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LP version, on 180 gram vinyl. This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel (BB 055CD/LP) and Jardin Au Fou (BB 023CD/LP) had seen the process set in motion, this was the album that completed the transition. Following the Selbstportraits, which had at least been created through the use of electr…
Taking cues from pop, experimentalism, & minimalism TAPE has become recognized internationally for it's "luminarium of sound where past & present merge at the speed of light." Released on CD by Hapna in 2008, Immune is proud to release "Luminarium" on vinyl for the first time.
Robedoor have acquired a "drummer/modular synth dealer" since last we heard from them, and with this new LP - their first since last year's Endlessly Blazing - they let fly with their newly enhanced line-up, stirring up smudged-out psych nightmares that sound like they're being performed from somewhere deep within a cave system. In fact, if the blind flesh-eating monsters from The Descent had a house band, 'Indo Shadow' might be the outcome. The album's second half is especially good, with the f…
The fourth and final album to be released during Faust's original lifespan, originally released by Virgin Records in 1973. "As an album, IV matches the band's trajectory: Jumbled, fragmented, with random data integrity issues, but seeming more the brainchild of inspired pop anarchists than calculating avant-gardists. Yes, the record sounds more 'professional' than any of their others, but somehow that doesn't actually equate to slick sounds: Opener 'Krautrock' (which Irmler says wa…
Le Piano Demécanisé is a vinyl album with music played on a dismantled piano. The release of the album goes in tandem with the publication of the new issue of RTRSRCH magazine, in which Frederik Croene presents the text accompanying the LP. The LP was pressed in an edition of 500, sleeve design by Joris Verdoodt." Overall the music has a very contemplative and percussive nature. Either with hands, sticks or bows, he gently approaches the piano and works on it, very much like both a comp…
Excellent split with Ryan Garbes and Shawn Reed’s Wet Hair delivering one of their most perfectly articulated runs of psychedelic pop narcosis with aspects of late Spacemen 3/Spectrum, Silver Apples, Boston garage, classic Kraut radiophonia and an approach to melodic song styles that has aspects of Woods. Naked On The Vague go back to their original duo line-up for their side, by far their most interesting set-up, with a darker/heavier Industrial aspect than on their recent Siltbreeze LP a…
Last copies...180 gram orange vinyl with gold mixed in, cover by Mike Rudolph. Recorded on 11/04/04 and 3/13/05 by Mike Johnston & Dennis Gonzales. Dennis Gonzalez (trumpet, percussion); Faruq Z. Bey (tenor, alto sax, gong); Mike Carey (tenor sax, bass clarinet); Skeeter C.R. Shelton (tenor, soprano sax); Mike Gilmore (vibes, marimba, saz, tamboura); Mike Johnston (bass, percussion); Nick Ashton (drums, percussion). 3rd vinyl release on Qbico by this great ensemble. Here, as a septet with specia…
An absolutely great (silkscreend, tip-on style cover) reissue of Peter Brötzmann's Machine Gun LP. Peter Brötzmann, tenor sax, baritone sax. Willem Breuker, tenor sax, bass clarinet. Evan Parker, tenor sax. Fred Van Hove, piano. Peter Kowald, double bass. Buschi Niebergall, double bass. Han Bennink, drums. Svenke Johansson, drums. Recorded in 1969 the music still sounds armed and dangerous.
Burn those guitars kids >>>> Synthesizers are all the rage! Heheh it seems there is a new wave of synthesizer music happening at the moment. I must admit I've not heard of this guy before but looking at his discography he's been busy with a ton of underground releases. Here he is totally in New Age mode, another style that seems to have been rejuvenated. I'm digging the computer graphics retro New Age cosmic cyber imagery on the sleeve and it really suits the music. In many ways it harks …
"Previously, a boy dreams the dreams of many other boys. He meets three other boys and they dream together. Sadly, one of his co-dreamer's dreams become nightmare. In an effort to avoid seeing their own dreams relegated back to sleeping, our hero and his fair dreaming compatriots leave their troubled friend to face his nightmares on his own. His nightcap is quickly filled and the boys march forward, eventually seeing all of their dreams made manifest. In this installment our boy has beco…
Mind Over Mirrors might not be a familiar name to most, but the brain behind the project, Jaime Fennelly, has been involved in numerous acclaimed and respected projects over the last few years. Primarily known for his work as an integral member of Peeesseye, he's also involved with Acid Birds, Manpack Variant and Phantom Limb & Bison. The Voice Rolling is his first solo record in five years and the first under this new moniker.First and foremost, this is a harmonium record and that's important t…
Nobody knows what a Brainbomb is, but with the sounds of this record strapped close to your skull you will not need your fancy pants college thesaurus to figure out exactly what the meaning is. This record is maximum, in-the-red and dealing with more issues than a year of after school specials. Sounds like a fried out speaker blowing a mix of Detroit fueled orgy fun and evil bad-assery. Driving around in your car, being tired, picking up hitchhikers and killing them with hammers and scre…
Arizona's Graves at Sea churn out two crushing tracks of thick and murky doom bubbling through a thin layer of blackened crust. Think Grief, 13, or Burning Witch and you're halfway there. 20 minutes of nauseating downtuned sludge brought to you by four sun baked freaks from the desert. Asunder return with a new 20 minute track of gargantuan sludge. Funeral doom from the ghetto.
THE WIRE'S BEST OF 2010! While Morse followed traditional avenues of rugged folk narrative tinged w/ psychedelic foxing, Mass is an unchartered, one-way trip through a world of ritual. Broken guitars, percussive loops, backwards tracking, a (home-made) glass harmonium, lullabies, bagpipe thievery & the odd bit of fighting talk are just some of the many bricks laid here. New Zealand’s Alastair Galbraith, while originally coming from the Flying Nun stable of bands, has for many years now been…
Another highly sought-after pressing from the Olde English Spelling Bee, this time from Christelle Gualdi aka Stellar Om Source, featuring Daniel Lopatin aka Oneohtrix Point never* Intrepid sci-fi soundtrack-y synth excursions from the mind of electronic visionary, Christelle Gualdi aka Stellar Om Source, collated by the good folk at Olde English Spelling Bee. 'Trilogy Select' is essentially a directors cut of tracks taken from Stellar Om Source's trio of self-released CDr albums made bet…
'Concussion Summer' on Not Not Fun is by a merry band of travelers called Social Junk. I've never had concussion but I was hoping to this summer, sadly there's been no decent weather for me to go out tree climbing or trying to get myself set upon by gangs of local toughs. Next year, eh? It's kind of hard to know what to say about this LP really, other than I like it. Some bits are noisy and lo-fi tribal a bit like that amazing Heavy Winged LP from a couple of weeks back and there are even…
Surely this can only be the work of the ultra mysterious Sam Meringue (Matrix Metals, Flashback Repository, Explorers) etc. I believe at one point this guy was actually suspected to be James Ferraro which isn't difficult to believe as their work has very similar qualities. Anyway this is apparently an "esoteric glam-damaged concept record about Berlin nightclubs and foxy ladies" and listening to the tracks it makes sense. At times sounding like Ariel Pink being sucked into some phazer vort…
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
The first full-length of this heavily active live unit from Providence, RI. There is no solid footing in shallow waters. Only a suffocating hail of falling rock, strangling vines, and sinkholes. It is with rare exception that voice spits the last of breaths, the dying breaths, with such spite. Like a rabbit trapped in the hole of the snake's throat, this duo comprised of members of Immaculate:Grotesque and Em Dath Rir batter and tear their way through six tracks of power electronics eco-fallout …