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*2024 stock. 300 copies limited edition* "On his new album 'If You Can't Wander The Waffle, Wonder I Drizzle', Joshua Burkett takes hushed conversation and quietens them further. Listening to it is like reading under a blanket by candlelight. Yet an eerie buzz and hum cloaks the album, a lonesome spirit that's never comfortable or comforting.
Burkett is a pioneer of free folk alongside Tower Recordings, Dredd Foole, and Sunburned Hand Of The Man. This 'New Weird America' haze from from the early…
An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI’s Progressive imprint Harvest and recorded his debut album in the Summer of 1969 at Abbey Road studios.
‘Joy Of A Toy’ is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as ‘The Lady Rachel’, ‘Stop This Train (Again Doing…
Vinylization of the splendid 2021 cassette, issued by Garden Portal. The music was recorded partially out west in San Francisco and Point Reyes (hence the title), as well as in Jeffrey Alexander's current locale of Philadelphia. An instrumental addition to Alexander's canon, the music was mostly generated on guitar, but other sonic elements include -- bass, pebbles, fake mellotron, waves, moog, shells, fife, magnetic tape, and talking book phonograph. The results are a sweet, rural stroll throug…
**Edition of 300** Michael is the third LP we have done with Boston-based musician, Joseph Allred. The first, O Meadowlark (FTR 451LP, 2019) was a suite for guitar and banjo. For its follow-up, Traveler (FTR 491LP), Joseph added splendid vocals to the mix. With Michael, Mr. Allred gives airing to his fine harmonium playing, alongside string majesty and vocals. Maybe on the next one he'll teach us how to fly. Michael is an album with a dreamy narrative core. Its loose tale deals with the idea of …
**300 copies** "Arrington de Dionyso first made his name with the crazed Olympia-based art rock unit, Old Time Relijun. And I guess they still technically exist, but he has lately been more involved with Indonesian musical investigations, and lots of overtly free jazz horn aktion. Shouting Over Deep Water Blues was recorded by Henrik Lofgren in July 2012, in a small boat floating off the coast of Sweden. It features five improvisations on the Bromiophone with occasional liquid accompaniment prov…
Nearly four years to the date after the release of Higher Order, Eric Arn’s previous release for Carbon Records, we are releasing his latest collection of guitar excursions.
2025 stock Tim Hecker's latest work approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this new piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wood…
2001 release. Chris Mann, an Australian poet, writer, performer and composer relocated to New York City, brings a recording of his signature works to Lovely Music. With the participation of Christine Bard, Anthony Coleman, Christian Marclay, Jim Pugliese, Mark Stewart, and David Watson. Chris Mann's works for voice are based on complex texts, freely composed to allow a play of wit and humor. He explores the textures and gestures of Australian speech, with its rhythms and qualities of color, pitc…
1990 release. Some of "Blue" Gene Tyranny's greatest keyboard works/performances can be found here on Free Delivery. The Nocturne With and Without Memory was commissioned by Lois Svard and has also been recorded by her for Lovely Music (LCD 3051CD, 1994). Sunrise or Sunset in Texas is from Philip Makanna's film The Crack of Dawn (1983). Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards; Timothy Buckley - accordion; Joel Ryan - computer analysis.
A collection of six compositions made in electronic music studios from 1959 to 1984. All were composed for concert hall or theater performance with choreography, as well as for distribution on recordings. Music from the Venezia Space Theatre, The Dresden Interleaf, and Echo-D were composed for quadraphonic theater systems, and were later spatially remodeled for release on stereophonic recordings. A collection of six compositions made in electronic music studios from 1959 to 1984. All were compos…
Pioneering extended vocal techniques from the 1970s: sensory deprivation experiments, multiphonic investigations, circular breathing adaptations. La Barbara liberates her classically trained voice to discover untapped sonic material, building orchestras from layered vocalisations. Essential document of radical vocal experimentation.
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
Three works investigating interference between instruments and oscillators. When closely tuned tones sound together, their oscillations create audible beats that spin through space. Lucier reveals acoustic phenomena through minimal means
** 2021 Stock ** The Alabama born saxophonist/clarinetist Marzette Watts had a short lived career as a member of the sixties avant-garde, but achieved legendary status for the company he kept in his Cooper Square loft where the likes of Ornette Coleman, Cecil Taylor, Don Cherry, Archie Shepp, and Pharoah Sanders often congregated. This debut date is best known for the presence of players, who like Watts, were to become renowned for the rareness of their recorded output, including Sonny Sharrock,…
First release of this 1966 recording from the ESP-Disk vaults; featuring: Don Cherry (trumpet); Gato Barbieri (tenor saxophone); Bo Stief (bass); Karl Berger (vibraphone); Aldo Romano (drums). Live performance from the legendary Café Montmartre in Copenhagen, Denmark, recorded in 1966. Digitally remastered. Also included: the ESP DVD-audio sampler, featuring selections of almost every ESP artist. Over 12 hours of music! Digitally remastered. "Don Cherry, more than any other artist in the jazz of…
Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…
Live At Café Montmartre Volume Three features more great music from the Don Cherry Quintet. Recorded in March 1966, Don Cherry joins forces with Gato Barbieri, Karl Berger, Bo Stief and Aldo Romano for two exciting, extended performances of "Complete Communion" and "Remembrance". A recording that will surely be known as classic, Volume Three is essential music for all fans of improvised music.
"In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman
"Soprano saxophonist Steve Lacy's impressive career was filled with man…
2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…