Music from United States

LP version. "My mentor for mind liberty and overall follow-your-heart, and guitar maestro Robbie Basho has a new album. Well, not exactly, he’s been dead for 25 years, but about a month ago, the Smeraldina Rima label had reissued his brilliant 1984 release Twilight Peaks album.Little known upon its release on cassette only, TP quickly vanished into the great amnesia of the world, the reissue does a great justice to one of his truly great albums.The sound is full of reverb, huge like the mountain…

CD edition: Flux is the 1981 debut solo outing of Robert Turman, an American multi-instrumentalist and avant-garde composer. Until recently, Turman was perhaps best known for his contributions to the ballistic NON project with Boyd Rice, as well as other obscured U.S. industrial acts such as Z.O. Voider. In the summer of 1981, Turman decided he would take a drastic turn from the noisy/electronic/industrial work of his compatriots, and began work on what is now the classic Flux cassette. Flu…

Prurient (aka noise musician Dominick Fernow) has become one of the most well-known and influential names in the noise field. Anti-technology and anti-electricity. An unconventional use of banging objects together to create music; playing with live wire, pennies, frying pans, toolboxes, scrap metal, and used shotgun shells are an example of some of his instruments he has used before. On this new material sounds and voice gradually emerge, in a distant and threatening outhouse.

**Limited edition of 300 including two inserts** The first release on Ricerca Sonora is a new album by the important American Avant-Garde figure Philip Corner. A contemporary of John Cage, Corner studied composition with Henry Cowell and Otto Luening and musical analysis with Oliver Messaiaen. He was a founding member of the Fluxus movement, founder (with James Tenney and Malcolm Goldstein) of the Tone Roads Ensemble, the resident musician and composer for the Judson dance theatre, and co-founde…

Five pieces for Computer Controlled Modular Synthesizer and Digital Signal Processing. Composed and recorded from February 2010 – April 2011 in Brooklyn, New York. 'esstends-esstends-esstends' is a collection of spatial compositions in which audio focal points shift between external and internal emanation sources. The intent with this work is to escape the stereo image and create an activated listening space of expanded spatialization. Using just intoned pitch combinations to produce diff…

Sonic Youth's Kim Gordon and XO4 and VAMPIRE BELT's Bill Nace team up for the third time (they also released a cassette and did a FEVER cover) showing no band needs a drummer to trash or mildly shake brains!basement jams after listening to basement jams, deep down in the deepest basement of the valley, 2 guitars fighting for a place on a chubby cassette recorder while the ultra no wave vocals of Kim Gordon ghostride thru a pretty packed parking lot.a throw back as well to early raw Sonic Youth d…

Nicolas Humbert and his co-author Marc Parisotto decided to make a further montage of the readings and songs for the album "Roots Run Deep". There are short stories and poems set to music, beautifully interwoven with the music Yusef Lateef had played during the shooting of the film "Brother Yusef". "I return as in a dream of a great American musician" says the old man in a great passage about Lester Young, as sounds and words melt into one song, drawing us closer to the aura of a great ja…

FLEXI DISC // CLEAR // 33RPM // SQUARED // 1 SIDE // 1 SONG  handmade clear screen-printed cover on holographic paper, killer modular synth experiments by Brooklyn's "Venezuelan in-exile" and No Fun label boss Carlos Giffoni

There's a disarming honesty to the way Michigan-based husband and wife duo Windy & Carl communicate with one another. A blog post from Windy, published in late 2011, describes the making of We Will Always Be, framing it in the context of their relationship. "Yeah, we have had bumps in the road, and on occasion it seems as if we may never recover from these bumps, but we do," she wrote. That type of candor doesn't stop at the written word; it also bleeds through into the duo's music. Often their …

Few copies available, sold out at source - Homage To The Pointed Waveforms is the final release in a series dedicated to specific sound waves. Following Square (2008) and Sine (2009), ...Pointed Waveforms explores composition with triangle and sawtooth waves through studies of a dense modular system. Variations were performed live in Barcelona, Brussels and Madrid during spring 2011, but this LP is the next step. Side A contains a version of the piece that was conceived for the shows, whi…

John Duncan was born in Wichita, Kansas and arrived in Los Angeles in the mid-1970s, where he became closely associated with the Los Angeles Free Music Society, working with Tom Recchion, Fredrik Nilsen, and Joe Potts. His early practice combined radical performance work, live radio experimentation over KPFK's Close Radio with Paul McCarthy, and an obsessive engagement with shortwave radio that would define his sound for decades. He left the United States for Tokyo in 1982, continued work with p…

Three of John Cage's late number pieces, Five, Seven and Thirteen, recorded in 1993-94 by Essential Music of New York and released for the first time. Thirteen, Cage's final completed work, is heard in only its second recording.

Philip Corner (b. 1933) is an American composer, musician and visual artist. His teachers include Henry Cowell and Olivier Messiaen. While on military duty in Korea in 1960-1961, he studied calligraphy with Ki-sung Kim and many of his works have calligraphic scores. A founding member of Fluxus, Corner has performed with George Maciunas, Dick Higgins, Yoko Ono and Nam June Paik. From 1967 to 1970 he taught the course in Experimental Composition at the New School for Social Research, which John Ca…

"Modern Jester" is quite possibly the culmination of everything we've heard from Dilloway that's come before it. A hyper-focused monolithic double LP that distills all past phases of inspiration into a harrowing, but strangely beautiful journey.” Fred Thomas, All Music Guide "From short bursts to long-form, hallucinatory epics, it's a sprawling collection that highlights every facet of Dilloway's considerable arsenal. One of the album's two side-long attacks, ‘Look Over Your Shoulder’ is …

Double LP edition: Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of be…

"Frkwys Vol. 6 features four pieces composed and performed by artists Julianna Barwick and Ikue Mori as part of a month long installation curated by RVNG Intl. at White Columns gallery, New York City, NY. For the installation, a particle board cubicle was custom constructed and placed at the center of the Project Space. The cubicle wall separated Julianna and Ikue to their respective seated work stations, while stationary web cams captured the musicians at work/play and became interactiv…

The full-length player of FRKWYS Vol. 7 features pieces improvised in various forms by David Borden, James Ferraro, Samuel Godin, Laurel Halo, and Daniel Lopatin. When Lopatin (Oneohtrix Point Never, Ford & Lopatin) and RVNG Intl. began discussing this FRKWYS collaboration, Borden's work in Mother Mallard's Portable Masterpiece Co. and his seminal Music For Amplified Keyboard Instruments album were mutually / ecstatically acknowledged. While rooted in academia, Borden's minimalist compositions d…

"Volume 8 in the ongoing FRKWYS series on RVNG Intl. is a double album-length collaboration between Blues Control and Laraaji. Following the 'fodder first' tradition of previous FRKWYS installments, Vol. 8 was birthed over e-mail dialogue between RVNG and Russ Waterhouse and Lea Cho of Blues Control. Blues Control's evolved output gracefully arcs with influence and innovation that gleams electronic, New Age, and hard rock terrains. Laraaji's name came up early in that conversation and felt intri…

The next chapter for the trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi, extending the power-trio strategies of their previous LP with intense music that transcends rock and electronic music. "The yearly summit of Keiji Haino, Jim O'Rourke and Oren Ambarchi continues with Imikuzushi, which finds the group extending the power-trio strategies of 2011's highly-praised In A Flash Everything Comes Together As One There Is No Need For A Subject (BT 005LP) and bringing to them a newly-sustained in…

"Certain musicians names can speak for themselves, before even a note of music has been played. Their reputations proceed them, although of course there will also be those ignorant of both reputation and name. David Maranha - solo or with Osso Exotico - explores the territories opened up half a century ago by John Cale and Tony Conrad. Z'ev is the grandmaster of industrial/ tribal percussion. The fusion they create together is a magma of movement and stasis before which only legless cripp…