We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Intuitus
Vladimir Tarasov - drums, percussion, cimbalom and hunting horn, Eugenijus Kanevicius – bass and electronics, and  Liudas Mockunas - soprano and tenor saxophones, clarinet and bass clarinet. Recorded at Vladimir Tarasov home studio in Vilnius, June 2014. Limited edition of 400 copies.
The Delaware river
400 copies. Cornetist Bobby Bradford and saxophonist Frode Gjerstad have been performing together since they were first introduced in 1986 by drummer John Stevens . Bradford and Gjerstad’s associations date back almost 30 years to their pivotal posts in Detail, Stevens’ short-lived quartet with bassist Johnny Dyani. A bond forged, they reconvened in a variety of contexts over the intervening years. Their most recent collaboration took the form of a quartet with bassist Ingebrigt Haker Flaten and…
Oostum
Edition of 300. A really great setting for drummer Gerry Hemmingway – an album that has him improvising live with trombonist Samuel Blaser – a fantastic musician who's one of the freshest trombone talents we've heard in years! In previous comments, we've liked Blaser to a modern day heir to the genius of 60s trombonists like Roswell Rudd and Grachan Moncur – and those words definitely hold true here, as Blaser delivers a wondrous balance between new sounds and tuneful moments, fresh ideas …
The Major
Nobuyasu Furuya, tenor saxophone, flute, clarinet. Rodrigo Pinheiro, piano. Eduardo Lála, trombone. Hernâni Faustino, contrabass. Gabriel Ferrandini, drums, percussions. Recorded and mixed on 14 and 22 November, 2010 at Namusche Lisbon by Joaquim Monte. All tracks were composed and conducted by Nobuyasu Furuya.
Lift Every Voice and Sing
**500 copies, strictly no repress** Smalltown Supersound are going hard on the free jazz this year - so much so that they've set up new sub-label Actions For Free Jazz to accommodate the load. This was the slogan for Smalltown Superjazzz and was borrowed at the time from Don Cherry and Krystzof Penderecki’s The New Eternal Rhythm Orchestra track Actions For Free Jazz Orchestra from the 1971 album Actions. The inspiration for the label is BYG Actuel, Incus, Freedom and ESP-Disk. AFJ's latest fora…
Pokus
*2022 stcock* pokus m inan Noun attempt, tryexperiment
Passed Me By
*2022 re-press* Andy Stott's radical 2011 bonecrusher returns on its first new pressing for almost a decade, still screwing the dance and heads like nothing else with its lo-sprung suspended takes on boogie dub and claggiest rhythmic thumpers. The sludgy, slow-motion slug of ‘Passed Me By’ marked a pivotal point when Stott swam against the grain of prevailing currents of the post-dubstep era’s turn toward garage-techno and UKF-inspired percussive house. Working loosely adjacent to a then emergen…
L'Escalier des aveugles – Recueil de nouvelles
Bilingual edition (English / French) 27 x 35 cm (spiral bound), 101 pages (ill.)  Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991. This publication around "L'escalier des aveugles" features never released before contents; including notes from the editor, full transcription of the dialogues (Spanish/French/English), historical documentation about the project, sound map, facsimile manuscript from the composer & afterword.Through these 101 pages, you will ha…
Presque Rien n°1 – Le lever du jour au bord de la mer – 1967-70
** Bilingual edition (English / French) 27 x 35 cm (spiral bound), 37 pages (ill.)  ** Historical pictures, texts, indications about project, list of recorded sounds, full edit plan & manuscript facsimile of the piece achieved by the composer at Deutsche Grammophon studios in 1970 in Hannover, from the recordings dated July 1967 in Vela Luka, Croatia. "Following the total disappearance of abstract sounds, this piece could be considered a sonic photographic slide, the outcome of a whole evolution…
Presque Rien n°2 – Ainsi continue la nuit dans ma tête multiple
** Bilingual edition (English / French) 24 x 32 cm (spiral bound), 40 pages (ill.)  ** Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris. "Ten years ago, 'Presque Rien n°1' bore the subtitle 'Sunrise at the Seaside'. This piece of magnetic tape was in fact a sort of report on this daily event. Thinking about Presque Rien later on, I wondered what it was about. Looking for almost nothi…
Dedans-Dehors
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 21 pages (ill.)  ** Facsimile scores and documents about the creation premiered on 28 February 1977 at the Palais des Arts, Paris, by Bernard Parmegiani. "After having used different compositional writing styles (letting the notion of sounds' 'nature' appear through sounds originating from all different types of things, especially in 'De Natura Sonorum'), there still remained the ever-abundant world of the noises that result from…
Enfer
** Bilingual edition (English / French) 35 x 27 cm (spiral bound), 29 pages (ill.)  ** Edited from the Bernard Parmegiani's archives, historical documentation about the project & genesis of the work inspired by The Divine Comedy by Dante, premiered on 5 February 1973 at Théâtre Récamier, Groupe de Recherches Musicales, Paris."To cross Acheron is to feel, within one's depths and by the slow movement of existence's recoil, a sense of mounting anguish 'that draws nearer and pulls back further every…
Pardon me for barging in like this
Limited edition of 600 copies including 16 page book This boxed vinyl set is a treasure trove of rare and out of print noise from the vaults of the legendary early 80’s M.Squared label in Sydney Australia. M-Squared has been probably the best-known independent-label in the late 70’s early 80’s also famous for their incredible rare and sought after Vinyl-Releases of Makers of Dead Travel Fast, Systematics, Scattered Order or SPK. The heavy Box features previously unreleased tracks from Scattered…
Magnetophonics-Australian Underground Music 1978-1984
Outstanding!!! Massive and comprehensive overview of Australian underground music originally released as tapes/cassettes or vinyl between the late '70s and early to mid '80s. The first two LPs, called Edge City Broadcasts are Andrew Lonsdale's (Browning Mummery) selection of rare and essential tracks representing the great variety and diversity of sounds inside the Australian underground music scene of the period. LP3 is dedicated to one side each of label recordings from the Lymph Product…
Fondements Bruitistes 1
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and socia…
Fondements Bruitistes 2
For the first time ever the entire "Fondements Bruitistes" session from 1984 with unreleased tracks. « The Bruitist Foundations of Action » (french title « Fondements Bruitistes d'Action), which came out in october 1984, opens the period in Vivenza's work on Bruitist sound when he started to incorporate the question of the relationship that holds between the technological and mechanical industrial fabric – which makes up the reality of the modern world – and the human and social envir…
Modes reels collectifs
for the first time remastered and presented in vinyl and cd format, is the first work published in 1981 under the unique banner Vivenza, after he performed in the bands Glace (1976) and Mécanique Populaire (1979). It must be seen as a kind of genuine « Manifesto » that will then become emblematic of all his work. By suggesting to us, on a philosophical as well as sonorous point of view, an idea of opening to the real directly inspired from the futuristic theories, Vivenza was the…
Veriti Plastici
Veriti Plastici, the third part of the first works of Vivenza, recorded and completed in 1983, represents a fundamental step in the definitive formalisation of the bruitist sonorous views. Made of very objective industrial atmospheres, this recording will be the bridge between the pure experimental approach, and the rigorous structuring of the works that will be produced later (Fondements Bruitistes - 1984, Réalités Servomécaniques - 1985, Machines - 1985, etc.).  The release of …
Realite De L'Automation Directe
Superb re-issue of 2nd cassette release from 1983! The true futuristic/bruitistic industrial machine sound from this French master! Comes in "heavy duty" oversized deluxe cover, lim./numb. 500 on black 200gr. vinyl. "Bruitism is the representation of a living, biological body, not unrelated but on the contrary intimate to the substance. The nature/technique gap is totally, in The Art of Noises, the most accomplished form of a reconciliation with industrial mechanization. By highlighting the a…
Form Grows Rampant
The Threshold HouseBoys Choir was a project by Peter 'Sleazy' Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end. Despite the name, it was a solo project which relied heavily on computer generated vocals. 'Form Grows Rampant' is the soundtrack of a film shot by Christopherson (a video capture at the GinJae Vegetarian Festival in the south of Thailand) and his first major musical pro…