We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Expanded 3-CD reissue of Walter Zimmermann's Lokale Musik, first issued in 1982 as a 3-LP set: two CDs remastered from the analog tapes, a third with new supplemental recordings and revised works, and a 60-page book.
All of Morton Subotnick's piano music on one disc for the first time, with four first recordings, including Liquid Strata and The Other Piano with electronics, played by SooJin Anjou and supervised by the composer.
Volume 10 of Mode's John Cage piano series, with Thomas Schultz playing Two Pieces for Piano (1935), Solo for Piano from the Concert for Piano and Orchestra, Two Pieces for Piano (1946) and Swinging (1989).
George Crumb's earliest and most recent piano works on one CD: the first recording of Metamorphoses (Book I), ten pieces after famous paintings written for Margaret Leng Tan, and the Five Pieces for Piano (1962).
Sergio Sorrentino plays American music for electric guitar by Cage, Feldman, Wolff, Lang, Vees, Sharp, Curran, Polansky and Stiefel, including the first CD release of Feldman's The Possibility of a New Work for Electric Guitar.
Three orchestral works by Iannis Xenakis: Metastaseis A in its original version for 65 musicians (first recording), with the Orchestra Sinfonica RAI, and Terretektorh and Nomos Gamma, with the Residentie Orkest The Hague under Arturo Tamayo.
Three long-form works from Joan La Barbara's first decade of recordings, with new stereo and surround mixes from the analogue tapes: As Lightning Comes In Flashes (1981), Autumn Signal (1978) and the previously unreleased CYCLONE (1976-77).
Five first recordings of chamber works by Hilda Paredes, written between 1995 and 2013: Señales with Irvine Arditti and Ensemble Signal, solo pieces for piano and for bass clarinet, and two works played by ensemble recherche.
First volume of Horatiu Radulescu's Piano Sonatas and String Quartets, with String Quartet No. 5 and Piano Sonatas Nos. 2 and 5, the quartet and Sonata No. 5 first recordings, played by the JACK Quartet and Stephen Clarke.
Three works for large chamber ensemble by Hamburg-based composer Gerald Eckert, who conducts ensemble reflexion K in music that works on the edges of sound, between near silence and explosion.
Karlheinz Stockhausen's early percussion works on DVD-Audio with surround sound: Zyklus, Kontakte for piano and percussion with tape, Mikrophonie for tam-tam, Refrain and Schlagtrio, from new transfers of the analog tapes.
Phill Niblock's 16mm film Brazil 84, from his series The Movement of People Working, shot along the Brazilian coast in 1984, with his music as soundtrack in stereo and surround: Three Orchids and Two by Tom. 77 minutes.
John Cage's works for solo percussionist played by D'Arcy Philip Gray: Child of Tree, Branches, One⁴ and three versions of c/Composed Improvisation, volume 3 of the Mode percussion series (Cage Edition 50).
The three string quartets of Helmut Lachenmann, Gran Torso, Reigen seliger Geister and Grido, played by the JACK Quartet in a recording endorsed by the composer.
The first complete CD of Bruno Maderna's music for flute, played by Roberto Fabbriciani for the 40th anniversary of the composer's death: works for flute and tape, piano and orchestra, and three first recorded arrangements.
First recordings of two major piano works by John Cage from 1950-51 found at the New York Public Library: Haiku and the solo piano version of Sixteen Dances, played by Jovita Zähl, with Thomas Meixner on percussion in two alternate dances.
The first complete recording of Giacinto Scelsi's works for solo violin, including the first recording of Divertimento No. 2, played by Weiping Lin, assistant concertmaster of the Vienna Radio Symphony Orchestra.
Helmut Lachenmann performs with and supervises Ensemble Signal in Zwei Gefühle, Musik mit Leonardo for speaker and ensemble, and plays three of his own piano works, recorded after a four-concert tour of the programme.
The first complete recording of Walter Zimmermann's string quartets by the Sonar Quartett, with Songs of Innocence & Experience after William Blake, Festina Lente and Fränkische Tänze, plus solo works for violin and for viola with voice.
John Cage's early percussion chamber works from 1935-1942, including the three Constructions, Trio, Quartet and Living Room Music, played by Third Coast Percussion, with the first movement of Living Room Music recorded in the Ford House.