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Strange Songs (For Voice And Bird Calls)
‘Multiphonic trills and yodels, loops of ululations, sudden percussive outbursts, warbling glissandi… sculptural, oscillating, swirling tone-colours… the human voice dissolving into the sounds of birds, machines, electronics, scraps of otherworldly language.’Ute was a student of Henning Christiansen and Allan Kaprow; she is a collaborator of Rhodri Davies and Phil Minton, amongst many others.
Wonderful stuff; original, naked, visceral, transfixing, fun. Check it out.
Works 1968-1976 (Friends Edition)
**Limited Friends edition of 99 copies only** Milestone reissue exploration of the legendary Sperm hugely influential late 60's - early 70's electronic music* The Sperm mixed elements of avant-garde music with free jazz and psychedelic pop. Members of Sperm during the years of existence have been Antero Helander, Ilkka Lehtinen, J.O. Mallander, Markus Heikkerö, Mattijuhani Koponen, Nikke Nikamo, Pekka Airaksinen, Peter Widén. By 1970 Pekka started his own label O Records to produce and distribut…
Naldjorlak
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
De Dreit Nien
The Jericho project is fully in line with the approach of the La Nòvia collective from which it originates, a hub for like-minded musicians reinventing regional folk repertoires, marrying traditional French song with minimalism via the use of drone. Jericho is just one of many available permutations of La Nòvia members, with the line-up including Yann Gourdon, Clément Gauthier, Jacques Puech and Antoine Cognet – you could say it’s La Nòvia’s flagship, or super-group. There are no dramatic stylis…
Against The Dark Trees Beyond
They were interesting times, the early eighties. Against a backdrop of cold war and economic crises, the DIY attitude of the earlier punk movement had spawned near countless new genres where artists and bands broke the three-chord guitar mould and experimented with new content matter, singular song structures and – in many cases – new instruments. Synthesizers became affordable and were no longer the sole privilege of rock millionaires. All around the globe, musical creativity boomed as never be…
Galactic Supermarket
In 1974 the Cosmic Jokers were basically Klaus Schulze, Manuel Göttsching, various Ash Ra Tempel and Wallenstein members doing late night jamming. Galactic Supermarket is one of them, and is more rock-oriented than many others. It's no surprise the music bears more than a passing resemblance to Ash Ra Tempel, because of Manuel Göttsching and his guitar playing. Also Jürgen Dollase gives some nice keyboard work, particularly the piano, Farfisa electric piano, synths, and even a little Mellotron. …
Strange Bedfellow
White Heaven’s second album, Strange Bedfellow, is one of the great unsung albums of the 90’s Japanese underground. Released two years after their striking debut, Out, the album reveals the group shifting to a more dynamic and finely honed sound. You Ishihara’s songwriting & arrangements take center stage, leading the group to transmute classic west coast psychedelia and garage into a thrillingly direct collection of songs that span from fuzz drenched, driving rockers to smoldering numbers that …
All Hands Bury The Cliffs At Sea
After last year’s Black Clouds Above The Bows, Amsterdam-based collective Wanderwelle presents the second entry of their trilogy for Important Records, which is dedicated to telling the story of the climate crisis and its effects on coastal areas around the globe. For this album the artists incorporated the sound of a dying organ.
All Hands Bury The Cliffs At Sea consists of electro-acoustic threnodies for an environment at risk due to the effects caused by receding coastlines around the globe. …
La Roue Ferris
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 18 pages (ill.) ** Restored manuscript from the composer Bernard Parmegiani, historical documentation about the 1971 acousmatic work & genesis. "'La Roue Ferris' (The Ferris Wheel) becomes part of its own resonance, its variations relentlessly kept up as it spins. It simply traces a movement which evolves regularly around a stationary axis. Each spin generates sounds of various thicknesses, their successive, interpenetrating lay…
Untitled
Robert Rental was the stage name of Robert Donnachie (1952–2000), a British pioneer of post-punk, DIY, and industrial music. Originally from Port Glasgow, Scotland, he moved to the south of England with Thomas Leer in the late 1970s where he met Glenn Michael Wallis. Glenn was recording music with the group Heute and leaving to start his solo projects NKVD and Konstruktivists. Both were heavily involved with Throbbing Gristle and the Industrial Records crew.
In the Summer of 1979, Robert invited…
Paralysis
Robert Rental is an artist as influential as he is overlooked. An anchor of the early British DIY and post-punk scene, his name is most frequently uttered alongside illustrious collaborators such as Thomas Leer and Daniel Miller. Dark Entries and Optimo ally to illuminate some of Rental’s early solo works with an expanded reissue of his debut 7” Paralysis /A.C.C.. Both labels have previously excavated Rental’s catalog; we reissued the collaborative LP with Glenn Wallis in 2017, and Optimo releas…
Working Touch (USB)
USB in digipak; 11 films, three hours 55 minutes. Films includes: Praised Fan, for bassoon (2016, 17 min) Dafne Vicente-Sandoval, bassoon. Commissioned for the Adelaide Festival, Australia, by Ilan Volkov. Material recorded at Marcus Schmickler's P I E T H O P R A X I S studio in Koln, Germany. First Out, for guitar (2015, 22:14) David First, guitar. Completed in November 2015 in Hong Kong. Premiered on Czech Radio in Prague, Czech Republic, Nov. 27 2015. Material recorded at Berklee School of M…
Almadies
**200 copies** An evening in 1995. In a quiet house in Dakar, one guitarist pushes an acoustic guitar in the hands of another. It was a small Eastern European instrument with special nylon strings, bought for little money in a Brussels music store. Pierre Van Dormael had purchased several before traveling to Senegal, for his students at the Conservatory of Dakar. The other musician: Karl Van Deun. He spent his vacation in West-Africa, with his comrade and teacher. During one of those clammy Afri…
Let's Drink the Sea and Dance
Aspen Edities introduces a new duo project by guitar brothers Frederik Leroux and Ruben Machtelinckx in which banjo and woodblocks share the main part. The duo has already collaborated in the past (... Aspen 007, When The Shade Is Stretched, one of our favourite picks of 2018...) and this time they came up with a new name to officially baptize their project, Poor Isa. It looks like the latest Aspen Edities releases share an inspiration for the deep blue and Let's Drink the Sea and Dance makes no…
Sea Legs / Hum Back
**300 copies** Belgian label Aspes Edities brings us an interesting split album by American multi-instrumentalist Shahzad Ali Ismaily - who has played for Tom Waits, Ceramic Dog and Laurie Anderson - and Belgian euphonium player and improviser Niels Van Heertum, who is having his second release on the label. The deep blue is the common denominator on this LP. On the first side - entitled Sea Legs - Ismaily offers one long and sparse composition that prominently features guitar and banjo, but als…
Evergreen
Belgian euphonium player Niels Van Heertum leads the acoustic quartet Veder. After the minimalism of his solo album JK's Kamer +50.92509° +03.84800° (on Smeraldina-Rima)—on which he also played tuba, trumpet & electronics—Van Heertum turns to the sort of chamber jazz played on his previous collaborations with guitarist Ruben Machtelinckx. Felt like old folk (Smeraldina Rima, 2015) and especially mono no aware (Aspen Edities, 2017) presented him as part of an acoustic, often improvisational ensem…
This Is the Right Path
Tip! *350 copies limited edition* “ Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused.…
The Surveillance Lounge
Longtime collaborators NWW and Aranos align their visions to a deeply psychedelic, minimalist focus on their self-released 2013 double album. Also considered relative neighbours on the rugged West Coast of Ireland, Nurse With Wound and multi-instrumentalist Aranos here reprise a creative relationship ongoing since 1997’s ‘Acts of Senseless Beauty’, with just shy of 2 hours of metaphysical drift; departing with the anaesthetising atmospheres and creepy piano of ‘Letter From Torpor (Draft)’, and …
Dreamlab
CD edition. 2022 remastered edition. In 1975, the second album of the Berlin based electronic group Mythos was released. Mastermind Stephan Kaske and his band present the typical sound cascades and sequences of the Berlin school. Similar to the works of several other fellow artists on the same label, the album develops a science fiction concept around the story of an extraterrestrial visitor on a journey to Earth. Dreamlab is predominantly made up of peaceful and relaxed music. The meter is ofte…
Where Is Brooklyn?
Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Blue Note founders Alfred Lion and Francis Wolff had open ears and open minds, as they proved time and time again through the early-1960s as they documented some of the most adventurous players of the modern jazz scene like Andrew Hill, Eric Dolphy, and Tony Williams. But it wasn’t until they brought Ornette Coleman and Don Cherry to Blue Note in 1965 that t…