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Explosions
Probably the first recording (1965!) of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques. Bob James (piano); Barre Philips (bass); Robert Pozar (percussion). Also including Bob Ashley and Gordon Mumma (electronic tape collage). The recording is made of an assembly of estranging electronic sound effects, trite sports commentaries, and the music of a beautifully improvising jazz trio. Bob James has, through this convulsion of out-of…
Parages and Other Electroacoustic Works 1971-1985
Milestone Reissue!!!! Holy grail of musique concrete electronics, Lejeune's epic masterpieces still mesmerizes current audiences: six of Lejeune's best electroacoustic compositions are featured in this 3CD retrospective totaling near three-and-a-half hours of music. Presented chronologically, these works for tape represent a stunning array of themes, images, and destinations covering the years 1971-1985. Throughout Lejeune's compositional development, the informal content of dreams, reflections …
Per Le Strade dell'India
* Original 1977 copies. Comes with a 8 page booklet * voices, small bells, big cymbals, sarangi and drums, street musicians, buskers -- this puzzling collage of a journey made in 1976 on the roads of North India by Aktuala's sitar player Fabrizio Cassano is hypnotizing. It opens the way to the state of trance.
Tapscott and Winds (LP)
Super Tip! * Originally recorded in 1983. A never before released Studio album featuring Horace Tapscott with flautist Aubrey Hart and saxophonist Kafi Roberts. Direct From the 1/4” Master Tapes (All Analog Cut), Tip-On Sleeve Insert with Liner Notes by Mark Weber *
Sharps and Flats
Super Tip! * First official and the absolute definitive version of the album. Originally recorded in 1986, featuring Nate Morgan and Horace Tapscott. Finally on LP as originally intended: straight from the 1/2” Master Tapes (All Analog Cut). With Unseen Photos from the recording session Tip-On Sleeve. Insert with Liner Notes by Mark Weber *
Jesse Sharps And The Wu Ensemble
Privately pressed by the artist in an edition of 400 copies - blue vinyl
Opinions
Torbjörn Zetterberg’s new record, Opinions, is not a conventional “solo” outing. It doesn’t represent the bassist, composer, and bandleader stepping away from all that to prove his mettle as a virtuoso unaccompanied improvisor. Anyone familiar with Zetterberg’s small group recordings needs no confirmation of his prowess. And anyway, strutting his stuff is not his vibe. Certainly not the vibe of this record, where the bassist plays more than bass, a solo venture on which he is occasionally joined…
Prelusion
The definitive version of this triptych of tectonic drift originally released as a CD-R on Sean McCann's own Recital label in 2011. "Our Silhouette," which blankets the whole of the first side with jewel-like piano runs and distant fading synths, may be one of the artist's most elegant moves. The reverse holds two tracks of long-form organ/string plateaus that float elegantly in space, refracting light and sound in patterns around the head.
Core To The Brave
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
Killer Road (A Tribute To Nico)
A shimmering ambient tone, an electronic underlay to the lulling chatter of crickets, makes way for the unmistakable voice of Patti Smith, quietly intoning, ominously, “The killer road is waiting for you / like a finger, pointing in the night.”
Behind the music and concept of Killer Road is international trio Soundwalk Collective – Stephan Crasneanscki, Simone Merli, and Kamran Sadeghi – who, alongside Patti Smith's daughter, Jesse Paris, conceived an immersive exploration of the tragic death o…
Cute
Melbourne based Toy Division (Dick Sallows with help from friends Phillip McKellar (Informatics) and Martin Fripp (sound engineer)) with their fantastic electronic album "Cute” from 1983. The Lp includes a Bonus 7 inch sampler with 4 more tracks previously released on other Temporary Art Tapes between 1981 and 1983.” "Toy Division's music style ranges from ‘Nulabor’ an Aussie ‘Autoban’, to an ambient 'Autumn Trees', to post punk political commentary on 'Beurit' and 'John Wayne once told me’ whi…
Glowing in the Dark
Highly anticipated reissue of the 80's Dance/Synth-Classic "Glowing in the Dark" Originally released on Short Circuit Records (SCR-002) in 1984 it contains the three classic Tracks Glowing in the Dark, Love Changes and The Mannequin. Experimental Products started as a two member synthesizer group in 1982 operating from Philadelphia Pa. Founding members were Mark Wilde and Michael Gross. The band grew to 4 members by 1987. Their self-released Lp 'Prototype' using Analog synthesizers and drum…
De Nederlandse Cassette Catalogus 1983-1987
** Hardcover Edition ** In late 1983, Frans de Waard published the first edition of De Nederlandse Cassette Catalogus, listing all known, independently released cassettes in The Netherlands up to that point. No images, no descriptions, just a list. In the following years, three more editions were published and then De Waard ceased producing these booklets. This book contains all four catalogues, along with a 100-page selection of 'source material, articles from Vinyl, Muziekkrant Oor, De Nieuwe …
Revelation
The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Black Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah / Jazz Composers Orchestra by Se…
Sacred Intent Conversations with Carl Abrahamsson 1986-2019
Three decades of conversations with Genesis P-Orridge, provocateur, artist, gender revolutionary and leader of the bands Coum Transmission, Throbbing Gristle, Psychic TV and more
Call and Response (Book)
Seeing and imagining music in a pandemic: a dialogue of found scenes and inspired sounds between two protagonists of experimental music
Bill Orcutt
LP version. For those not following Bill Orcutt's drift into increasingly ear-friendly orbits in his recent live sets, Bill Orcutt -- his first solo electric studio album -- shocks with its space and sensitivity. On this eponymous record, Orcutt mines the expansiveness and sustain possible on the electric guitar, letting notes spin out and decay at the edge of feedback. His pachinko-parlor pacing, marked by unraveling clockspring accelerandos crashing into unexpectedly suspended tones, is s…
Fantasy In Orbit
Discounted copies, sealed with slightly damaged on corners We Are Busy Bodies announces the official reissue of the seminal 1959 album, The Fascinating World of Electronic Music by the Dutch electronic music pioneers Tom Dissevelt and Kid Baltan. In combining jazz with experimental electronics, the album significantly predates other early renowned popular electronic music productions such as the ‘Dr Who’ theme, realised by Delia Derbyshire at the BBC Radiophonic Workshop (1963) or Wendy Carlos’ …
Zodiac
We Are Busy Bodies announces the officially licensed reissue of the 1966 cosmic, free jazz album Zodiac by French saxophonist and composer Barney Wilen. The album’s astrological theme and Robert Crumb-esque comic-book style cover art, illustrated by the renowned cartoonist Siné, marks it as a European parallel to the burgeoning counter-cultural happenings of the same period in the USA.
The reissue also offers tantalising glimpses of a projected animated tie-in film that never was. Wilen's friend…
R
*200 copies limited edition. * First collaboration between Ralf Wehowsky (Germany) and Richard Francis (New Zealand). On a trip from Auckland over Worpswede to Eggenstein Richard Francis visited Ralf Wehowsky on the weekend of September 28th and 29th, 2013. For the recording sessions taking place during these two days Richard used his analogue synth and electronics, while Ralf had a desktop and a laptop for producing digital electronic sounds at hand. For bridging the anatgonistic sound worlds t…