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Japanese label P-Vine sure know how to pick out the essential spiritual jazz reissues. This is another gold standard that came originally on Strata East in 1974. Vocals feature throughout and often soar to the highest of heights and make it a charism…
*2022 stock* CD edition: the last time Fennesz released an album on Austrian label Mego it was 2001 and the name of that release was 'Endless summer'. Now, in 2014 P-Vine Records is extremely proud to release the conceptual follow up that landmark of…
Sachiko M with two sinewaves on one empty sampler. Sachiko M is a musician who uses the sampler as an instrument. Rather than apply the device's original function of sampling recorded material, she makes music using nothing but its internal test tone…
Vienna resident Radu Malfatti, who turns 60 in December, is a trombonist and composer with a long and impressive career. In the nineties he established the unique compositional/improvisational style, using very few sounds, that he continues to develo…
Over the past few years, alto sax player Masahiko Okura has led an astonishingly full and varied musical life. Active as a soloist, as leader of the jazz-rock band Gnu, and as a member of the improvisational trio Bject (with Tetuzi Akiyama and Utah K…
Free jazz drummer Shoji Hano and German saxophone giant-leading European free improviser Peter Brotzmann first met in Japan in the early eighties. In 1990 Hano went to Europe for the first time and played with Brötzmann; then he invited Brotzmann to …
Kaffe Matthews (laptop), Andrea Neumann (inside piano), Sachiko M (sinewaves, contact microphones). Recorded live in Tokyo, 3/17/02. Although I and II include two and three tracks, respectively, each is a single work. They are divided into multiple t…
European free jazz/free improvisation pioneer Han Bennink (drums) made this studio recording with Kazuo Imai (guitar) in Tokyo in May of 2002. Imai, who in the '70s studied with Masayuki Takayanagi and Takehisa Kosugi, currently performs both on his …
Taku Sugimoto is an extremely restrained guitarist who produces very few sounds in performance, allowing silence to be the controlling force. As an improviser and composer, he's garnered international acclaim, and also provoked strong reactions, both…
Tetuzi Akiyama has in recent years attracted tremendous interest on the Japanese and international improvised music scenes. In addition to performing many times in Europe, America, Australia, and New Zealand, he's been releasing a steady stream of so…
Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result b…
Otomo Yoshide (turntables, guitar) is active on a worldwide scale in such fields as free improvisation, composition, and film music. On a trip to Seoul in May of 2002, Otomo made a studio recording with Seoul musicians Park Je Chun (percussion) and M…
Limited edition of 400. This masterful performance was born of the meeting of two master improvisers, Kazuo Imai from Japan and Roger Turner from the UK. Imai, who studied with Masayuki Takayanagi and Takehisa Kosugi, is one of Japan's leading improv…
In the mid 1960’s, there was a collective of contemporary musicians in Osaka, called Art Zyklus. Because Hajime Yamashita, one of the core members, had sold a part of his privately stored sound source over the Internet, the whole picture of amazing a…
This fine double LP release combines two full-length albums from the German acid/kraut-folk duo Flute & Voice, which was formed by Mannheim-based multi-instrumentalists Hans Reffert ('Flute') and Hans Brandeis ('Voice'). The debut-LP 'Imaginations Of…
*In process of stocking. 300 copies limited edition* In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually t…
The details of Shikisokuzekuu-Kuusokuzeshiki (1964) are unknown except that it was created at the NHK electronic music studio. According to Toshi Ichiyanagi, there were various discussions about the title, but it would seem to have been eventually br…
"Kumo no Ito" (trans. "The Spider's Thread): "In 1977 I started the project of a musical piece for a female narrator and 4-channel electronic sounds using the text of the well-known Akutagawa novel. I worked with a hand-made analog synthesizer whic…
*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack o…