We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Silent, Listening
Silent, Listening is a major addition to ECM’s distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch. The album features seven original creations and a handful of well-chosen standards, including Billy Strayhorn’s “Star-Crossed Lovers”, Sigmund Romberg’s “Softly, As In A Morning Sunrise”, Alec Wilder’s “Winter Of My Discontent” and Russ Freeman’s “The Wind”, all played with the focus, sensitivity and gracefuln…
Gateway
With “daring and visionary spirit”, to quote a Downbeat review from the year of this album’s release, master improvisers John Abercrombie, Dave Holland and Jack DeJohnette forged a unique vision of trio interplay on their first joint effort under the Gateway moniker. The trio tackles Dave Holland and Jack DeJohnette originals with a visionary idea of what three-way conversations in jazz could sound like. As The Observer remarked in an article of the time, “the telepathic ensemble playing and per…
Big Vicious
Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest material together with them.  The group is an association of old friends. “We’re all coming from jazz, but some of us left it earlier”, Avishai says, summing up the stylistic reach of his cohorts. “Everyone’s bringing in their backgrounds, and that be…
Old And New Dreams
Hot on the heels of Old Friends, New Friends comes Old And New Dreams, an operation meant as a new flagship for Ornette Coleman, whose lack of enthusiasm for the project left a gap duly filled by Dewey Redman. The result is this delightful excursion into post-bop outlands that sounds as alive as ever. Two Coleman pieces comprise nearly half of its duration—which is saying much, for like many of ECM’s joints of the 70s, this one breezes by in under 50 minutes. The first Coleman piece, “Lonely Wom…
Romaria
*2024 stock* Andy Sheppard’s quartet extends the musical explorations begun on the 2015 release Surrounded By Sea, an album praised by Télérama for its “poignant serenity.” In this new programme of compositions by Sheppard (plus the title track by Brazilian singer-songwriter Renato Teixeira), the drones and washes of Eivind Aarset’s guitar and electronics – aided by the generous acoustics of Lugano’s Auditorio Stelio Molo RSI – help to establish a climate in which improvisation can take place. T…
Lonely Shadows
After critically-acclaimed ECM recordings with the Maciej Obara Quartet (Unloved, Three Crowns), Polish pianist Dominik Wania delivers a solo album recorded in November 2019 in Lugano. Wania’s sensitivity to touch, tone and texture is informed by his classical background. But he also has the in-the-moment instincts of a great improviser, acutely focused on the unfolding details of the music in the responsive interior of the Auditorio Stelio Molo studio. The balancing of influences from both disc…
Gnu High
A vinyl reissue, in Ecm new audiophile Luminessence series, for Kenny Wheeler’s sensational ECM leader debut. Recorded in New York in 1975, and produced by Manfred Eicher, Gnu High brought Canadian trumpeter Wheeler to a new level of international acclaim, for both his impassioned playing and his profoundly lyrical writing. Here Kenny is fronting an extraordinary quartet, with Keith Jarrett, Dave Holland and Jack DeJohnette, all masterful improvisers who had shaped their intuitive collective und…
Seven Songs For Quartet And Chamber Orchestra
Sounding as fresh today as it did in 1973, Seven Songs places the Gary Burton Quartet in an orchestral context, with compositions of Michael Gibbs – inspired by Messiaen and Charles Ives as well as Miles and Gil Evans – and exceptional soloing by Mick Goodrick, Steve Swallow and Burton himself. The production is exemplary: Seven Songs set a new standard for recordings of orchestral jazz. While there is still a handful of ECM titles from vibraphonist Gary Burton that remain unreleased on CD, perh…
Alien
Original 1985 LP edition. This one is a bit of an outlier. More a showcase for keyboardist Don Preston’s (The Mothers Of Invention) array of 1980s synthesizers and drum machines than a jazz album. As the story goes composer Michael Mantler wrote this music for a conventional orchestra with the solo trumpet part, but then decided to transpose orchestral partitions to Preston’s gadgetry. It is not known if this move was informed by the budgetary constraint or perhaps creative or even financial inc…
Dichte Wolken
A collection of Christina Kubisch electromagnetic pieces which have been recorded with special custom made headphones between 2010 and 2012. "cloud" refers to the ever more prevalent technological process of storing data as public clouds, private clouds, hybrid clouds or community clouds. the origins of the sounds are the electromagnetic fields of digital transfer loci like server rooms, security systems, electrical power stations and other places of dense electrical activity in europe, canada, …
The Virtuoso of Sitar Vol. II
First vinyl reissue of this Indian classical masterpiece recorded by Shrimati Kalyani Roy in the late 1960s. Undoubtedly one of the most talented sitar players in the history of the instrument. She is considered as one the finest female players in a field that was dominated by her male counterparts. On these recordings, a two-volume set, she is accompanied by Manick Das (tabla) and Namita Chatterjee (tambura). Recorded in Japan on September 20th, 1974. Vol. 1 and Vol. 2 (V 2011LP) come as two se…
The Virtuoso of Sitar Vol. I
First vinyl reissue of this Indian classical masterpiece recorded by Shrimati Kalyani Roy in the late 1960s. Undoubtedly one of the most talented sitar players in the history of the instrument. She is considered as one the finest female players in a field that was dominated by her male counterparts. On these recordings, a two-volume set, she is accompanied by Manick Das (tabla) and Namita Chatterjee (tambura). Recorded in Japan on September 20th, 1974. Vol. 1 and Vol. 2 (V 2011LP) come as two se…
Interactions A Guide to Swiss Underground Experimental Music
Interactions: A Guide to Swiss Underground Experimental Music, a double-LP compilation curated by Luis Alvarado and published by Buh Records, brings together 27 works by more than 30 artists from the current experimental music scene in Switzerland, in a variety of sounds, ranging from free improvisation, ambient, and industrial music, to synthesizer music, sound collage and more. It gives an account of the intense creative activity in the Swiss underground that runs through cities such as Zürich…
Infini
Prepared pianos collide with subterranean VCS3 synthesis and mournful ornate strings, spectral choral arrangements ride menacing drones and eldritch bass rumbles in a phantasmic cinematic skin. Recorded between 1970 and 1971(and issued on the esteemed French 'Musique Pour L'Image' Library label in 1972), these sublime and concise symphonies of apocalyptic pulp dread receive their first ever commercial release here and are presented with 4 incredibly rare extra tracks from the original sessions. …
Water Music
Nice Price! Recorded in 1985, Water Music is the first "Japanese" solo album by Mott The Hoople keyboard player Morgan Fisher, released on Satoro Takazawa aka Pneuma's label LLE. Six mesmerizing ambient tracks are played out as a multi-sensorial improvisation on a Yamaha DX7 digital synthesizer plus grand piano, tape delays, bowed guitar and shell chimes. The result is an highly contemplative album that flows as a powerful yet ethereal journey through the element of water. Completely remastered …
MDLV
A real event: Jac Berrocal has not released disc for 20 years. The legendary French trumpeter is back with its special atmosphere and feeling. Lot of guests too. Jacques "Jac" Berrocal (born 22 October 1946, Saint-Jean d'Angély) is a French trumpeter, singer and composer. He has been active since the 1970s in the independent and avant-garde music scene (he recorded/played with Steven Stapleton/Nurse With Wound and collaborated with Sunny Murray, Pascal Comelade, MKB (F. J. Ossang), James Chance,…
Abrasive
** Deluxe 180 gram vinyl + extensive booklet ** The axolotl is a species of salamander native to Mexico, living in a state of larva and having the capacity to regenerate damaged organs. This brief introduction doesn't tell us if the axolotl sings. But, for the one that concerns us here: yes, indeed. In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek…
Madagascar Now - Maintenant 'Zao
** First ever standalone vinyl reissue. Carefully remastered. 4 page booklet with rare and unpublished photos. Heavyweight 180 gr. LP ** While he was working on the repertoire for the new version of his group Malagasy, with young Malagasy musicians he had met in Paris in 1972 (and who can be heard on the album "Malagasy At Newport-Paris"), Jef Gilson realised that two of his new discoveries, in addition to being established polyinstrumentalists (who both had sharpened their skills in the legenda…
Colours Of The Night
Tip! *2024 repress* Hive Mind Records are proud to present Colours of the Night, the final studio recordings of deep, hypnotic Gnawa songs from the late, great Maalem Mahmoud Gania. The recordings see their first release outside of Morocco on 8 September 2017, and are available as a double vinyl LP and digital download. The release has been licensed directly from the Gania family and comes with the support of all who were involved in the original recordings. Colours of the Night is his first alb…
Scaling New Horizons with Guitar
* Newly remastered, limited edition pressing *  Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…