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Voces de la Flauta
Tip! * Original 1984 cassette * Marielena Arizpe, a talented female flutist, released "Voces de la Flauta" in 1984 on the Centro Independiente de Investigaciones Musicales y Multimedia (CIIMM) label. She has been actively involved in the classical group Cuarteto da Capo and her solo work explores the depths of Mexican contemporary music. This album showcases music from composers who have made notable impacts on the Mexican music scene. The first side is entirely dedicated to compositions by Mari…
Chance Meeting On a Dissecting Table of a Sewing Machine and an Umbrella
Official reissue. New remastering vinyl of the 1979 LP by Colin Potter + "silver edition" Gatefold cover + complete NWW list on Gatefold inner.
Rausch
*Back in stock! 2024 repress* "Rausch with no name / My beautiful shine / You are the sun / This is where I want to be / Rausch with no morning / This is where we burn / The Stars sparkle / In a sea of flames / Horns and fanfares / Fanfares of joy / Fanfares of fear / The wine we drink through the eyes / The moon pours down at night in waves / Careful with that axe Eugene / Personal Jesus / No beginning no end / Eighteenth of Oktember / The night falls / The king comes / The hunt starts / Freude…
Desert Wind
Yaşar Akpençe was born in 1966 in Istanbul and can be consider as one of the best world darbouka player. He began his career in music at the age of 9 by playing Congo and carried on with the darbuka at 13 and made his musical dream come true by working with famous musicians. Akpençe has performed as a guest musician on numerous albums as well as being the founder of the percussion collective known as « Harem Group ». Yasar has performed with almost every major artist in Turkey, spanning many gen…
The Majestic Yes
Taking off from Beaugars Seck’s foundational sabar drum rhythms — recorded by Sam in Dakar in February 2020 — Shackleton has constructed a trio of intricately layered, luminous, enchanted, epic excursions. The second is more dazzled and meandering, with jellied bass, insectile detail, and discombobulated jabbering; the third is more liquid, fleet of foot, and psychedelic, with a grooving b-line and funky keyboard stabs, scrambled eastern strings and hypnotic vocalese.
The harmonium in The Overwh…
Live In Trentville
Unlike the distant "18/8/81" or the more recent "Wrong Ninna Nanna", this new solo work contains no piano or other instrumental parts. In this release, which occurred like all truly welcome things in an unexpected and unsought way, I have collected some of my own compositions created only from sound material recorded around or taken from other recorded music. Such material has been mutated with various sound processings, and assembled by multiplying layers in both digital and analog environments…
Coxhill 85
Lol Coxhill was an English saxophone player, largely known for playing soprano and sopranino saxophones. He began playing aged 15 in 1947 and later in that decade, organised club sessions where he introduced music from the jazz coming from the US. He later toured with musicians in America. Back in the UK, he played with Otis Spann, Jack Dupree and many other musicians. Coxhill was unconventional in so many ways. Rather than a permanent trio, quartet or collaborator, he played with a host of diff…
Black Slaughter
Thrilled to unveil an exclusive edition of the Atrax Morgue tape, Black Slaughter, meticulously hand-numbered and limited to just 99 copies. This release is part of the Slaughter Productions tape series by Urashima, dedicated to lovingly reissuing the extraordinary catalog from Marco Corbelli's pioneering label. Each cassette features newly mastered tracks by Andrea Marutti. Presented in a sophisticated black opaque slipcase O-card 300g, the cassette is housed in a clear plastic box with j-card,…
Thrilling
In Thrilling, Ennio Morricone’s widescreen sense of drama condenses into a tightly wound suite of themes: tense strings, ghostly choirs and razor‑edged rhythm figures that turn suspense into something almost voluptuously atmospheric.
Outland
The Outland album series was a collaborative endeavor by the visionary US bassist-producer Bill Laswell and the late German musician Pete Namlook that pushed the boundaries of dark ambient and electronic music. Spanning five albums released over a thirteen-year period from 1994, this new boxset serves as a testament to the creative synergy between the two masterminds. At the time the duo joined forces, the New York-based Bill Laswell was already a famous producer with a massive client list that …
A Bright Nowhere
Matchless Recordings presents a live concert by Conditions recorded at Gateway Studios Kingston-upon-Thames Surrey England 16th November 2002 and 2nd March 2003.
The album includes six tracks performed by John Edwards - Double Bass, Eddie Prévost - Drums, Alex James - Piano, Nathaniel Catchpole - Tenor Saxophone, Jamie Coleman - Trumpet.
The Issue at Hand
The musicians who perform together on this CD are as unlikely a group of individuals that you are ever likely to find. Yoshikazu Iwamoto brings a cultural past that has deep aesthetic roots in Japanese Buddhism, while John Tilbury's classical European training brings a sensibility that has matured through contract with cultivated traditions of learning and discipline. Eddie Prévost by his presence draws everything together into an indivisible whole, through responses that have been honed from ye…
Combine + Laminates + Treatise (1984)
** Restocked, reduced price** A re-issue of the Pogus LP format with additional material taken from the same concert at the Arts Club, Chicago, USA, 25th May 1984. The difference in the music included on this CD version is the addition of Treatise '84. This, as the audience was aware, was an Amm improvisation inspired and guided, rather than dictated or controlled by Cornelius Cardew's graphic masterpiece. There is, of course, no way that this work could be identified as a composition in the acc…
Concert, V
Eddie Prévost & Veryan Weston. Recorded in England, 5/98, mixed by Evan Parker. "'Beauty as an Ear Thing' is a meticulous exploration of texture, full of soft explosions, the reverberant ring of spinning metals, and overtones that glow like embers, dying into silence; this music wouldn't be misplaced on an AMM disc. 'Clustered' rebuilds something out of the emptiness. The dislocated rhythmic feel is like an abstraction of something Monk and Max Roach might have played together. 'Fingers and drum…
Silver Pyramid
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
Interworks
John Butcher - tenor/soprano saxophones with Eddie Prévost - tam-tam and other percussion. Studio recordings from July, 2005.
Luftwurzeln
Old and new. This new CD on Matchless by Sebastian Lexer and Christoph Schiller keeps bringing these opposite ends of a spectrum to mind. If Schiller has taken an old instrument, a spinet, and approached it in new ways, then so has Lexer, whose Piano+ digital enhancements of a standard grand piano are as exciting a new development to that instrument as I have seen in years. The music on Luftwurzeln then also spans across that same wide divide. Improvised music in London has been evolving …
Meetings With Remarkable Saxophonists - Volume 4
The fourth volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with Bertrand Denzler, tenor saxophone, John Edwards, double bass, Eddie Prévost, drums. Recorded at The Network Theatre, Waterloo, on the 12th December 2011. Special thanks to the theatrical custodians of The Network Theatre and especially Keith Wait - for being so positively disposed for this series. Recorded by Giovanni La Rovere. Mixed and edited by Joh…
Tri-Borough Triptych
Hearing Evan Parker make music with Eddie Prévost, on the first of these three lengthy duets recorded in three different London boroughs, is like watching a pair of tai chi masters sparring. Parker’s tenor and Prévost’s bowed and struck percussion draw buoyancy from each other’s energy as they alternately push and yield. Together they move with feline lightness, agility and balance, even when the music’s mood is stormy and turbulent. The event was Freedom Of The City 2012; the venue, Ceci…
All Change
Recorded in concert at The Network Theatre, Waterloo in London, 2012, the trio of Tom Chant on saxophone, John Edwards on bass and Eddie Prevost on drums present a tour de force of modern free jazz with great technical and conversational power.