Best sellers
Body Sound
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read…
Zither Suite
3d and final repress. In the intimate confines of a Kortedala apartment just outside Gothenburg, Gustav Horneij has quietly assembled one of 2024's most compelling statements in spiritual jazz composition. Organic Pulse Ensemble's fifth album, Zither Suite, represents the culmination of a decade-long creative process that transforms modal meditation and ancient Swedish melodies into transcendent chamber folk with deep connections to the spiritual jazz tradition pioneered by Pharoah Sanders and h…
Bamboo Noodles
With Bamboo Noodles, Organic Pulse Ensemble (the one-man project of Gustav Horneij) serves up four deep, groove-laden tracks built around bamboo flute improvisations, blending spiritual jazz, Eastern flavors, and infectious rhythms
◯
Heavenly new age ambient synthesis and 4th world navigations by two leading lights of their field, flocking to a mutual spirit at the behest of Australia’s eternally reliable Good Morning Tapes. Riyl Asa-Chang & Junray, Jon Hassell, Nueen, Enya, David Toop.
Meeting for the first time on record - although it sounds like they’ve been making music together forever - GRM alum Ariel Kalma brings some half a century of experience accrued deep in synth music’s most esoteric realms, to Leaving Records’ …
Togetherness
Recorded in Paris in 1965, Don Cherry’s Togetherness is a five‑part live suite where pocket‑trumpet chants, Gato Barbieri’s searing tenor, vibes and a dancing rhythm section turn early free jazz into something fiercely open yet strangely joyful.
Grinning Cat
With Grinning Cat, Susumu Yokota continues to refine his delicate ambient universe through a dreamlike balance of melody, texture, and silence. The 2001 album merges found sounds, piano fragments, and vaporous rhythms into an otherworldly narrative of domestic tranquility and imaginative reverie.
Nuts of Ay
»Nuts of Ay«, the thirteenth album by the Berlin-based electronic pop duo Tarwater (Ronald Lippok and Bernd Jestram), is their first in a decade, since 2014’s »Adrift«. Beautifully poised and smartly dressed, it's an album that draws Tarwater’s various pasts into a high-definition present, while bringing the duo, yet again, into productive dialogue with all kinds of fellow travellers.
Tarwater’s music has always been marked by a hypnotic pop-ness, but that’s particularly evident on »Nuts of Ay«,…
After the Last Sky
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
Into The Groove / Into The Grind
Recuperation and reinventing from Elements 2021/22 took quite a long time. Sustainability in writing long pieces became fully questionable. In the meantime, finding joy in creating small forms; powerful and groovy pieces became an obsession which created two fundamentally different cycle of pieces -"Into The Groove" and "Into The Grind".
This release represents dualistic concept: could be seen as double EP over two side of vinyl and it also has double cover as well as two editions: normal black…
Orbits • Western Springs • Hieroglyphics 3
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…
Voiceless Mass
Listening is the foundation of Raven Chacon’s (b. 1977) wide-ranging artistic practice. “I am a listener,” he simply declares, but the attention he gives to sound is complex and vast, encompassing far more than what is immediately audible. From his earliest works, Chacon has been dedicated to amplifying the unheard, calling attention to what is absent or unknown. Although Chacon classifies the compositions on this recording as chamber music, all three of these works “zigzag” through his noise st…
Toxic Colour
This collection of pieces originates from environmental sounds recorded using 3D ambisonic microphones. The recordings have been deconstructed, processed, and composed into abstract musical journeys that no longer transport the listener to the original recording locations. Instead, they tell stories— partly of human-made dystopias and partly in search of a melancholic beauty in what the future may hold.“Natasha Barrett’s insightful attention to the spatial and durational character of real-world …
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
PhonoPhantomatics
Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
Oh My, Those Boys!
Edition of 300. Brilliant work from these two very inventive bassists – the legendary Barre Phillips, working on acoustic bass – and Motoharu Yoshizawa, playing an unusual homemade electric vertical 5-string bass! The combination of instruments is beautiful – and with one electric, and one acoustic, you can really separate the voice of each player – even though both Phillips and Yoshizawa resonate strongly together, and really have a complimentary sense of improvisation – a beautiful combination…
Live At Kassiopeia
A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. There are times when one fantasises about the possible collaborations that might have been: Hendrix with Miles Davis, Jeffrey Lee Pierce with R.L Burnside, Capt. Beefheart with Sun Ra ― imagination is a wonderful thing. But when a vault somewhere pops open and a collaboration of two of improvised music's ti…
Viscount Gort - MMXX-16
In our small corner of the world, Oren Ambarchi needs little introduction. He is among the most important and prolific figures within the contemporary landscape of experimental music. First appearing as a drummer on the free jazz scene in Sydney, Australia, during the mid-1980s, by the 1990s Ambarchi had followed the gravity of an intense creative curiosity, subsequently reemerging as visionary electroacoustic pioneer focussed largely on the guitar.With a small group of peers, he helped spawn a …
And The Mexican Jumping Beans
Packaged in a Digipak with a 12-panel insert. Following a trip to Mexico City, Paul Panhuysen returned to Eindhoven with 200 jumping beans - those curious larvae-inhabited seed pods sold as toys in local markets. At Het Apollohuis, he began a series of experiments that would result in this remarkable recording. Panhuysen's practice has long incorporated living creatures alongside electronic devices: "I've worked often with animals, with birds, crickets and goats. I also use sensors, timers, sole…
La Folie. Il Corpo Riflesso
Compilation featuring some of the best Italian industrial acts.
Miniatures 2020
** 2 CDs In A Dvd Case With A Thick 68p Book ** Rer Megacorp presents Miniatures 2020: A 40th Anniversary Tribute To Morgan Fisher's First Collection Of Tiny Masterpieces. This is the third in a noble series: the first was Morgan Fisher's now legendary 1980 classic, then in 2000 his expanded volume two; now - another twenty years on - Volume three, an even further extended homage to Morgan's minimal but cornucopian concept, which was simplicity itself: invite a selected body of artists to make a…