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Electronic /

A:05-07
2008 release **
L'Océan Rêve Dans Sa Loisiveté <<Second Session>>
2017 release **  In this new album—titled *L’Océan Rêve Dans Sa Loisiveté "second session"* and following the first chapter released in 2014—the soundscapes are incredibly ethereal and hypnotic. The material defies easy categorization, yet this is by…
Eight Pieces For The Buchla 100 Series
2021release ** The historic Buchla 100 series modular synthesizer was buit by Don Buchla in California in early 1960´s. An instrument intended for electronic music performance that together with the Moog Modular is one of the most important synthesiz…
SLG3
On SLG3, Juan Manuel Cidrón returns to vinyl with four long-form electronic landscapes shaped by analogue circuitry, minimal pulse and cosmic drift. The Almería synthesist turns S, L, G and 3 into open territories - desert-wide, elemental and quietly…
KCRW Session
On KCRW Session, Oneohtrix Point Never’s MYRIAD Ensemble re‑imagines four Age Of‑era pieces as live, tectonic mini‑epics. “Love In The Time Of Lexapro,” “RayCats,” “Toys 2” and “Chrome Country” are stretched, bent and coloured by a full band - Kelly …
We'll Take It
“We’ll Take It” is Oneohtrix Point Never’s most terrifying hydraulic banger on Age Of: a car‑dealership nightmare where late‑stage consumer desire turns into industrial, post‑digital overload. Swerving drums, “sideways ragtime” piano and mangled voca…
Discursive Rhythms: One and Twelve Durations
2006 release ** Edition of 150 numbered and signed copies. Twelve one-minute tracks from an audacious emerging west-coast artist.
Error
2006 release (storage wear) ** Oversize booklet cover. The history of our music is arguably defined by a tendency to push things to the extreme—by the ability to transform what might once have been dismissed as mere flaws into genuine new qualities. …
Few Words Are Enough EP
*50 copies limited edition* Following last year's debut LP, Almost An Island, released on Past Inside the Present, the trio of James Bernard, Cynthia Bernard, and Kenneth James Gibson return with the three-song EP Few Words Are Enough. The collection…
Poem 1
On Poem 1, Ana Roxanne strips away the ambient haze of her earlier work to place her voice, naked and close‑mic’d, at the center of a heartbreak record. Slow, piano‑led ballads, a Schumann lied recast in synth‑chamber light, and one Lynchian jazz cen…
Perfekt Termisk
Art Edition. Limited edition of 10 numbered copies, each with a unique illustration from a 1922 book, where the original artwork for the records was also taken from. The sound material on this record is made with recordings of internal sounds found i…
Five Ritual 20240601 / Devil's Gate
Controlled Death is the dark side project by the Japanese noise legend Maso Yamazaki a.k.a. Masonna. Here with a new tape in a deluxe metal box. Also contains a poster. Play loud!
Japan Live
LP version on 180 gram vinyl. After Curiosum (BB 038CD/LP, 1981), the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music …
Issue 139 (Magazine + 7", White)
Electronic Sound Issue 139 arrives with Scritti Politti legend Green Gartside on the cover, bundled with an exclusive limited edition gold vinyl seven-inch featuring two of the group's much-loved mid-1980s classics: Wood Beez (Pray Like Aretha Frankl…
Hot Concrete On Soft Skin
*200 copies limited edition* Recorded at Cool Anatomy and Slithis Studios by HH and AQ
The Advantage of a Bad Memory
Released on 6 panel digipak CD in a limited edition of 200 copies
[23] Re-Edit
*300 copies limited edition* Released on CD with 16 pages A5 booklet.
The Old King of Witches
On The Old King of Witches, Old Tower pares dark ambient down to its bones and dresses it in ‘90s deep electronics. Following a “stranger” lured through moss‑choked forests and caverns by reclusive witches, the album becomes a fiction of time stasis …
The World Is Empty, the Heart Is Full
On The World Is Empty, the Heart Is Full, Raspberry Bulbs strip away excess and come back sharper, crueler and strangely more tuneful. Eleven compact songs fuse metallic edge, noise‑rock abrasion and post‑punk unease, with venomous vocals lashing out…
Chaos Is a Law
On Chaos Is A Law, Bob Bellerue treats feedback and rupture as a kind of secular mysticism. Macrotonal drones, rasping noise and inharmonic vortices surge, implode and re-form, turning piano wires, metal and amplifiers into a single, volatile organis…