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2021 small repress. Italian experimental music is notoriously resistant to definition and location. If ever there was an object to encapsulate the spirit of that movement, it is the composer and musician Roberto Musci’s debut album from 1984 - The Loa Of Music. Recorded after a decade traveling the world - drifting between African, Indian, and the Near & Far East - studying music, making field recordings, and collecting instruments, not only is it a perfect culmination of such an experience, but…
Limited clear vinyl, edition of 100. When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of …
2025 repress. “Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film scores.
*200 copies limited edition* John Duncan's "SAXMIX" is one massive piece of contemporary experimental music, which lets noise collide with free jazz and extreme minimalism. Duncan is a master when it comes to these things, and he is an artists constantly evolving, mutating and challenging. The sax thing then? JD has invited some of his fav sax players to collaborate with him; Mats Gustafsson, Antoine Chessex, Martin Escalante, Dror Feiler and Ulrich Krieger. Did I say MASSIVE? Well, it is. Schei…
‘Rituals’ is the new album of spiralling drone & ambient formations by Italian artist Danilo Betti aka April Clocks (Union Editions / Mixed Up); a masterwork of sublime disorientation by the Rimini-based outlier, arising from a period of reinvigorated artistic practice. Emerging just over a year after the project’s second album ‘It Takes Time’, ‘Rituals’ heads deeper into spheres of consuming, hypnagogic haze, coursing through nine coalescent compositions of amorphous yet absorbing electronics. …
*180 gram Gatefold Vinyl* One of the most exciting bands of the British Blues Boom era, Steamhammer was powered up by guitarist Martin Pugh and vocalist Kieran White. After gaining a reputation for steaming ‘live’ performances they were signed to CBS and released this debut album in 1969.
It is packed with dynamic performances, including ‘Junior’s Wailing’ - a track released as a single that became a hit in Germany (and was also successfully covered by Status Quo). Also among the tracks on the L…
4CD Box edition. Ranked #4 in the the Wire's Rewind 2012 best-of list. Three CD box collection with a 16-page booklet. "Experimental German composer Jakob Ullmann creates quiet music in order to give himself and his listeners the opportunity to hear more, and better. This comes about because our ability to hear is augmented when listening to quiet music. We hear better because we make an effort to hear better. That is why Ullmann likes to locate his sound-sources at the periphery, so as not to m…
Re-release of ed. RZ LP Luigi Nono plus three remarkable recordings. All works by Luigi Nono: ("A Carlo Scarpa" for large orchestra), ("A Pierre" for contrabass flute, contrabass clarinet and live electronics), ("Guia Al Gelidi Mostri" for electronically treated winds, voices and strings). Plus an additional CD of compositions not on the original LP: "Caminantes" and "No hay caminos, hay que caminar." Regarding Nono's concept of "new listenings": "This no longer means revolutionizing the e…
From the liner notes by Jakob Ullmann (translated by Peter Gebert and Molly McDolan): "It was during a break in the inaugural meeting of the East German section of the IGNM (International Society for Contemporary Music) in March of 1990 when Reinhard Oehlschlägel, the long-standing music editor of Deutschlandfunk in Cologne, suggested taking advantage of the fact that John Cage was to attend the summer courses in Darmstadt as a special guest by inviting John Cage to East Berlin. . . . Making Gia…
A portrait of Christian Wolff, documenting the composer's early activity through recordings made close to the time of their composition from artists including Cornelius Cardew, Frederic Rzewski, David Tudor
Jakob Ullmann has made the orchestral work "steine, feuer, sterne" (stones, fire, stars) based on a modular structure, such that individual sections can be played outside of a complete performance, solo or in predetermined combinations; this album presents one section for solo bassoon titled "Muntzers stern" performed by Dafne Vicente-Sandoval.From the liner notes by Hans-Peter Schulz; Translation by Peter Gebert: Solo II is part of a group of works with the title Buch der Stille 1 ('Book of Sil…
Edition RZ presents John McGuire's Works For Instruments. Performers: Ensemble Modern -- Julia Rempe (soprano); Pellegrini-Quartett: Antonio Pellegrini, Thomas Hofer (violin); Fabio Marano (viola); Helmut Menzler (violoncello); musikFabrik: Hermann Kretzschmar, Paulo Alvarez, Irmela Roelcke, Eun-Ju Kim, Ulrich Löffler, Jürgen Kruse (piano), Christine Chapman, Jodie Lawson, Charles Putnam, Rohan Richards (horns), Dirk Rothbrust, Carlos Tarcha (percussion). Each of the compositions of post-minimal…
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio
The live electronics that Nono worked with for the first time in the early 1980?s at the Freiburg Experimental Studio also serves the musical displacement: the music moves away from clear spatial and timbral assignations. Due to electronic processing, the sonic characteristics of both instruments, bass flute and cello, can hardly be recognized. Tones and gestures are lengthened into seeming infinity and move in space
Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein
Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.
Works from Italian composer Clara Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program
German composer Josef Anton Riedl doesn’t have many releases to show for nigh on six decades of activity. Of his small handful of albums, all long out of print, the best known is a 1972 Wergo LP. The second half of the noughties saw a minor swell of interest in Riedl’s work – the Wergo album was given the Creel Pone CD-R bootleg treatment in 2005, and one of his compositions was included on the fifth volume of Sub Rosa’s Anthology Of Noise And Electronic Music series – but for the most part he r…
Trifold glossy slipcase includes two CDs, label catalogue and 16-page booklet of liner notes and images. For new initiates and avant-garde fiends alike, this Iannis Xenakis collection renders a breathtaking survey of works by the radical composer, theorist, architect and engineer, spanning the period 1956-1974 and featuring some of the greatest works of the 20th century, including the awe-inspiring sonic architecture of ‘Persepolis’.Inarguably one of the most important composers to blend electro…
**Comes in glossy gatefold sleeve with 20-page booklet ** Features 6 works by the influential Italian avant-gardist of the 20th century, dating from 1961-1990. Pranam I (for voice, 12 instruments and tape, 1972); Anagamin. Celui qui choisit de revenir ou pas (for 12 strings, 1965); Quattro pezzi su una nota sola (for chamber orchestra, 1959); Quartetto n. 4, (1964); Okanagon (Tam Tam and double bass, 1968); Quartetto n. 2 (1961). "For Giacinto Scelsi, music was above all a manifestation of the e…