Music from United Kingdom

Rare original LP edition of the 1981 Incus album of fantastic guitar and percussion duets by the guitar master and former King Crimson amazing precussionist.

Rare 1994 CD re-issue on Incus of the 1981 album of fantastic guitar and percussion duets by the guitar master and former King Crimson amazing precussionist.

Original 1987 LP on Les Disques Victo of electric guitar and soprano/alto saxophone duets by these amazing musicians recorded live at the 1986 Victoriaville Festival.

Rare original 1980 LP on Incus with edits from a recording of an amazing concert by 8 distiguished musicians of the British improvisation scene. One of the best Incus albums, never reissued on either LP or CD.

Original 1975 LP on Mosaic.

Original 1971 American edition of Coxhill's diverse and bizarre debut double album, featuring among others David Bedford, Pierre Courbois, Burton Greene, Jasper Van't Hof, Robert Wyatt, Mike Oldfield and Kevin Ayers in disguise.

Original 1976 edition on Incus of Parker's essential first solo album.

Rare second edition on Incus of the very adventurous 1972 first album by the towering imrpovisers' duo using electronics, pre-recordings and homemade instruments.

Original 1972 LP with an overvew of Surman's music in 1968-1969 featuring Tony Oxley, Mike Osborne, Alan Skidmore and Kenny Wheeler among others.

In the vast and uncompromising catalog of Muslimgauze, certain works stand as crystalline statements of Bryn Jones's singular vision—albums that distill decades of political engagement and sonic exploration into their most essential form. Hamas Cinema Gaza Strip, composed less than a year before Jones's untimely passing in 1999, emerges as perhaps his most cohesive and sonically refined release, now returning via the MG Archive series in a limited edition of 200 manually screen-printed copies. T…

In the uncompromising world of Muslimgauze, few releases capture the raw urgency and political fire of Bryn Jones's vision as powerfully as No Human Rights for Arabs in Israel. Now returning via MG Archive Vol. 033 as a double CD in a limited edition of 200 manually screen-printed copies, this confrontational masterpiece stands as one of the most rhythmically relentless and politically potent works in the entire Muslimgauze catalog. The album's genesis reflects the chaotic creative process that …

2006 release ** ""5 Years" is the venerable duo's first release since "Lammergeier" (vhf#58) in 2000. After recording and releasing nearly 20 albums between 1990 and 2000, Richard Youngs and Simon Wickham-Smith decided to try a novel and opposite approach to music making - they met once each year to record a solitary 10 minute track. The results show the duo remarkably unaffected by the half decade that elapsed - the tracks on "5 Years" reflect their long established signature mix of "real human…

*2025 repress* The third album by Canterbury's own Caravan, originally released in 1971, reissued with two full sides of bonus outtakes taken from the album's original recording sessions at A.I.R. and Decca studios in London in 1970-71. This was the last album to feature the original Caravan line-up, before David Sinclair left to form Matching Mole with Robert Wyatt (Soft Machine) later that year. "In the Land of Grey and Pink is considered by many to be a pinnacle release from Caravan. The albu…

Coil’s year 2000 electric storm is their next legendary chapter for legit reissue, exemplifying the fathomless variegation of their vision with overproof levels of digital noise masking deeply trippy song structures.  After tenderising flesh with the reissue of the ‘Musick To Play In The Dark’ volumes, Dais unleash Coil’s tempestuous sore thumb ‘Constant Shallowness Leads To Evil’ for a sharp right swerve into the depths of their profound catalogue. Issued the same year as ‘MTPITD’, as well as ‘…

2025 Much-needed repress. Starting as a rough demo tape recorded solely by Coil member Drew McDowall, Time Machines started to take full form when McDowall enthusiastically delivered these demo recordings to John Balance and Peter "Sleazy" Christopherson as sketches for a new Coil project with the primary goal of shifting Coil’s sound further into a more conceptually abstract direction. Largely recorded in 1997 using single takes, with minimal post production, these four drones contain every int…

Acclaimed Belgian duo Poor Isa (banjoists Ruben Machtelinckx and Frederik Leroux) present their third album, evolving their minimalist style by collaborating with saxophonist Evan Parker and percussionist Ingar Zach. The result is a rich blend of introspective textures and dynamic improvisation.

2025 stock  Nine CD set. This impressive release collates their Decca/Deram years complete with bonus tracks and rare live recordings in a striking box released to coincide with Decca's 90th Anniversary. The English city of Canterbury is home to two highly respected universities, one of the oldest public schools in Britain and, thanks to it's cathedral and being the seat of the Church of England, is at the very heart of English history. It was therefore something of a surprise when a group of mu…

*150 copies limited edition* Richard Youngs is neither a stranger to Fourth Dimension Records or creating music from a disparate array of sources that then fall somewhere near that space where immersive drones converge with something altogether more frayed, ravaged or disquiet. 'Zerkelus', named after an imaginary Babylonian king, comprises two lengthy side-long parts, with the first being akin to something of an extended orchestral tune-up utilising voice, oboe and indiscernible sources to crea…

2025 stock The Third Ear Band first arrived on the scene in the mid 60s as part of the whole underground movement.  They were a favourite at clubs such as UFO and The Middle Earth and they also opened The Rolling Stones’ free concert in Hyde Park on 5th July 1969. As an experimental band using violins, oboe, cello, viola, and hand percussion instruments they didn’t play songs as such but improvised music drawing on Eastern raga forms, and European folk, with experimental and medieval influences …

2025 stock There’s a gulf of contrasts to be heard between Seefeel’s 1993 debut Quique and its 1995 follow-up Succour. Both are searching works in their own right, two shining examples of the fertile crossover of shoegaze and electronic, but it’s clear that, somewhere in the album-to-album transition, things got darker for the project. A growing fascination with the dystopian ends of dub and ambient are thoroughly explored on the Starethrough EP, the first of Seefeel’s recordings for Warp, a spi…