Music from United States

First edition of the 1995 noise-fest dedicated to the Japanese king of noise from RRRecords owner Ron Lessard under his recording, using Merzbow's sounds as source material, released in the "Pure" series of his label.

First album by American post-industrial band released by No Crust Productions in 1987 and never re-issued on either LP or CD. With insert.

2002 CD-only release on Duncan's own Allquestions label by the seminal industrial/performance artist's shortwave composition.

2000 CD-only double set co-released on the musicians' own Allquestions and .Absolute. labels with two long pieces, one by each composer using sound material created by both.

2001 CD-only release on Duncan's own Allquestions label of the seminal industrial/performance artist's collaboration with the Italian partner.

2004 CD-only release on Duncan's own Allquestions label of the seminal industrial/performance artist's collaboration with the American composer.

2004 CD-only release on Duncan's own Allquestions label of the seminal industrial/performance artist's collaboration with the British composer and member of Wire.

2005 CD-only release on Duncan's own Allquestions label of the seminal industrial/performance artist's collaboration with Pan Sonic.

Original UK edition of the scary third album with a deeper gothic atmosphere by the divine avant-garde American singer, released by Mute in 1986.

2008 DVD released by Troniks with ten videos made between 1983 and 2006 by the Canadian conceptual noise artist, founder of the Haters.

On Cosmos Nucleus, Carlos Garnett turns his cosmic post‑Coltrane fire into a large‑ensemble manifesto: six expansive tracks where Pharoah‑like spiritual cries, funk currents and celestial brass fanfares coalesce around the incandescent “Mystery Of Ages.”

On Hidden Fire, Sun Ra turns the late‑’80s Arkestra into a digital seance, using Yamaha DX7 shards, strings and haunted vocals to swap cosmic swing for dissonant ritual, opening one last, ominously glowing portal in his Saturnian saga.

Ultra-rare first album of mysterious and floating psychedelic electroacoustic music with enchanting female vocals by the wondeful Dusty Lee project after the Kangaroo Kourt, self-released on Refraction Sound in 1990 with hand-painted covers. Fantastic.

1991 first edition on Refraction Sound of the CD compiling selected tracks form the first two very rare albums of mysterious and floating psychedelic electroacoustic music with enchanting female vocals by the wondeful Dusty Lee project after the Kangaroo Kourt.

2000 CD-only album on Ventricle of mysterious and floating psychedelic electroacoustic music with enchanting female vocals by one of the many Kangaroo Kourt's Dusty Lee projects with different names after of parallel to the Mauve Sideshow, with silver foil cover.

First LP by Deborah Jaffe's sexually-charged fetish/industrial project, released by RRRercords in 1987 in an edition of 1000 copies.

It happens very rarely that you can praise a records without any reservations, this is the case here!!! A lot of ink has flowed across the page since the Vogue/Swing release (1955) of that founding solo record. The repertoire was made up of pieces that Thelonious was playing in New York over that period, but in trio or with a quartet, here his music shows nakedness, i should say crudeness, whisch is completely overwhelming. It is a balck and white photograph of what is happening inside Monk's he…

From the streets of Brooklyn comes La Fantástica, a brash, big‑band Latin orchestra whose debut on Joe Bataan’s Ghetto Records produced an underground salsa gem laced with unexpected psychedelic soul. Originally released in 1971, From Ear To Ear pairs hard‑driving Latin rhythms with the beguiling, English‑language slow‑burn of “Latin Blues,” a track that blurs salsa, soul, and psych textures. Ghetto Records was Joe Bataan’s bold bid for independence — a label born from frustration with an indust…

Dive into the vibrant soundscape of the 1970s with “Change Up the Groove”, a hidden gem from Roy Ayers Ubiquity's early years on Polygram. Often overlooked compared to his more famous records, this work overflows with soul and is a true masterclass in fusing jazz and funk, perfectly capturing Ayers' evolution as he connected his jazz roots with the sharp, driving rhythms of 1970s funk. From the very first track, Ayers' signature vibraphone shines brightly, bringing emotion and rhythm. The album …

Second single by John Zewizz's morbid post-industrial band doing a cover of Daniel Miller / The Normal's classic, self-released on Inner-X-Musick in 1985 in a numbered edition with booklet cover.