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When driving a band with his upright bass, Charles Mingus looked -and was- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic.

2023 repress; LP version. "It's been ten years since Bill Orcutt released A History of Every One (EMEGO 173CD, 2013), a compendium of hacksaw renditions of American standards on acoustic guitar -- and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of e…

Re-mastered edition of the 1971 album performed by the legendary enterprise consisting of John McLaughlin on guitars, John Surman on reeds, Karl Berger on vibes, Stu Martin on drums, and Dave Holland on bass. Recorded at the end of May 1970 at the Apostolic Studios in New York, “Fortune Smiles” is a jazz fusion LP that sees all five musicians experimenting equally with their outstanding music qualities. Released here as a picture disc and featuring the original Dawn Records folded insert, the al…

2025 stock The Destroyed Room: B-sides And Rarities, a band-chosen collection of near-hidden Sonic Youth gems. The album brings together songs from throughout the band's career with Geffen, focusing on tracks previously available only on vinyl, limited-release compilations, or as b-sides to international singles. The tracks were hand picked by the band and also include material that has never before been released.

**100 copies** in Pat Murano's words: in 2014, I lost my way. The path that I confidently strode my entire adult life was abruptly lost to a chaotic bramble of sadness, doubt and loss. After a few years of being truly unable to engage with my music, I began a new practice. The idea was to immerse myself in the surrounding incidental environmental sounds, beginning my music there. In retrospect, I can now fully appreciate why this appealed to me so deeply. This ritual was an attempt to attune mys…

*100 copies limited edition* Limited to 100 Numbered LPs housed in thick silk screened cardstock New dimensions of silence,solitude and isolation found us all in the spring of 2020. Herein lies a document of my own personal journey. Recorded outside and alone

100 copies limited edition* Daksina presents Niente Piu Canzoni by The No Neck Blues Band. Recorded in Marseille 2009

Instant Music is the trio of Bernd Schöll (Bass, Vocals, Rhythm), Mike Hauer (Guitar, Synth, Percussion) and Marion Siekmann (Vocals) from Munich, Germany. They formed in 1980 after meeting through mutual friends attending the local art and graphic design school. The trio were dissatisfied with their surrounding musical environment. Inspired by the Velvet Underground, Kraftwerk, and Giorgio Moroder, they set out to create their own brand of Neue Deutsche Welle fusing Dada, disco and Krautrock.Ov…

*2025 stock.180g HQ vinyl with Obi Strip* First time vinyl reissue. Remastered and cut from the 1st generation Nippon Columbia original mastertape. Profeller, a label specializing in rock music under the umbrella of Nippon Columbia (the oldest record company in Japan), was founded in 1971 by Tadataka Watanabe, who is also the producer of Flower Travellin’ Band’s Anywhere, Strawberry Path’s When The Raven Has Come To The Earth. Closed in 1973 and only existing for less than three years, Propeller…

CD Version Live/Dead is the first official live album (and fourth overall) released by the rock band Grateful Dead. Recorded over a series of concerts in early 1969 and released later the same year, it was the first live rock album to use 16-track recording. "The Grateful Dead's fourth title was likewise their first extended concert recording. Spread over two LPs, Live/Dead (1969) finally was able to relay the intrinsic sonic magnificence of a Dead show in real time. Additionally, it unleashed s…

* First ever reissues of this iconic demonic slice of Saturnian splendor, one of the most coveted releases in the Ra canon! Features the emblematic “Nuclear War” anthem, earmarked to be played like an air raid siren when we as a society decide to pack up and call it a planet. A cut further popularized by Yo La Tengo. Stunning new cover art blending favorite elements from the handmade original Saturn pressings. * While the most renown track in this omniversal opus is the atomic expletive-filled r…

* Limited Edition of 700 copies. 180 grams black vinyl. Gatefold cover, printed innerbags. Comes with a 6-page booklet.* Silence present a reissue of legendary live album from Sweden's own Woodstock, Gärdesfesterna, the start of the Swedish alternative music movement. It's hard to imagine an album with a greater symbolic significance than the 2LP set ”Festen på Gärdet”, recorded at the second of the two festivals held at the Gärdet field in Stockholm in 1970, with Träd Gräs Och Stenar and especi…

"Vinylization of the first cassette released by Tony Pasquarosa's incredible scuzz-punk project Burnt Envelope. Tony is well known for his multifarious guises (Crystalline Roses, World Domination,Gluebag, etc.) and membership of Frozen Corn,Aerosols, and whatever else might have happened this past week. Alien Nation documents the first imaginary seven singles by the 'band,' ranging from garage-spew in the proto-punk vein to brutalist groin thunder. Version Sound's Bob Moore has compared Burnt En…

160-gram DMM LP version. Limited edition of 350. Includes download code. Immortal Light is the debut solo album by psychedelic folk guitarist-singer-songwriter Buck Curran. Since 2005, Curran has recorded and performed as one half of the psych-folk duo Arborea. To date, Arborea has released five albums, including 2013's ESP-Disk' release Fortress of the Sun (ESPDISK 5002CD/LP). Curran's music has developed through a decade of playing with Arborea, and the experience of playing blues and folk thr…

Realistic IX, the third full-length by the duo of Michael Jones and Turk Dietrich aka Belong, is both an expansion and excavation of their signature acid-washed songcraft. Bleached guitars, metronomic drums, and buried voices rev, swirl, and seethe across shifting gradients of haze and hypnosis, alternately driving and diffuse. Melodies surge closer to the surface, flexing their form before resubmerging into quickening currents of feedback. Elsewhere the elements dissipate into a dusk of murk an…

An original member of Soft Machine, Kevin Ayers embarked on a solo career following a US tour with the Jimi Hendrix Experience in 1968. He was one of the first signings to EMI’s Progressive imprint Harvest and recorded his debut album in the Summer of 1969 at Abbey Road studios. ‘Joy Of A Toy’ is a classic of psychedelic and progressive rock, featuring contributions from his former Soft Machine band mates, David Bedford and such wonderful songs as ‘The Lady Rachel’, ‘Stop This Train (Again Doing…

Vinylization of the splendid 2021 cassette, issued by Garden Portal. The music was recorded partially out west in San Francisco and Point Reyes (hence the title), as well as in Jeffrey Alexander's current locale of Philadelphia. An instrumental addition to Alexander's canon, the music was mostly generated on guitar, but other sonic elements include -- bass, pebbles, fake mellotron, waves, moog, shells, fife, magnetic tape, and talking book phonograph. The results are a sweet, rural stroll throug…

Double CD with Suite blanche, composition, and Angelica, a live concert.

1990 release. Some of "Blue" Gene Tyranny's greatest keyboard works/performances can be found here on Free Delivery. The Nocturne With and Without Memory was commissioned by Lois Svard and has also been recorded by her for Lovely Music (LCD 3051CD, 1994). Sunrise or Sunset in Texas is from Philip Makanna's film The Crack of Dawn (1983). Personnel: "Blue" Gene Tyranny - acoustic and electronic keyboards; Timothy Buckley - accordion; Joel Ryan - computer analysis.

Recorded on December 22, 1973 in New York City at the famous Town Hall, this eclectic ESPDisk-sponsored celebration of the Comet Kohoutek featured a fire eater, talking drums, and dancers in platform shoes, in addition to Sun Ra's Arkestra. After taking the stage ninety minutes late, the band expertly navigates its way through cosmic free playing, big-band romps, and didactic vocal numbers. Compared to the original pressing, this re-issue is digitally remastered by Joe Phillips and includes brie…

"In 1966, the late Steve Lacy visited the new ESP-DISK office at 156 Fifth Avenue with a master tape of his concert in Buenos Aires with his quartet... He offered to sell the master for what I thought was an exorbitant price. I bought it. ... In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing." - Bernard Stollman "Soprano saxophonist Steve Lacy's impressive career was filled with man…

2025 stock Coming from the same Lower East Side scene that had already delivered the Fugs to ESP-Disk’, when the Godz went into the studio in 1966, there was no precedent for what they did. The first albums of the Velvet Underground and the Stooges lay in the future. The title Contact High with the Godz might suggest psychedelia, but even that freewheeling style, still yet to blossom, would come nowhere near the freedom and sheer avant-gardeness of the Godz' first LP. They were not afraid to sou…

2013 reissue; originally released in 1966. The first North American CD release of the "electric newspaper," an archetypal '60s counterculture "happening" from August 6, 1966, this is also the first edition anywhere since the original vinyl to include the lengthy closing track, "Interview with Hairy." A legendary all-star cast of performers got together to make an anti-war collage of words and sounds that defies mere track listings -- one of the elements is "Silence" by Andy Warhol, which, contr…

Two years following his work 'Monumento Fiume', Giovanni Lami returns to Kohlhaas with a new release, once again investigating the intricate relationships between memory, the sonic medium, and decay. 'Eikon' originates from a series of acoustic cello recordings, subsequently disassembled and transformed by Lami, resulting in a unique deconstructed and layered object, lying somewhere at the intersection of soundtrack, decomposed ambient and video game music, shaped through the use of samplers, a …

2004 release ** Oversize card sleeve. Ulrich Böttcher: percussion, electronics. Uwe Buhrdorf: clarinet, electronics. Ulrich Phillipp: bass, electronics. Since 1994 Maxwells Dämon has been playing improvised music with electro-acoustic instruments. The trio works beneath the surface of cleanly structured contexts to explore the molecular structure of music. With the music on 'Stillte post', Maxwells Dämon expands their fragmentary approach extending it to the field of postproduction. The recorded…

*100 copies limited release* The twelve jagged audio collages found on Colin Andrew Sheffield's "Serenade" shift from blurry abstractions to choppy sound art to mournful plundered passages, always with the singular stylistic approach the composer has developed over the last 25+ years of activity. As the follow-up to his previous full-length release, the critically acclaimed "Images" (2023), "Serenade" picks up where that album left off, although with an expanded sonic palette of funk, soul, jazz…

Biggest Tip! 51 year anniversary edition pressing including a single with Bob Hund covering a Philemon Arthur & the Dung song, and Philemon Arthur & the Dung covering Bob Hund. No lyric insert as the original pressing, but an interview on the slipcase.  It compiles the complete works of this strange Swedish duo, including their lone self-titled LP release from 1972 (which supposedly won a Grammy in Sweden and is considered "the most cult album in Sweden ever") and a cassette-only follow up from …

Francesco Anselmo, also known as Lee Selmoco, Dorsey Dodd, Alex Brown, Arsenio Bracco or Tommy Ruff, is an Italian keyboardist that covered the role of of artistic director for Vedette Records, historical Italian imprint founded by director and violinist Armando Sciascia, and also recorded for its notorious Phase 6 Super Stereo, its sub-label focused on instrumental records and production music. "Mosaico (Le Tastiere Di Lee Selmoco)" is an incredible display of his creative and composing skills,…

From the always remarkable hands of Blank Forms come two new stunning LPs from the Stockholm based composer Ellen Arkbro: “Nightclouds”, comprising five minimalist improvisations for solo organ, and “How do I know if my cat likes me?”, made within a trio comprising Hanne Lippard and Hampus Lindwall, interweaving wry conceptualism and topical humor with poetics, voice, texture, and tone. Each absolutely brilliant and distinct, they stand as some of the most exciting works we've encountered from A…

In the landscape of early electronic music, few projects operated with the conceptual rigor and interdisciplinary ambition of Monoton. Founded in 1979 by hypermedia pioneer Konrad Becker, this Vienna-based collective emerged not as a band in any conventional sense but as an ongoing investigation into what they termed "bionic psycho-active automat music"—compositions derived from mathematical structures and natural constants rather than traditional melodic intuition. Eight Lost Tracks documents M…

In 1976, Swedish progressive folk-rock band Kebnekaise released their most audacious statement: Ljus från Afrika (Light from Africa), an album that traded their familiar Nordic melodies for an entirely African repertoire. What could have been cultural appropriation instead became something more nuanced—a document of genuine musical exchange that emerged from years of collaboration and friendship. The album's genesis lies in the band's relationship with Hassan Bah, a percussionist from Guinea-Con…

“Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer. “Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano an…

Limited edition on crystal clear vinyl. A really moody little record from Ennio Morricone – spare, subtle, and extremely beautiful – touched with notes of sadness and remorse, but also handled with a strong spirit of redemption, “La Califfa" (1970) is a rare example, probably very rare, in which the director and author of the book on which the film is inspired coincide; we're talking about Antonio Bevilacqua, who won the Nastro D'Argento prize as Best New Director with this film. The film deals …

One of the greatest soundtracks ever from the legendary Ennio Morricone – a real standard-setting record that's one of the top choices we go to again and again to illustrate the genius of his music! The score is a fantastic mix of the two best sides of Morricone's work – the kind of light, lilting melodies that are schooled in bossa, but turned loose on their own devices – and the darker, more atonal passages that would come to play more strongly during the 70s. The light wins over the darkness …

* Red vinyl edition * Milano Odia: La polizia non può sparare, a 1974 movie directed by Umberto Lenzi, is the quintessence of the Italian police films. Not only, it's even more violent and extreme than usual, with one of the best interpretations ever by the Cuban actor Tomas Milian.The soundtrack for the film is commissioned to Ennio Morricone, who at the time was already a full-time score composer, and had already worked in the same field. The Maestro wrote the entire OST starting from a single…

“La Ragazza dal Pigiama Giallo” (The Pyjama Girl Case) is a 1977 crime film directed by Flavio Mogherini, peculiarly set in Australia and featuring an exceptional international cast starring actors Ray Milland and Mel Ferrer. The soundtrack composed by Riz Ortolani ("Cannibal Holocaust", "Zeder"), is mainly characterized by a funk-rock pace, with melancholy and romantic moments ("Un uomo nella strada") alternating with others that are more intense and thrilling ("La fuga"); the electronic sounds…

Light and breezy, pure and easy, that’s how I spent most of last week, and this album was a great soundtrack for it.  Osmar Milito is an interesting figure in Brazilian jazz, having a hand in the famous Canecão club in Rio and playing with the likes of Sylvia Telles, Leny Andrade, and Flora Purim early in his career, and later on doing lots of soundtrack work for those venerable Brazilian exports, telenovelas.  His post-bossa nova records are collectible for a reason: they’re damn good listening…

In 1975, the lead album "Fragment" by the acclaimed UK jazz pianist John Taylor, which was previously only released on cassette tape and hailed as a gem of UK jazz, is now being remastered and released for the first time on 2LP

Big tip! The Kiyosato Museum of Contemporary Art was located in Kiyosato, Yamanashi prefecture from 1990 to 2014. It was a private art museum with a permanent exhibit based on a collection of unrivalled scale. The museum also collected and mounted exhibitions on the work of radical contemporary composers, including John Cage. The museum’s primary informant on music was sound designer Yutaka Hirose, one of the pioneers of Japan’s environmental music (kankyō ongaku) movement in the 1980s. In 1992,…

2025 repress. “Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film scores.