Music from United Kingdom

With the demise of Wire in 1980, founding members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio, Dome took the ethic of "using the studio as a compositional tool" and recorded and released three albums on their own label in the space of 12 months: Dome (DOME 001LP, 2019), Dome 2 (1980), and Dome 3 (1981). A final fourth album, Will You Speak This Word: Dome IV was released on the Norwegian Uniton label in 1982…

2025 stock ** Sholto Dobie is an artist and performer born in Edinburgh and living in London. His solo output is marked by live performances that are characteristically delicate, evocative, and absurd. He uses his own instruments, crudely assembled from materials such as reeds, whistles, bin bags, fans, and air compressors, alongside loose performative structures, to respond to places and situations. He plays in Al Fresco (with Lia Mazzari and Tom White) and regularly collaborates with Ben Pritc…

**300 copies** A new work by David Jackman (Organum), Herbstsonne consists of a single 47 minutes long track which is the result of recording sessions at RMS Studios South London in 2018. Using the sounds of tanpura, piano, organ and bells the music perfectly captures the title of the piece which translates to Autumn Sun. Precision editing by Alan Jones. Excellent artwork by Jonathan Coleclough. "It is very easy to misunderstand David Jackman. Well, also to understand him, really. I don't ‘get’ …

**300 copies** Time Out of Mind represents one of the most important chapters in the story of Ora. Recorded during the 1986-1996 time frame, it has been almost entirely unheard until now. The album collects unreleased tracks, field-recordings and sketches, significantly taken with portable recorders. This methodology would become the basis of more elaborate studio pieces in the future, and in itself it clarifies an important formative stage of the work of Ora: the habit of often using outdoor pe…

Back in August of 2015, the legendary London Grand Seigneurs of improve pioneers, AMM (John Tilbury and Eddie Prévost) joined forces with Lebanese electro-acoustic-free-jazz outfit "A" Trio (Mazen Kerbaj, Sharif Sehnaoui & Raed Yassin). Two generations of improvisers with a very differing approach to work, captured dancing slowly along a very thin line of fine tuned, both, clear and crackling improvised sounds. Harsh at times with magic mellow moments of intense, fragile, broken noises. No overd…

Edition of 300 copies. 3 CD set with booklet. Compilation including Nurse With Wound, Asmus Tietchens, Ralf Wehowsky, Thurston Moore, Merzbow, Jim O'Rourke and many more reworking of The New Blockaders's legendary LP from 1982.  Changez Les Blockeurs has attained a somewhat mythical / legendary status (Record Collector magazine included it in a list of the rarest, most collectable records ever) and 2017 was the 35th anniversary of its original release. In celebration of this, TNB invited some of…

Title and concept play against Extrapool's short-lived Zonder Stroom programme (performances entirely without electricity). One bleak winter afternoon the trio decided to do the inverse, using every keyboard, synthesizer and piece of electronics they could lay hands on. The album collects mixes and remixes of that single session: a joyful, dense electroacoustic improvisation with Richard Youngs's experimental folk instincts threading through de Waard's and Nÿland's electronic vocabulary.

2016 Release. The kings of UK confrontational Noise Music, The New Blockaders, surface yet again with these 2012 recordings, which features two lengthy performances captured in venues in Nottingham and London respectively. The first was part of the Broken Flag Festival held that year, the second as part of the Harbinger Sound Festival. That information alone might be helpful to put these recordings in context after all Steve Underwood, the owner of Harbinger Sound, had just published his first (…

The first official release of the June 1970 Montreux Jazz Festival concert featuring trumpeter Ian Carr’s pioneering Nucleus performing with US vocalist Leon Thomas on a set of Thomas’ repertoire. The collaboration with Thomas is (in Ian Carr's words) a combination of the “rock thing...with the roots of the music”. The set kicks off with "The Creator Has a Master Plan," originally the thirty minute plus opus found on Pharoah Sanders' 1969 album Karma. This version although only half the length i…

Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music. Between pure noise and electronic beats, 'Viral Shedding' creates a twisted and percussive rhythmic urge, a funky disco sound permeated by digital industrial beats. Nigel Ayers and Caroline K take their inaccessible best and thrown it into the melting pot with a set of pumping rhythms. The result is the frustrated son of mutant disco, swimming i…

"Songs of Love and Revolution" was a big step forward for Nocturnal Emissions, having a full colour cover and turning their sound further towards electronic pop music. Classics such as "No Sacrifice" and "Never Give Up" have made this an essential album for every fan of electronic music. As Nigel Ayers reminds, they were buying lots of equipment at the time and seemed to have naturally acquired some skill over the years so they thought, ‘Let’s make some pop music.' He continues: "The Miners’ Str…

Few copies, sold out at source. Additional contribution from Toshimaru Nakamura (no-input mixer) recorded by Steve Bates and David Sylvian, Montreal. Tubular bell and concert bass drum recorded by Matthew Sansom, Surrey University, 2006. Original text by Bernard Marie Koltès. Compositional structure by Mark Wastell. Mixed and mastered by Rupert Clervaux. Personnel: Rhodri Davies - lap harp, table harp, vibraphone, radio; David Sylvian - voice, vocal treatments, electronics; Mark Wastell - tam ta…

Temporary reduced price **Pressed on 180gm Vinyl, includes a Download Voucher** Eno's solo debut, Here Come the Warm Jets, is a spirited, experimental collection of unabashed pop songs on which Eno mostly reprises his Roxy Music role as "sound manipulator," taking the lead vocals but leaving much of the instrumental work to various studio cohorts (including ex-Roxy mates Phil Manzanera and Andy Mackay, plus Robert Fripp and others). Eno's compositions are quirky, whimsical, and catchy, his lyric…

Sharing their vision over lengthy living room guitar sessions and evenings of cold wine in Fado taverns, Gunn and Mike Cooper created Cantos de Lisboa, an album with variable vernacular shades and musical forms from Portugal’s antiquity. Cantos means “corner” in Portuguese, as well as “chant” or “song” (this latter meaning evolved from the Latin antecedent referring to stanzas of verse in poetry). For two artists whose roots lie in the country blues and its subverted offshoots, the proverbial “c…

**edition of 300, 180gr. vinyl, hand-assembled** Recorded especially for Preserved Sound in Hebden​ Bridge, ​Arrow is sound of Richard Youngs alone at the piano, embellished with sparse drums and an old organ. This collection of solo improvisations is all about capturing the moment – that piano and that afternoon in Hebden Bridge.“I sat down at the piano and just played,” says Richard. “No preconceptions, nothing worked out. I wasn't trying to achieve anything other than to enjoy playing the pia…

Courtesy of the same folks who reissued that crazy 'Killing Melody' LP comes an amazing outing from British bluesman Mike Cooper. Since the early 60s he's been active supporting American blues artists such as Jimmy Reed, and Howling Wolf on their UK tours besides earning a crust backing many homegrown R&B bands. He also mastered the steel blues and Hawaiian lap guitar before veering into more avant-garde territory during the 80s, consolidating his various styles into a unique sound. The tracks h…

Edition of 200 numbered copies Fans of Noise music will need no introduction to the work of The New Blockaders. Ron Lessard, of legendary US Noise label RRRecords, once stated, ‘I’d give the nod to TNB as being the first truly devoted Noise artists.’ In the early '80s, they laid down the gauntlet for the likes of Merzbow and Hanatarash et al to pick up later and their influence on the current crop of popular crossover Noise artists such as Wolf Eyes is immeasurable.In 1984, TNB collaborated with…

Ramleh's Gary Mundy has been rather prolific in recent years with his solo Kleistwahr project. As with his main concern, there's a deep-seated interest in pushing the parameters where certain sonics can fall into a seismic vortex of sheer overload yet remain tethered to a knowing sensibility where greater power can be derived from simply holding back. Since the incredible This World Is Not My Home album in 2014 Kleistwahr has embarked on a single-handed mission to not only take such possi…

Collecting two songs from the long out-of-print, ultra-limited 10" lathe-cut released in spring 2017 on New Zealand Independent Woman Records, "Broken and Beaten in 5/8 Time Part 1. Beaten" and "Broken and Beaten in 5/8 Time Part 2. Broken", plus two previously unreleased tracks exclusive to this release. Generally more refined than previous Kleistwahr work, the pieces here catch Gary Mundy (also of Ramleh and Broken Flag Records) furrowing his distinct and recognizable take on a kind of contemp…

2016 Edition. These past few years have been a busy hive of activity for Sutcliffe Jugend with the release of some really intriguing albums and captivating live aktions. It was during this period that saw the band develop and progress into a more mature sound and style. Through the creative implementation of complex structures and new sound elements, they have evolved into genre defying styles, while still not losing elements of the old PE strain of harshness of sound and lyrics. It was also dur…