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CD version. Japanese bluesman Kan Mikami is nothing less than an unalloyed force of nature; a skin-shredding blast of frozen wind from the poor, rural north of Japan that he calls home. In the late 1960s, like thousands of other Japanese young people Mikami made his way to Tokyo in search of a life different from that of his parents. Since then he has forcefully carved out a space for himself in the culture as a modernist poet, a raging folk singer, an author, an actor, an engaging TV personalit…
Huge tip! It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on Otoroku. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again. Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and …
Double CD documenting the magic meeting of one of the all-time great rhythm sections in jazz: percussionist Hamid Drake and bassist William Parker, with London’s brilliant Black Top (Orphy Robinson and Pat Thomas) and Elaine Mitchener. Across two sets the quintet are infectiously energetic and inspired, striding from synchronised heavy groove to star bright solos, whilst incorporating dub effects, guimbri and sumptuous blues piano playing.
Formed by Orphy Robinson and Pat Thomas but always real…
After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
The German band Schatterau returns to Hands in the Dark with their latest release, Übers Jahr ('Throughout the Year'), which follows their acclaimed debut album from 2024. This sophomore effort, as its title implies, delves into the cyclical nature of time and the duality of the transient and the eternal unfolding of events. The album comprises 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as w…
In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reducti…
Since their formation in 1977 Mark Perry’s group Alternative TV have moved far away from their more direct punk rock beginnings into all manner of other areas of music that have sometimes themselves drawn from improvisation, free jazz, industrial and electronic music. On 'Direct Action', Alternative TV’s first studio album since 'Opposing Forces' in 2015, we are presented with six instrumental tracks which steadily rip apart all expectations as they shed all allusions to rock music in favour of …
Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his mo…
**400 copies** Blue Cat is a great live recording taken in June 1991 by Frode Gjerstad in Albany, London, during a UK tour. Musicians on these recordings are: Bobby Bradford - cornet, Frode Gjerstad - alto saxophone, Kent Carter - acoustic bass, John Stevens - drums. Mastered by Arūnas Zujus at MAMAstudios, design by Oskaras Anosovas. Though not specifically billed as such, this archival release from NoBusiness captures a recording from a 1991 UK tour of the group Detail in a quartet formation …
On Across The Borderline, The Byrds blaze through a November 1971 Vancouver concert at PNE Gardens, captured in a limited bootleg edition that documents the band's late‑era country‑rock sound as it stretched between cosmic Americana and road‑worn grit.
Experience King Crimson’s Lizard like never before in the all-new 2025 Elemental Mix by producer David Singleton. Pressed on 200g super-heavyweight vinyl at The Vinyl Factory, this edition features entirely new takes from the original 1970 sessions. Described as “Lizard for those who don’t like Lizard,” it offers a fresh, immersive perspective on a once-polarizing classic. A must-have for fans and collectors alike.
Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Anima ensemble. During that time, Limpe and Paul Fuchs collaborated with the Austrian pianist Friedrich Gulda as well as jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs on Gestrüpp, which was produced and recorded between 2012 and 2014…
WRWTFWW Records is very happy to announce the release of Irish ambient / minimalist producer Gareth Quinn Redmond’s Laistigh den Ghleo, a companion album to Satoshi Ashikawa’s Still Way (Wave Notation 2). The album, available on vinyl and digipack CD for the first time, comes with liner notes by Midori Takada and Gareth Quinn Redmond. "Conceptually derived from the work of Japanese minimalist composer Satoshi Ashikawa, I have composed an album which hopes to engage, enrich and reflect the listen…
Restocked, reduced price. We Release Whatever The Fuck We Want Records present a reissue of the extraterrestrial cult classic The Sound Of The UFOs, a collaborative effort between Swiss jazz and electronic music icon Bruno Spoerri and innovative drummer extraordinaire Reto Weber, available on vinyl for the first time since its original release in 1978. Recorded live in Zurich in March 1978, The Sound Of The UFOs finds Bruno and Reto improvising with a vast array of classic and customized synths …
Ben Kaczor and Niculin Barandun reveal their debut album on Dial Records, dedicated to the healing properties of sound. "Pointed Frequencies" contains six mesmerizing compositions. The collaboration between Niculin Barandun and Ben Kaczor started in 2022 with a carte blanche for an audiovisual show at Digital Art Festival Zurich. While working on the performance, a common understanding of sound aesthetics emerged and the foundation for the duo’s project was laid. At that time Ben Kaczor studied …
Big Tip! Basil Kirchin, a forgotten genius of post-war British music, was an influential jazz drummer, creative free-spirit and pioneer of Musique Concrète. He spent most of his life living and working in Hull, the 2017 UK City of Culture, which is honouring him as part of their celebrations. Kirchin wrote a number of albums for the de Wolfe Music library, working with fellow composers John Coleman & Jack Nathan to create some of the most sought-after and cult recordings.
*In process of stocking* As a member of the all-star Jazz Epistles in the late 1950s, saxophonist Kippie Moeketsi (also spelled Moketsi during his tenure with the As-Shams record label in the 1970s) was one of the pioneering forces of modern South African jazz. While Jazz Epistles bandmates Hugh Masekela and Abdullah Ibrahim would go on to build their careers in the United States in the 1970s, it was at home in South Africa that Moeketsi would leave his mark on the domestic jazz discography. Fro…
The album represents an opportunity for the globetrotting family trio to explore their origins. Tengger means ultimate expanded sky in Mongolian. The album finds Tengger accepting the mood of the world, using the motion of wind and waves as sonic inspiration. Tengger’s interest in cosmology reflects in their outlook and lyrical approach. In their words “the sound starts from the breaking dawn and circulates around until the night sky and the milky way.”Opening single "Panaptu" offers a reverent …
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…