** "The French-born Edgar Varèse (1853-1…
Massive new album in an edition of 300 copies from the duo of Karen Constance & Dylan Nyoukis: The Larval Tuning Fork consist of two side-long works judiciously edited and put-together with an easy/impenetrable logic from live shows and performances across the globe. Much of this is on the minimal side as is the contemporary Blood Stereo style, with plundered conversations and small-scale clatter and drone put to the service of long blanks of almost hypnotically monomaniacal accumulations…
Daniel Higgs returns with his second full length recording for Holy Mountain after last year's critically acclaimed Ancestral Songs and his contribution. "Atomic Yggdrasil Tarot," to Thrill Jockey's series of books collecting art and music. Metempsychotic Melodies continues to document Higgs' rise as a solo performer. Raw picked banjo drones dominate Metempsychic Melodies as the instrumental "Universal Salutation" fades into the waking dream soliloquy of observation "Love Abides." "Leontocephali…
Artwork by Muruga. Recorded in 2007 at Sage CT. Studio, Michigan. Muruga (drums, bells, shaker, Nada drum, conga, jimbay, synth); Perry Robinson (clarinet, wood whistles). This magical duo is the result of more then 30 years of playing together/friendship. Two side-long tracks, Muruga on side A is on drums/synth, while on side B on various perc. instruments. The bubble waves bring you closer to the light, while the bubble beat makes you wanna dance... the preacher meets the magician.
Sax player Steve Mackay blow with The Stooges on the legendary Fun House session in 1970 (and rejoined them in 2003 when they played their first show in 29 years at the Coachella Festival, and he has performed with them ever since + rec. two more albums)... nearly 25 years later he got involved w/Radon Ensemble, which includes members from such disparate groups such as Temple of Bon Matin & the Arthur Doyle EAE (Paternostro/Wilcox), Nimrod (Lohman), Koonda Holaa (Kamilsky), ect... the 10 tracks …
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
Richard Skelton’s work as A Broken Consort is, ostensibly, consistently and easily contextualized within a broader composer-centric scene. Nick Cave and Warren Ellis, for example, deal in similar realms of psychogeographics with their soundtrack work on The Assassination of Jesse James by the Coward Robert Ford and the like. There, the compositions render emotions on the physical plane. Landscapes and troubled faces don’t just feel alienated or manic or soul-crushingly vast. They look it.…