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Composed Nature / Yokomono Pro
Composed Nature / Yokomono Pro documents the collaboration between Dutch collective Staalplaat Sound System and Lola Landscape Architects, merging site-specific sound art and environmental composition in the lineage of Christina Kubisch and Bill Fontana.
5 haiku
5 haiku is the latest development of Glauco Salvo’s former solo project Of Rivers And Trains, in which the acoustic textures provided by banjo, e-bowed zither and playback devices are shaped by the metrical patterns of haiku poetry. Recorded by Attila Faravelli in a natural set such as the woods of Romagna Apennines, these five unique pieces explore the acoustic properties of space in a constant dialogue between composition and soundscape, folk and experimental music, acoustic and electroacousti…
Sound_Shifting
CD comes with a 90-page catalogue released on occasion of the exhibition Sound-shifting by Möslang/Guhl at the Chiesa San Stae as part of the Swiss contribution to the 49th Venice Biennal 2001. During the preparations for their installation on the occasion of the 49th Venice Biennal in the Church San Stae in Venice, the Swiss artists Norbert Möslang and Andy Guhl, also known as the band Voicecrack, the artists did a series of video takes. This painterly series constitutes the main bulk of this a…
Mema Verma
[mema verma] is the final step of a study about an indian shruti box G (low) tuned, mostly used without emitting any note (as in the first two tracks, sampling and processing the breaths, whistles and noise produced by the reeds. The third track, is the only one in which the shruti is played in a more standard way, as well as its sound was recorded through a set of very old mid-range speakers, later sampled and processed. A split into three tracks but the whole project is sort of a metam…
Etrurya
The freaky merge of Psycho, Italo and Disco beats, drawn by synthesizers and drum machines dated 1980, driving you into a fancy trip of shady scenario.Lamusa is an Italian producer who loves create melancholy mirages; there is a warm quality to his sounds, it’s warped, glossy stuff that is innocuous for just long enough to make you feel uneasy, like glimpsing an alternate pop universe.Recently selected for Red Bull Music Academy Paris 2015.Acid, darkness, overnight mermaids swimming at 100b…
Ex-
Pequod are an acoustic quartet (Antonio Bertoni – double bass, Federico Robol – bass flute and soprano sax, Luca Santini – cornet, Massimo Valentinotti – prepared guitar) formed in 2010, conceiving their music on a continuous tension between writing and improvisation and focusing their research on the sonic interaction between objects and spaces. After five years spent performing and collaborating with some of the major figures of acoustic improvisation like Seijiro Murayama, Enrico Malatesta, B…
The Nimply Power Sessions
Until now, Sir Ashleigh Grove has been shrouded in mystery, having only appeared on a handful of legendary compilations on labels such as Broken Flag in the early-mid 80's and having briefly collaborated with The New Blockaders before inexplicably disappearing without trace around 1984. Sir Ashleigh's work has been compared to other Power Electronics artists of that era, in particular Whitehouse, Sutcliffe Jugend and Ramleh (Sir Ashleigh, in a live collaboration with TNB, supported Whiteh…
Alchemy To Our Days
**shipping the next week** Metzengerstein is a Tuscany-based trio including members of art collective Ambient-Noise Session who had their debut tape Albero Specchio released by Expo 70 Justin Wright’s Sonic Meditations back in 2013 (and recently on wax by Harsh). Alchemy To Our Days is a brand new sixtrack album where the band explores hallucinating sounds and ritual, mythological abstractions even deeper. Featuring field recordings from the Temple in Jerusalem collected by Giovanni Lami, sax in…
Screuma / Chilli Song
Witcyst returns with Screuma / Chilli Song, a surreal blend of tape manipulation, noise, and outsider pop sensibilities, further cementing his status as a true original.
CharleBelllzzz at Saint Thomas (Golden 666)
Presented in tri-fold digipak sleeve. Alga Marghen presents the "sixSIXsix"th installment of its Golden Research Charlemagne Palestine archive series: CharleBelllzzz at Saint Thomas. These previously unreleased recordings of Palestine's "Bells Studies" are both some of his earliest recordings and some of his darkest and most accomplished works. In 1963, while attending The High School of Music & Art in New York, the 15-year-old Palestine was asked if he'd be interested in playing a 26-bell caril…
The New Today
*2LP Edition of 700 copies, includes a free download of the album dropped into your account* Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of 'The New Today', his 4th solo album in this guise. Where its predecessor, 'Air Jordan', also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, 'The New Today' draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was lat…
Numinal Entry
** Edition of 300 ** This is the second release from the Halatern, Etc. label, run by Keith Connolly (of NNCK/No Neck Blues Band fame). Tom Carter requires no introduction (those who are curious are encouraged to visit the historically rich wholly-other.com). Of late, his Kazuyuki K. Null meets Franco Falsini excursionary instrumentalism has taken on an increased luminosity, due in no small part to some unexpected time spent at a certain house on the borderland. In his own words: "Information-in…
Burmese Days
Over the past several years, Vienna-based composer / producer Peter Kutin has been working intensely at the little-explored junction between sound art and journalism / documentation. Focusing on sonic experiences in extreme or exceptional conditions, Kutin explores both the physical and psychological impacts of such extremes on how we hear. Later translating or orchestrating these experiences into sound. Despite his age, Kutin has already seen (and heard) many lost corners of the world, having r…
Farewell said I rising
Another lovely release from Upside label, responsible of the "fantastically primordial soup of dismantled and unstable rhythmic electronics and fractal synth patterns" as Boomkat said while reviewing Nastro / Here’s a very mysterious one-sider from Italian duo CYMBLS, their debut, so information about them is scant. There are five tracks on here which mix Italo-horror atmospheres with an earthy, freewheeling avant-minimal aesthetic as they melt between passages of bright, reverby organ, breathy …
Blikken van MSS Prijzen issue 1
After a short break after the monthly Mss Meestered zine, this is the first issue in a new series of visual and aural travel reports, mostly because the author would forget what happened on these travels otherwise.. This first issue was made in iceland during the last weeks of august (2013), it includes off set printed (rather colorful) drawings of melted alien elfs, bearded village druids, empty landscapes, and a ridiculous cake drawn under the influence of magic mushrooms, it also includes ris…
Figures without ground
200 copies Figures Without Ground is the third in a series of three releases, across three labels and three formats, representing a total of six compositions. The first two releases in this series were Music for Cinema (cassette, YDLMIER), and Mild Disappearances (CD-R, Songs From Under the Floorboards, a sub-label of Intransitive Recordings). The two sides of Figures Without Ground represent a major transition from one mode of composition to another.
The cover of the album is a porcelain piece…
Alpes
Alpes is a visionary collaboration between French ensemble GOL and the legendary Ghedalia Tazartes, merging ritualistic chants, electronics, and improvisation in the spirit of Nurse With Wound and Brigitte Fontaine.
Szenen, standbilder. works 1991 – 2009
German composer Michael Reudenbach's works and studies from 1991-2009 are presented in a six-panel digipack with a 22-page booklet of notes, images and photos
Indra's Net
A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber