Back in stock
Timelines Los Angeles
'Computer (Laptop), guitar: Mark Trayle. Percussion, Synthesizer (Analog), Composed By (Graphical Score) : Jason Kahn. Piano (Prepared): Olivia Block. Saxophone (Alto, Sopranino), electronics (Live-electronics): Ulrich Krieger. Recorded by Clay Chaplin April 25, 2008 in Los Angeles at the Cal Arts Center for Experiments in Art, Information and Technology Festival.'
Empty Pigeonhole
Udo Schindler, bass- & contrabass-clarinet, soprano saxophone, cornet. Elisabeth Harnik, pleyel-piano. Live recording Octobver 26, 2012 in München.
23 Exposures
Awesome trio, Ernesto Rodrigues, violin, viola; José Oliveira, percussion, acoustic guitar; Marco Franco, soprano saxophone. Recorded on 6 November 2001 at Exit Studio, Lisbon.
Ura
Recorded and mixed in July 2002 at Estudi 84, Barcelona. Thanks to Anki Toner and Jakob Draminsky.
![Rumeur [For Solo Accordion]](https://cdn.soundohm.com/data/products/2026-09/5304_alfredo-costa-monteiro-rumeur-for-solo-accordion-cd_1080-jpg.jpg.500.jpg)
Rumeur [For Solo Accordion]
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by…
L'écorce Chante La Forêt
Recorded in Paris, May 27th 2001.
Dining Room Music
Recorded in the dining room of the Maison Bustros, Beirut, Lebanon on 21 August, 2004.
Kunststoff
Recorded between th 31th July and 1st August 2003 at Tonstudio by Hrólfur Vagnsson.
A Cavall Entre Dos Cavalls
Ferran Fages, electric guitar. Self-tought musician, started playing guitar in the rock scene, but in 1998 stoped for re-thinking the instrument and the music made with it. In 2002 starts from zero, a process where music allows harmony to circulate without being dependent of itself, where time is the reason for exposed materials, always as compositions, never closed, where space is enough for permanent changes, everytime it is played. 'a cavall entre dos cavalls' is a exemple of that. The record…
Landscape: recognizable
Recorded, mixed and mastered at Experimental Sound Studio, Chicago on 5 June, 2004.
Wrong Shape To Be A Storyteller
Recorded live in Jersey City, NJ on 8/8/2004.Mixed and mastered at Amme Studios in NYC 9/1/2004
Brevi Momenti di Presenza
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music.
Tesa Musica Marginale
Pure core music, laically spiritual, in constant tension between order & chaos, law & anarchy, silence and loudness, modernism and tradition. Tense border music. Away from mainstream artistic path, the band keeps on his quest for an honest experimental musical language. Anatrofobia’s music is a mix of improvisation, writing, acoustic and electronics, experimentation of non-idiomatic structures, unique timbral combinations: Anatrofobia plays with constantly variable themes, saturation and rarefac…
Quien Sabe?
Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.
Millenovecentosettantatre
Heavly influenced by the seventies, Brown Y Aur is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape.
The Unkept Secrets
"This is another perfect Nimh album, a world of magnetic, somnanbulic, fuzzing, moving electronic textures and drones covered by glacially melancholic guitar parts. These recent years there have been many descent projects published under the dark ambient - prog electronic label, but The Unkept Secrets is exceptional, reaching a degree of composition and complexity rarely obtained in this specific genre. Meridians opens the album with an intimate, colourful, extatic droning minimalist guitar comp…
Like the Snow
**200 copies** "Like The Snow delivers his first work after five years of research and experimentation. The project comes to life collecting a series of tracks that travel through electronic and ambient music in a dark sound world... At times almost danceable, absorbing the influences of the beloved synths of the '80s, reinterpreting in his own peculiar way the moods accumulated over time. For lovers of the most classic New Wave, Clan of Xymox and Neon... A project to discover and support."
Vecchie vacche
If the history of The Beach Boys includes the legendary 'lost' (...and rebuilt...) album Smile and The Who's Lifehouse album remained unfinished, even Le Forbici di Manitù can boast their "lost album", an ideal follow-up to their first full-lenght work entitled Saliva calda (Hot Saliva), published on cassette in 1990 by Rosa Luxemburg Corporation and reprinted again on tape in 2016 by The Tapeworm in London. The Vecchie vacche (Old Cows) project was in fact started around 2000 by the two origina…
Whinny Muir
A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…