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3 Angels / 3 Hjørner
*Transparent purple vinyl. Limited edition of 100 copies.* Installation soundtrack from Martin Erik Andersen's installation 'ALLE LIGE VEJE LEDER HJEM / EVERY STRAIGHT ROAD LEADS HOME' 2006Originally created as an installation for a private home. Modified version exhibited at Galleri Møller Witt 2006.
The Gospel of Truth / Auf Der Exernsteine
**2019 stock** Martin Erik Andersen was born in 1964 and lives and works in Copenhagen, Denmark. He studied at Al-Fonun Al-Gamila (The Fine Arts Academy) in Cairo (1989-90) and graduated from The Royal Danish Academy of Fine Arts (1992). Major solo exhibitions include Horsens Kunstmusem, Horsens (2009) and Holstebro Kunstmuseum, Holstebro (2008). Since 2009 Martin Erik Andersen has been Professor at the Danish Academy of Fine Arts in Copenhagen, Denmark. The self-released The Gospel of Truth / A…
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*200 copies, LP, 180 gr. vinyl*. Olga Szymula is polish experimental sound maker and performer. She currently lives and creates her electro-acoustic worlds in Denmark. Her works take forms in concerts, records, film scores, installations and performances. She bends and plays around with music forms, combining playful melodies and songs with abstract forms and noises. Her debut LP is "like a toothpaste tube of psilocybin rainbows and juttering dislocations. A sizzle of torn circuitries and bright…
Яркаятьма - In The Bright Darkness
Creutzfeldt Jakobs is a strange instrumental pop band from Malmo, Sweden; their music is "inspired by old BBC-soundtracks and early 80´s balkan-synth scene, composed and recorded using old synths, tape decks and other forms of obsolete technology"; their songs talk about the history of the Soviet Union, with particular interest for the Perestroika-era. Well, something bizarre enough to make us fall in love immediately! "In the bright darkness" is a romantic concept album about the illusions, dr…
Monofuture
Evanescent lights in the night. Dirty cities. Cruel concrete buildings soaring in an ashen sky. On the paths of our imagination, dreams and fears intersect, generating accidents and strange mythologies of a near future. Cavern plays with the anguished fantasies of retro-futuristic sci-fi to compose deep and pulsating music that conveys a sense of agonizing wait. Here in the HDK headquarters we immediately fell in love with Cavern's music and decided to publish a cassette anthology entitled "Mon…
Perils In The Slums Scenario Three: The Maze Of Death
*100 coipes limited edition* Welcome to the third and final episode of the Perils in the slums saga! In the previous episode ("The corrupt magicians") our heroes found a key with a strange symbol, the same one they saw on the closed hatch in the orcs' basement (see Perils in the slums 1: the orcs commune). They then decide to return to the city sewers, re-cross the orcs' hideout and try if, as they think, the key opens the mysterious trapdoor. Obviously it works! They will get access in a new le…
Electric star
In Italy, the Berlin School style of Electronic Music has found poor diffusion in the '70s; few were the musicians who have followed the German cosmic way: surely the most important among them was Baffo Banfi, keyboardist of the prog-band "Biglietto per l'Inferno" and author of beautiful albums with funny titles such as "Galaxy my dear" (1978) and "Ma, Dolce Vita" (1979), that we recommend everyone to listen to. It’s a pleasure to meet today in Italy new disciples of the cosmic couriers such as …
Granular Modality
In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…
Beside Herself
Michele Mercure often dreams of music, and in her waking life, reclaims
fragments of these fleeting, floating melodies in her compositions and
sound art. Beside Herself, an anthology of Mercure’s self-produced and
distributed cassettes released between 1983 and 1990, collects these
dreamlike passages and lo-fi nocturnes, preserving the qualities of
discovery and intimacy surrounding their genesis. Mercure’s sound is a porous electronic art that overlaps ambient,
abstract, and industrial se…
Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
An Evolutionary Music (Original Recordings: 1972 - 1979)
Double CD version...A masterpiece! RVNG seem to be doing an enviable job of unearthing some of the most pre-eminent performers of progressive synthesizer and horizontalist ambient world music and this guy, whose stunning 'Osmose' is rarely off my record deck, is surely one of the most treasured. His work during the 70s is, quite simply, incredibly important to lovers of esoteric spiritual synth music and will leave you with a massive helpless grin and a notable dearth of tension in your m…
For Moussavi Atrium
For Moussavi Atrium is a brand new 38 minute piece from Eleh written for performance at the Cleveland Museum Of Contemporary Art (Cleveland MOCA) on September 28, 2013. " walks into a bar and asks for a pint of beer, the barman scowls at him and refuses. When pressed as to why, he says "I don't like your tone." Meanwhile a drunk in the corner tries to start a chant of "Eleh, give us a wave"...probably a sine it's time to leave.Yup, here's another tonal meditation from extreme minimal chappie…
Home Age 2
One-time edition of 480. Eleh's Home Age series was composed and recorded over a period of five years and it reflects a search for color, form, connection, and growth. The handmade artwork contained in each package was created during the same period of time the music was composed and is an integral part of the meaning of Home Age. For this release, Eleh plays modular and analog synthesizers, piano, organ, bass, and symphonic chimes. Although Home Age is a two-part set, Eleh's upcoming Living Spa…
CXXI (LP)
Black Truffle present the latest offering from underground legend Richard Youngs. Hyperactive since the late 1980s, Youngs is widely celebrated for his remarkably extensive and varied body of recordings. His works range freely over a vast terrain, wandering from tender acoustic balladry to raging psychedelic noise and orchestral D-beat, always imbued with his distinctive, often mournful, melodic sensibility and irrepressible sense of joyous experimentation. Comprised of two side-long pieces, CXX…
Spectral Malsconcities
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble’s unique sonic resources in diverse stylistic setting…
Pioneers of Electronic Music
In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established…
Columbia- Princeton Electronic Music Center 1961- 1973
Works by Bülent Arel, Charles Dodge, Ingram Marshall, Ilhan Mimaroglu, Daria Semegen, Alice Shields. The Columbia-Princeton Electronic Music Center was the first electronic music center to be established in the United States. From 1959 to the late 1970s, it was one of the premiere sound facilities in the world. The vast majority of pieces composed at the Center - approximately three hundred - were composed during this period. Some have become classics of music history. This selection, draw…
Extreme Positions
Philip Corner was an active member of Fluxus, a founder of the Tone Roads Chamber Ensemble, the resident musician and composer for the Judson Dance Theatre, and co-founder of Gamelan Son of Lion. The musical opportunities that these ensembles and their performances offered Corner ensured that he was both prolific and had or developed a deep understanding of the important artistic influences of that time. Corner uses a variety of scoring methods. He is truly the equal of John Cage in forcing us t…
A mist is a collection of points
Michael Pisaro (b. 1961) is a member of the Wandelweiser collective, an international organization of musicians which he has defined as 'a particular group of people who have been committed, over the long term, to sharing their work and working together.' Its members have shared an interest in John Cage and experimental music, and extended durations, indeterminacy, and silence have featured in many works they have made; but Michael Pisaro is quick to point out that the members of the colle…
Words Fail Me
The majestic beauty and savage turbulence that one often beholds while witnessing an awesome act of nature is also evident in Lois V Vierk's vigorous and delicate music. In her meticulously wrought works, she enfolds the rapture of opulent expression in the elegance of formal rigor, a combination that derives much of its power and grace from a sensitive integration of Western experimental practices with the traditional classical music of Japan. "I've always felt equally drawn to the West and to…